Inland Empire with David Rees
November 24, 202403:05:09

Inland Empire with David Rees

Only on Blank Check would an episode about David Lynch’s deeply destabilizing INLAND EMPIRE turn into a heartfelt celebration of creativity and the human experience. David Rees joins us and brings receipts - including literal receipts for every movie ticket he purchased in 2007 and his high school newspaper review of Twin Peaks (a pan) - as we gush about David Lynch’s singular position in American culture. Plus, we delve into tons of Laura Dern context, discuss dreams where you inhabit a different person, and spend an inordinate amount of time talking about the Snuffy Smith comic strip.


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[00:00:21] [SPEAKER_00]: Some podcasts change. Well, they don't change, they reveal. They reveal themselves over time, you know?

[00:00:29] [SPEAKER_02]: Kind of a low energy.

[00:00:31] [SPEAKER_02]: You didn't want to do like brutal fucking podcasting, something like that.

[00:00:37] [SPEAKER_02]: I'm trying to think of like, it is true that even though Inland Empire has lots of dialogue, it's not like a movie where I'm like so quotable.

[00:00:44] [SPEAKER_01]: Bam! I kicked him straight in the podcast so hard they go crawling into his brain for a refuge.

[00:00:49] [SPEAKER_01]: He went down like a $2 whore.

[00:00:52] [SPEAKER_01]: Um...

[00:00:53] [SPEAKER_01]: There are consequences to one's podcasts, and there certainly would be podcasts to wrong actions.

[00:00:59] [SPEAKER_01]: I have fucking bullet, whatever, who gives a shit?

[00:01:02] [SPEAKER_01]: What would you do, Sims?

[00:01:04] [SPEAKER_01]: I would just do this.

[00:01:05] [SPEAKER_02]: I would just do brutal fucking podcasting.

[00:01:06] [SPEAKER_01]: Okay, see, Ben's right. This is the right way to open with a quote for this movie is,

[00:01:10] [SPEAKER_01]: an eerie stare.

[00:01:12] [SPEAKER_01]: Yeah, can you do it for me? Thank you.

[00:01:14] [SPEAKER_01]: And with the teeth out.

[00:01:15] [SPEAKER_01]: The teeth.

[00:01:15] [SPEAKER_01]: You're doing the, trying to do the teeth out.

[00:01:16] [SPEAKER_01]: And just imagine like holding a light bulb two inches below your chin.

[00:01:21] [SPEAKER_01]: Just blowing your face out.

[00:01:23] [SPEAKER_05]: You could say, hey, this feels just like dialogue from our podcast.

[00:01:27] [SPEAKER_01]: That is good.

[00:01:29] [SPEAKER_01]: How many times have you seen this movie?

[00:01:31] [SPEAKER_01]: Three times.

[00:01:32] [SPEAKER_01]: Okay.

[00:01:33] [SPEAKER_02]: I've seen it four times.

[00:01:34] [SPEAKER_01]: Well, it's not a competition.

[00:01:35] [SPEAKER_01]: Well, you kind of set it up like one.

[00:01:37] [SPEAKER_01]: No, because I feel like our guest today.

[00:01:41] [SPEAKER_01]: The movies we've had you on for you're very particular, but when you come on, it has to

[00:01:44] [SPEAKER_01]: be kind of a totemic film.

[00:01:46] [SPEAKER_05]: We always to me, it does doors wide open.

[00:01:49] [SPEAKER_01]: And there are other things we've kicked around that you've almost done, but it feels like

[00:01:52] [SPEAKER_01]: it has to be the right kind of thing.

[00:01:53] [SPEAKER_01]: But I also feel like despite the fact that you were a man who is very thorough, dare I

[00:01:59] [SPEAKER_01]: say can be obsessive within certain passions and interests.

[00:02:03] [SPEAKER_01]: I think there is a ceiling on how many times you watch a movie.

[00:02:06] [SPEAKER_01]: So even the movies that are the most impactful for you, I feel like you've never gone beyond

[00:02:11] [SPEAKER_01]: five.

[00:02:12] [SPEAKER_01]: Is that right?

[00:02:13] [SPEAKER_01]: You're not really a big rewatcher.

[00:02:14] [SPEAKER_01]: 28 days later episode.

[00:02:16] [SPEAKER_01]: I feel like you said that was the most you've ever watched.

[00:02:18] [SPEAKER_01]: And it was at five times.

[00:02:19] [SPEAKER_01]: That's my memory.

[00:02:21] [SPEAKER_05]: So I think I've seen, yeah, 28 days later, five times.

[00:02:25] [SPEAKER_05]: And I think I don't think I've ever seen a movie six times, but I think there's multiple

[00:02:29] [SPEAKER_05]: movies I've seen five times.

[00:02:30] [SPEAKER_02]: Not even as a kid, you wouldn't watch like, you know, whatever, some comedy.

[00:02:35] [SPEAKER_02]: Well, we didn't have a VCR for a long time.

[00:02:39] [SPEAKER_02]: Sure.

[00:02:39] [SPEAKER_02]: And you probably didn't have like cable.

[00:02:41] [SPEAKER_02]: No, my parents did not pay for it.

[00:02:43] [SPEAKER_01]: So no control.

[00:02:44] [SPEAKER_01]: You're at the mercy of the network program.

[00:02:47] [SPEAKER_01]: Right.

[00:02:47] [SPEAKER_01]: Yeah.

[00:02:48] [SPEAKER_01]: Right.

[00:02:48] [SPEAKER_02]: Flipping around watching the same movies over and over again.

[00:02:50] [SPEAKER_01]: There was no like going to see Star Wars six times in theaters.

[00:02:54] [SPEAKER_05]: No, that would have been an indulgence that would have been beyond my parents imagination.

[00:02:58] [SPEAKER_05]: But I wonder over the course of my life, have I seen Star Wars like all the way through

[00:03:03] [SPEAKER_05]: five times?

[00:03:05] [SPEAKER_05]: Possibly.

[00:03:06] [SPEAKER_02]: But then we're not talking about like, right, about that of like, yeah, through osmosis,

[00:03:11] [SPEAKER_02]: some movies are always playing.

[00:03:12] [SPEAKER_02]: The intentionality, I guess, is what we're asking.

[00:03:17] [SPEAKER_02]: I'm not talking about the person and being like, I'd like to see Star Wars again.

[00:03:20] [SPEAKER_02]: And they'd be them being like, you've already seen.

[00:03:22] [SPEAKER_02]: You've already seen it once.

[00:03:23] [SPEAKER_07]: We.

[00:03:24] [SPEAKER_02]: We.

[00:03:24] [SPEAKER_02]: The text is exhausted.

[00:03:25] [SPEAKER_02]: There's nothing more to see.

[00:03:26] [SPEAKER_05]: We budgeted that.

[00:03:27] [SPEAKER_05]: Like the outlay happened.

[00:03:28] [SPEAKER_05]: Right.

[00:03:28] [SPEAKER_01]: It was like we have Star Wars at home, except it was you have Star Wars in your memory.

[00:03:32] [SPEAKER_01]: Yeah, exactly.

[00:03:33] [SPEAKER_01]: Right.

[00:03:33] [SPEAKER_01]: You can watch it whenever you want.

[00:03:35] [SPEAKER_01]: That's why we paid for it the first time.

[00:03:36] [SPEAKER_01]: So it goes in there.

[00:03:37] [SPEAKER_05]: No, I saw Inland Empire the first time I the first and third times I saw Inland Empire

[00:03:44] [SPEAKER_05]: were two great, great experiences with movies.

[00:03:49] [SPEAKER_02]: Yeah.

[00:03:50] [SPEAKER_05]: I mean, when I when I when we were talking about David Lynch and and you said, are you interested

[00:03:55] [SPEAKER_05]: in any of these?

[00:03:55] [SPEAKER_05]: And I was like, I would do Inland Empire.

[00:03:57] [SPEAKER_05]: Part of what I was thinking was I have a memory of the first time I saw this movie as being

[00:04:03] [SPEAKER_05]: so.

[00:04:06] [SPEAKER_05]: Fucking great.

[00:04:08] [SPEAKER_05]: And since I agreed to do it, I was like, well, now I have to do my due diligence.

[00:04:11] [SPEAKER_05]: I should rewatch it.

[00:04:12] [SPEAKER_05]: I haven't seen it since it came out in the theaters, the fabled third time.

[00:04:15] [SPEAKER_05]: And I saw it the second time.

[00:04:17] [SPEAKER_05]: Oh, with friends, which was good.

[00:04:19] [SPEAKER_05]: And then the third time was.

[00:04:21] [SPEAKER_05]: Well, I can't wait to talk about the third time.

[00:04:23] [SPEAKER_05]: The third time was really special.

[00:04:24] [SPEAKER_05]: And I related I related to the movie in a way that I've never related to another movie.

[00:04:30] [SPEAKER_05]: And for me, it took the movie to a whole new level where all of a sudden, like this is

[00:04:35] [SPEAKER_05]: my this is my favorite thing David Lynch has ever done.

[00:04:38] [SPEAKER_02]: Then it's great that we have you here on what podcast?

[00:04:42] [SPEAKER_01]: Blank Check with Griffin and David.

[00:04:43] [SPEAKER_01]: I'm Griffin.

[00:04:44] [SPEAKER_01]: I'm David.

[00:04:45] [SPEAKER_01]: It's a podcast about filmographies, directors who have massive success early on in their careers

[00:04:49] [SPEAKER_01]: and are given a series of blank checks to make whatever crazy passion projects they want.

[00:04:54] [SPEAKER_01]: Sometimes those checks clear and sometimes they bounce.

[00:04:57] [SPEAKER_01]: Baby.

[00:04:58] [SPEAKER_01]: This is a miniseries on the films of David Lynch.

[00:05:01] [SPEAKER_01]: It is called Twin Pods Firecast with me.

[00:05:04] [SPEAKER_01]: Wow.

[00:05:05] [SPEAKER_01]: But I should say it is a miniseries on the films and television series of David Lynch,

[00:05:10] [SPEAKER_01]: because today we are talking about to date his final theatrical film, his final feature film.

[00:05:17] [SPEAKER_01]: But this miniseries is obviously far from over.

[00:05:19] [SPEAKER_02]: Wait, are you guys doing Twin Peaks?

[00:05:21] [SPEAKER_02]: Of course.

[00:05:22] [SPEAKER_02]: The whole, all of it?

[00:05:23] [SPEAKER_02]: It kind of can't not, you can't do David Lynch and not do Twin Peaks.

[00:05:27] [SPEAKER_02]: Are you doing one episode per episode?

[00:05:30] [SPEAKER_02]: No.

[00:05:30] [SPEAKER_02]: We are doing six total episodes on Twin Peaks.

[00:05:34] [SPEAKER_02]: Wow.

[00:05:35] [SPEAKER_02]: Plus Fire Walk with me.

[00:05:36] [SPEAKER_02]: That's right.

[00:05:37] [SPEAKER_02]: So seven, I suppose.

[00:05:38] [SPEAKER_02]: You guys are doing a complete rewatch of the whole shebang.

[00:05:41] [SPEAKER_02]: That is correct.

[00:05:42] [SPEAKER_02]: First time watch.

[00:05:43] [SPEAKER_01]: For me, first time watch.

[00:05:45] [SPEAKER_02]: And for Ben, for most of Twin Peaks.

[00:05:48] [SPEAKER_02]: For most of them.

[00:05:48] [SPEAKER_02]: Right.

[00:05:49] [SPEAKER_05]: Do you know what I have here, Griffin?

[00:05:50] [SPEAKER_05]: Well, we'll get to this.

[00:05:51] [SPEAKER_05]: Okay, we'll get to that.

[00:05:52] [SPEAKER_05]: But I have someone else's recollections of the first time they ever watched Twin Peaks.

[00:05:57] [SPEAKER_05]: When it aired.

[00:05:58] [SPEAKER_05]: Wow.

[00:05:59] [SPEAKER_05]: So we can get into that.

[00:06:00] [SPEAKER_05]: We can get into it.

[00:06:01] [SPEAKER_02]: We should talk about that.

[00:06:02] [SPEAKER_05]: Compare notes.

[00:06:02] [SPEAKER_02]: But yes, we are doing season one, season two.

[00:06:04] [SPEAKER_02]: And the return.

[00:06:05] [SPEAKER_02]: We're splitting the return into four episodes.

[00:06:07] [SPEAKER_02]: Yeah.

[00:06:07] [SPEAKER_02]: It's just quite a dense.

[00:06:08] [SPEAKER_01]: It's interesting because any other, I guess, look, when we did Wachowski and Cameron Crowe.

[00:06:15] [SPEAKER_01]: We did do their television shows.

[00:06:15] [SPEAKER_01]: The Wachowskis and Cameron Crowe.

[00:06:17] [SPEAKER_01]: And at those two miniseries, the most recent project they had done was TV.

[00:06:22] [SPEAKER_01]: And we did the seasons of their now largely forgotten TV shows.

[00:06:25] [SPEAKER_01]: Uh-huh.

[00:06:25] [SPEAKER_01]: And then we kind of went, we never want to do TV ever again.

[00:06:28] Yeah.

[00:06:29] [SPEAKER_01]: And so we made that a rule.

[00:06:30] [SPEAKER_01]: And obviously, the Wachowskis and Cameron Crowe hasn't made another thing.

[00:06:34] [SPEAKER_01]: But the Wachowskis did.

[00:06:36] [SPEAKER_01]: This is such a bizarre example of like, with other people, we'd be like, well, the series

[00:06:39] [SPEAKER_01]: ends with Inland Empire.

[00:06:41] [SPEAKER_01]: TV doesn't count.

[00:06:42] [SPEAKER_01]: Right.

[00:06:42] [SPEAKER_02]: Yeah.

[00:06:43] [SPEAKER_02]: But I mean, obviously, it's also, look, we did the Wachowskis and Cameron Crowe and they

[00:06:47] [SPEAKER_02]: didn't even like direct every episode of, but obviously, when Peaks the Return is, you

[00:06:53] [SPEAKER_02]: know, all directed by David Lynch.

[00:06:54] [SPEAKER_02]: He made it all as a giant project.

[00:06:56] [SPEAKER_05]: And it won an award at a film festival, right?

[00:06:58] [SPEAKER_05]: Like at Venice or something.

[00:06:59] [SPEAKER_05]: They gave it to him or it was on Sound as best movie of the year.

[00:07:02] [SPEAKER_02]: We'll talk about it.

[00:07:02] [SPEAKER_02]: But right.

[00:07:03] [SPEAKER_02]: Some people now try to sort of claim it as a movie.

[00:07:05] [SPEAKER_02]: I used to be very resistant to that.

[00:07:07] [SPEAKER_02]: Now that I know how he made it, I'm a little more open to it.

[00:07:10] [SPEAKER_02]: He didn't quite make it his traditional television.

[00:07:13] [SPEAKER_01]: Look, we're doing four episodes on The Return and one of them will obviously be entirely

[00:07:16] [SPEAKER_01]: devoted to whether or not it's okay to log it on Letterboxd.

[00:07:20] Right.

[00:07:20] [SPEAKER_01]: We'll spend a full episode litigating that.

[00:07:22] [SPEAKER_01]: It's an interesting conversation.

[00:07:24] [SPEAKER_01]: Yeah.

[00:07:24] [SPEAKER_01]: People love that kind of film analysis.

[00:07:28] [SPEAKER_05]: It's good.

[00:07:28] [SPEAKER_05]: Can you not put TV shows on Letterboxd or miniseries?

[00:07:30] [SPEAKER_05]: Really?

[00:07:31] [SPEAKER_05]: David.

[00:07:32] [SPEAKER_05]: What?

[00:07:32] [SPEAKER_02]: It's a contentious topic amongst fidgety nerds.

[00:07:37] [SPEAKER_02]: I mean, we're doing the bit now.

[00:07:39] [SPEAKER_01]: Largely you cannot.

[00:07:40] [SPEAKER_01]: People are so annoying about this.

[00:07:42] [SPEAKER_02]: Largely, television is not on Letterboxd because it's quite unwieldy, but certain projects

[00:07:46] [SPEAKER_02]: are.

[00:07:47] [SPEAKER_02]: Projects.

[00:07:48] [SPEAKER_02]: Such as Twin Peaks The Return that can...

[00:07:49] [SPEAKER_02]: That's allowed to be on Letterboxd?

[00:07:51] [SPEAKER_02]: Well, allowed is a funny...

[00:07:52] [SPEAKER_02]: It's a, you know, if you can smush stuff into their database, then, you know, it's not

[00:07:57] [SPEAKER_02]: like Letterboxd has total control over this.

[00:07:59] [SPEAKER_01]: People still fight this with the urgency of like, Donald Trump is lowering the esteem

[00:08:04] [SPEAKER_01]: of the office.

[00:08:05] [SPEAKER_01]: He is setting a precedent we will never be able to revert.

[00:08:08] [SPEAKER_02]: If I cannot log Twin Peaks The Return 50 times on Letterboxd, you know, why am I...

[00:08:13] [SPEAKER_05]: But Letterboxd is mostly for feature films.

[00:08:15] [SPEAKER_05]: It does...

[00:08:15] [SPEAKER_05]: You can't like go and look up...

[00:08:17] [SPEAKER_05]: Like, here's an interesting thing.

[00:08:18] [SPEAKER_05]: CSI New York on Letterboxd.

[00:08:20] [SPEAKER_05]: No.

[00:08:20] [SPEAKER_05]: It's not like IMDB where everything...

[00:08:22] [SPEAKER_05]: Okay, got it.

[00:08:23] [SPEAKER_01]: But here's an interesting thing on Letterboxd.

[00:08:25] [SPEAKER_01]: You cannot log Twin Peaks.

[00:08:27] [SPEAKER_01]: You can log Twin Peaks, the European cut of the pilot.

[00:08:34] [SPEAKER_02]: You can, which was sort of a theatrical release.

[00:08:36] [SPEAKER_02]: Oh, right.

[00:08:37] [SPEAKER_02]: Yeah, yeah.

[00:08:37] [SPEAKER_02]: Yes, Northwest Passage is called.

[00:08:40] [SPEAKER_02]: Right.

[00:08:40] [SPEAKER_02]: The pilot.

[00:08:41] [SPEAKER_01]: So usually there's that kind of delineation, but then short films are on there and TV movies

[00:08:45] [SPEAKER_01]: are on there.

[00:08:45] [SPEAKER_01]: Oh.

[00:08:46] [SPEAKER_01]: And it starts to get slippery.

[00:08:48] [SPEAKER_01]: That's not what we're talking about.

[00:08:49] [SPEAKER_01]: And you love Twin Peaks, but we're not here to discuss...

[00:08:51] [SPEAKER_01]: Today we're talking about Inland Empire, his last feature film.

[00:08:55] [SPEAKER_01]: And as of the time we're recording this, there's been a lot of hand-wringing recently

[00:08:59] [SPEAKER_01]: about him saying that he, due to health, cannot be on set making a feature film away from

[00:09:05] [SPEAKER_01]: his home, which people took as a retirement notice.

[00:09:07] [SPEAKER_01]: And then he put out a press release saying, I am not retired.

[00:09:11] [SPEAKER_01]: I will never retire.

[00:09:13] [SPEAKER_02]: The best press release ever.

[00:09:14] [SPEAKER_02]: And then lovingly described the experience of setting tobacco on fire.

[00:09:19] [SPEAKER_02]: Setting them on fire.

[00:09:20] [SPEAKER_01]: In a way that made me want to spark up a butt.

[00:09:24] [SPEAKER_01]: We were texting.

[00:09:24] [SPEAKER_01]: I was like, this is the best argument for cigarettes I've ever read.

[00:09:27] [SPEAKER_01]: They sound incredible.

[00:09:29] [SPEAKER_01]: Well, he's saying like, I have not touched a cigarette in two years.

[00:09:32] [SPEAKER_01]: Like I barely can leave my home if I take three steps.

[00:09:36] [SPEAKER_01]: I almost crumble.

[00:09:38] [SPEAKER_01]: I shouldn't laugh, obviously.

[00:09:39] [SPEAKER_05]: I think the press release ended with the immortal sentence, I'm filled with happiness

[00:09:43] [SPEAKER_05]: and I will never retire.

[00:09:44] [SPEAKER_05]: Yeah.

[00:09:45] [SPEAKER_05]: I mean, it's like so glorious.

[00:09:46] [SPEAKER_02]: Yes.

[00:09:47] [SPEAKER_02]: But clearly, you know, he may not make a traditional feature film again.

[00:09:51] [SPEAKER_02]: We don't know.

[00:09:51] [SPEAKER_02]: He's 78 years old and he does have emphysema and who knows what the picture holds for David Lynch.

[00:09:57] [SPEAKER_01]: Let's congratulate Ben Hosley on quitting smoking, by the way.

[00:09:59] [SPEAKER_01]: I saw Ben hovering around the mic.

[00:10:02] [SPEAKER_06]: Yeah.

[00:10:03] [SPEAKER_01]: That press release hit you hard.

[00:10:04] [SPEAKER_06]: It did.

[00:10:04] [SPEAKER_06]: It was hard to read because here's the thing.

[00:10:07] [SPEAKER_06]: It's a terrible habit, but damn, is it fucking cool.

[00:10:11] [SPEAKER_05]: Can you imagine how many cigarettes he smoked?

[00:10:13] [SPEAKER_02]: That's like no one makes it look cooler than when it was like David Lynch's emphysema.

[00:10:17] [SPEAKER_02]: I was like, that's not that's like saying like the sky is like I've never not seen a picture of that man.

[00:10:23] [SPEAKER_02]: Like he's always smoking.

[00:10:25] [SPEAKER_01]: Have any of you watched that David Lynch, the art life documentary?

[00:10:28] [SPEAKER_01]: I saw that.

[00:10:29] [SPEAKER_01]: Yeah, right.

[00:10:30] [SPEAKER_01]: There's the I believe the opening credits play out over a static like three minute shot of him just like lovingly smoking a cigarette while sitting back and looking at the painting.

[00:10:40] [SPEAKER_01]: Is that the that he just finished?

[00:10:42] [SPEAKER_01]: And I'm just like, right.

[00:10:44] [SPEAKER_01]: This is the fundamental image of him as a guy.

[00:10:46] [SPEAKER_05]: Is that the thing where he I was thinking about this when I was thinking about Inland Empire?

[00:10:52] [SPEAKER_05]: He's he's he's like, if you want to know if a work of art is finished, you take a stick and you tie a ball to the stick on a piece of string and you point it at the painting.

[00:11:04] [SPEAKER_05]: The stick will tell you if the painting is finished and then he does it and you just want.

[00:11:10] [SPEAKER_05]: Is that what you're talking about?

[00:11:11] [SPEAKER_05]: That thing?

[00:11:11] [SPEAKER_05]: Because I know I've seen a video of that.

[00:11:13] [SPEAKER_01]: Is it in that thing or is that just another?

[00:11:15] [SPEAKER_02]: There's also many of these making rice.

[00:11:18] [SPEAKER_01]: Is that what he's making or?

[00:11:19] [SPEAKER_02]: Yeah, fried egg or something like, you know.

[00:11:21] [SPEAKER_02]: Is this cooking videos?

[00:11:22] [SPEAKER_02]: I don't know, man.

[00:11:23] [SPEAKER_01]: Look, he's the king of content.

[00:11:25] [SPEAKER_01]: The man's been putting out 10.

[00:11:26] [SPEAKER_01]: He's been pitching 10 for decades.

[00:11:29] [SPEAKER_01]: Our guest today returning to the show from going deep with David Rees, a show I mistitled recently in an episode.

[00:11:37] [SPEAKER_05]: Oh, really?

[00:11:38] [SPEAKER_01]: I combined it with how to with John Wilson.

[00:11:40] [SPEAKER_05]: I'll take it.

[00:11:41] [SPEAKER_05]: I need all the help I can get.

[00:11:43] [SPEAKER_05]: How was it?

[00:11:43] [SPEAKER_05]: His was a hit show.

[00:11:44] [SPEAKER_01]: Is is I have to ask this every time you're on the show.

[00:11:47] [SPEAKER_01]: Is it streaming?

[00:11:48] [SPEAKER_01]: Is it back anywhere?

[00:11:49] [SPEAKER_01]: Do we know?

[00:11:49] [SPEAKER_05]: I think you can watch.

[00:11:52] [SPEAKER_05]: I think you can watch some of it on Amazon.

[00:11:54] [SPEAKER_01]: Okay.

[00:11:54] [SPEAKER_05]: And some of it on YouTube.

[00:11:55] [SPEAKER_01]: I'll take that.

[00:11:56] [SPEAKER_05]: Yeah.

[00:11:56] [SPEAKER_01]: David Rees.

[00:11:57] [SPEAKER_05]: And Dicktown starring Griffin.

[00:12:00] [SPEAKER_01]: Well, and starring David Rees and John Hodge.

[00:12:02] [SPEAKER_01]: Right.

[00:12:03] [SPEAKER_01]: Season one is on YouTube for sure.

[00:12:04] [SPEAKER_02]: Okay.

[00:12:05] [SPEAKER_02]: Okay.

[00:12:05] [SPEAKER_02]: Thank God.

[00:12:06] [SPEAKER_02]: Not sure about season two.

[00:12:07] [SPEAKER_05]: David Rees is here.

[00:12:08] [SPEAKER_05]: Hi, David.

[00:12:09] [SPEAKER_05]: How are you doing?

[00:12:09] [SPEAKER_05]: I'm good.

[00:12:10] [SPEAKER_05]: It's nice to be in.

[00:12:11] [SPEAKER_05]: It's nice to be face to face with all you guys in the room.

[00:12:13] [SPEAKER_05]: And after almost two years.

[00:12:15] [SPEAKER_05]: More.

[00:12:16] [SPEAKER_05]: Well, oh, oh, oh, oh.

[00:12:17] [SPEAKER_05]: Last time was his wedding.

[00:12:18] [SPEAKER_01]: Yes.

[00:12:18] [SPEAKER_01]: But not seeing you in person.

[00:12:20] [SPEAKER_01]: It's been two years.

[00:12:22] [SPEAKER_01]: I thought you were saying.

[00:12:22] [SPEAKER_02]: Season two is on Amazon.

[00:12:23] [SPEAKER_02]: It's all on Amazon.

[00:12:24] [SPEAKER_01]: Great.

[00:12:25] [SPEAKER_01]: Purchasable.

[00:12:25] [SPEAKER_01]: Episode in person, I believe, has been five years.

[00:12:28] [SPEAKER_01]: Is that possible?

[00:12:29] [SPEAKER_05]: I think the last time we did one, I was on a Zoom.

[00:12:32] [SPEAKER_05]: Yes.

[00:12:33] [SPEAKER_05]: Yeah.

[00:12:33] [SPEAKER_05]: Yeah.

[00:12:33] [SPEAKER_05]: So it's been a long time.

[00:12:34] [SPEAKER_05]: It has.

[00:12:35] [SPEAKER_05]: Yeah.

[00:12:36] [SPEAKER_01]: I like your mustache.

[00:12:39] [SPEAKER_01]: Hey, you know what?

[00:12:40] [SPEAKER_01]: I was shaving and I was like trimming around and I decided to keep the stache and I was

[00:12:44] [SPEAKER_01]: like, the test of this is going to be if Rees approves.

[00:12:47] [SPEAKER_01]: I love it.

[00:12:47] [SPEAKER_01]: That was my thought.

[00:12:48] [SPEAKER_01]: I was like, if this works with David, I'm holding onto it for a bit.

[00:12:50] [SPEAKER_01]: Yeah.

[00:12:51] [SPEAKER_01]: And if he doesn't like it or he doesn't mention it, gone.

[00:12:54] [SPEAKER_05]: I'm into it.

[00:12:55] [SPEAKER_05]: Thank you.

[00:12:55] [SPEAKER_05]: I'm into it.

[00:12:55] [SPEAKER_02]: Thank you.

[00:12:56] [SPEAKER_02]: So the last one you did in person with us, was it Spirited Away?

[00:12:59] [SPEAKER_02]: Yeah.

[00:12:59] [SPEAKER_05]: Right.

[00:13:00] [SPEAKER_05]: And you were in a different studio than I remember.

[00:13:02] [SPEAKER_05]: You were in Manhattan.

[00:13:03] [SPEAKER_02]: Yeah.

[00:13:03] [SPEAKER_02]: Yeah.

[00:13:04] [SPEAKER_02]: And since then, right, you've come on for 28 Days Later and something else, right?

[00:13:10] [SPEAKER_01]: There were a couple of episodes that almost happened.

[00:13:12] [SPEAKER_01]: Didn't if we want to fucking crack open the books.

[00:13:15] [SPEAKER_01]: Mammy Vice was a thought.

[00:13:16] [SPEAKER_01]: Oh, yeah.

[00:13:17] [SPEAKER_01]: Yeah, that's right.

[00:13:17] [SPEAKER_01]: You were going to do one of the Buster Keaton episodes.

[00:13:19] [SPEAKER_01]: Oh, that's right.

[00:13:20] [SPEAKER_02]: But then we then you wanted 28 Days Later.

[00:13:22] [SPEAKER_02]: So we right.

[00:13:23] [SPEAKER_05]: Yeah.

[00:13:23] [SPEAKER_05]: Right.

[00:13:23] [SPEAKER_05]: Yeah.

[00:13:24] [SPEAKER_05]: Because I live kind of near Buster Keaton's old studios.

[00:13:26] [SPEAKER_05]: And you love that guy.

[00:13:27] [SPEAKER_05]: I do.

[00:13:28] [SPEAKER_05]: Yeah.

[00:13:28] [SPEAKER_05]: So do I.

[00:13:30] [SPEAKER_02]: So do I.

[00:13:31] [SPEAKER_02]: Nah, you don't think he's so great.

[00:13:32] [SPEAKER_02]: Oh, you weren't into him?

[00:13:33] [SPEAKER_02]: No, he spirited us doing Buster Keaton.

[00:13:36] [SPEAKER_02]: He's a huge fan.

[00:13:37] [SPEAKER_01]: Yeah.

[00:13:37] [SPEAKER_01]: But I'm fascinated that, yeah, you had only seen this once.

[00:13:40] [SPEAKER_01]: It had a massive impact on you.

[00:13:42] [SPEAKER_01]: And then in your two revisits in prep for the podcast, it grew.

[00:13:47] [SPEAKER_05]: So the first time, yeah.

[00:13:49] [SPEAKER_05]: So I brought a couple documents with.

[00:13:51] [SPEAKER_05]: Carefully organized.

[00:13:53] [SPEAKER_02]: Classic, David.

[00:13:53] [SPEAKER_02]: Yeah.

[00:13:53] [SPEAKER_02]: A couple documents, big notebook filled with notes.

[00:13:55] [SPEAKER_05]: You know, I got to show up with all my paperwork.

[00:13:57] [SPEAKER_02]: I love it.

[00:13:58] [SPEAKER_02]: To be clear.

[00:13:58] [SPEAKER_01]: It looks like an evidence layout.

[00:14:00] [SPEAKER_02]: Right.

[00:14:00] [SPEAKER_01]: Like when they take all the knives out of the Joker's pocket.

[00:14:02] [SPEAKER_01]: Exhibit A.

[00:14:03] [SPEAKER_05]: This movie is weird.

[00:14:04] [SPEAKER_02]: Here's the proof.

[00:14:04] [SPEAKER_02]: Now you say you were at the bodega at 5.30 PM.

[00:14:07] [SPEAKER_02]: That's what you're saying?

[00:14:08] [SPEAKER_05]: So I have three documents.

[00:14:10] [SPEAKER_05]: Um, I'll, why don't I list the documents and you tell me in which order you would like me to

[00:14:14] [SPEAKER_05]: present my case.

[00:14:15] [SPEAKER_05]: Fantastic.

[00:14:16] [SPEAKER_05]: The first is a green spiral notebook filled with, I guess, six pages of, of sloppy notes

[00:14:20] [SPEAKER_05]: that represent my reaction and recording of the second time.

[00:14:25] [SPEAKER_01]: Okay.

[00:14:25] [SPEAKER_05]: I watched Inland Empire.

[00:14:27] [SPEAKER_05]: And what was that?

[00:14:27] [SPEAKER_01]: Can you, can we tie that?

[00:14:28] [SPEAKER_05]: That was last week.

[00:14:29] [SPEAKER_01]: Okay.

[00:14:29] [SPEAKER_01]: Okay.

[00:14:30] [SPEAKER_05]: Wow.

[00:14:31] [SPEAKER_02]: Wait, last week was the second time?

[00:14:33] [SPEAKER_02]: Yeah.

[00:14:33] [SPEAKER_05]: Second and third times.

[00:14:34] [SPEAKER_05]: I watched it for a second time.

[00:14:36] [SPEAKER_05]: And then among my friends, a particular decision was made.

[00:14:39] [SPEAKER_05]: And then two days later, we watched it for a third and transcendent time.

[00:14:44] [SPEAKER_01]: Wow.

[00:14:44] [SPEAKER_02]: You hadn't seen it before.

[00:14:46] [SPEAKER_02]: No.

[00:14:46] [SPEAKER_02]: I watched it last night for the first time.

[00:14:47] [SPEAKER_02]: This is the one you've ever seen.

[00:14:48] [SPEAKER_05]: Yeah.

[00:14:48] [SPEAKER_05]: Exhibit B is, uh, so I re, so I saw, I saw it when it was released theatrically in North

[00:14:58] [SPEAKER_05]: Carolina.

[00:14:59] [SPEAKER_05]: Okay.

[00:14:59] [SPEAKER_05]: I was in Chapel Hill in the spring of 2007.

[00:15:02] [SPEAKER_05]: I think technically it came out in 2006.

[00:15:04] [SPEAKER_02]: It came out December 06, but a slow, small release.

[00:15:08] [SPEAKER_02]: Okay.

[00:15:08] [SPEAKER_02]: So yeah.

[00:15:08] [SPEAKER_05]: So I saw it on, I have the date.

[00:15:11] [SPEAKER_05]: I saw it on the 10th of March, 2007 at the Carolina Theater in Durham.

[00:15:18] [SPEAKER_01]: A day after my sister's ninth birthday.

[00:15:20] [SPEAKER_05]: The Carolina Theater is a grand old theater.

[00:15:23] [SPEAKER_05]: Yeah.

[00:15:24] [SPEAKER_05]: Oh, it's gorgeous.

[00:15:24] [SPEAKER_05]: And it was the perfect place to see this movie because it was like 10% capacity.

[00:15:30] [SPEAKER_05]: Mm-hmm.

[00:15:31] [SPEAKER_05]: You know, it felt like-

[00:15:32] [SPEAKER_02]: It's like you're at Club Silencio.

[00:15:33] [SPEAKER_02]: Exactly.

[00:15:34] [SPEAKER_02]: Right.

[00:15:34] [SPEAKER_02]: Yeah.

[00:15:34] [SPEAKER_05]: And I went in absolutely cold.

[00:15:36] [SPEAKER_05]: It's one of my favorite memories of going into a movie absolutely cold.

[00:15:40] [SPEAKER_05]: Mm-hmm.

[00:15:40] [SPEAKER_05]: All I knew was David Lynch had a new movie out.

[00:15:42] [SPEAKER_05]: I'd seen Mulholland Drive.

[00:15:44] [SPEAKER_05]: Right.

[00:15:44] [SPEAKER_05]: You probably seen it.

[00:15:44] [SPEAKER_05]: Probably once in the theater and once on VHS or DVD.

[00:15:48] [SPEAKER_05]: I like David Lynch.

[00:15:49] [SPEAKER_05]: As Exhibit C will point out, I will prove, I beg your pardon, I have a longstanding relationship

[00:15:55] [SPEAKER_05]: with David Lynch.

[00:15:55] [SPEAKER_01]: I almost feel like we lead with Exhibit C because it feels like that's the earliest point-

[00:15:59] [SPEAKER_05]: Oh, you want to go chronological?

[00:16:00] [SPEAKER_05]: Okay.

[00:16:00] [SPEAKER_05]: In the timeline?

[00:16:01] [SPEAKER_05]: Exhibit B, forget I- okay.

[00:16:02] [SPEAKER_01]: Because we often ask our guests, what's your history with X, with this artist or connor

[00:16:06] [SPEAKER_01]: or whatever?

[00:16:07] [SPEAKER_01]: Sure, yeah, what's your history with Miss David Lynch?

[00:16:07] [SPEAKER_01]: Right.

[00:16:08] [SPEAKER_05]: Okay.

[00:16:08] [SPEAKER_05]: Exhibit A, renumbered.

[00:16:11] [SPEAKER_05]: Whoa!

[00:16:12] [SPEAKER_07]: Holy shit!

[00:16:13] [SPEAKER_05]: Juries cheating their pants.

[00:16:14] [SPEAKER_05]: Objection!

[00:16:15] [SPEAKER_05]: Objection!

[00:16:16] [SPEAKER_05]: Approach the pitch!

[00:16:16] [SPEAKER_05]: The court will come to order.

[00:16:18] [SPEAKER_05]: I mean, fellas, I'm about to set it off with Exhibit A.

[00:16:21] [SPEAKER_05]: This is the May 18th, 1990 edition of The Proconian, the official newspaper of Chapel Hill

[00:16:31] [SPEAKER_05]: School.

[00:16:31] [SPEAKER_05]: Wow!

[00:16:31] [SPEAKER_01]: Let's say also perfectly preserved.

[00:16:33] [SPEAKER_05]: It is called The Proconian because it discusses the pros and cons of life at Chapel Hill High.

[00:16:39] [SPEAKER_05]: Okay?

[00:16:40] [SPEAKER_01]: That is a good fucking name.

[00:16:41] [SPEAKER_05]: Yeah.

[00:16:42] [SPEAKER_02]: Why isn't every year's paper?

[00:16:44] [SPEAKER_02]: Since 1931.

[00:16:44] [SPEAKER_05]: Yeah, yeah.

[00:16:45] [SPEAKER_05]: It goes way back.

[00:16:46] [SPEAKER_05]: Wow.

[00:16:46] [SPEAKER_02]: So you're allowed to be like, hey, I got a con this week.

[00:16:49] [SPEAKER_02]: I don't like doing homework.

[00:16:51] [SPEAKER_02]: Can we get that on the front page?

[00:16:53] [SPEAKER_02]: Well, I mean, that's kind of a regular column.

[00:16:54] [SPEAKER_01]: Right.

[00:16:55] [SPEAKER_01]: It's a revolving door of who takes the mantle.

[00:16:57] [SPEAKER_05]: I mean, on the front page, one of my buddies, Matt, he wrote an article about how the Chapel Hill High School counseling department was encouraging students to limit their college entrance attempts to five.

[00:17:09] [SPEAKER_05]: They wanted to cap the number of colleges you apply to.

[00:17:12] [SPEAKER_05]: And the article goes on to say, like, that was really good.

[00:17:15] [SPEAKER_05]: I reread this whole issue the other night because I hadn't thought it, you know, I haven't thought about this in what, 34 years?

[00:17:21] [SPEAKER_01]: Have you kept every issue from your years there?

[00:17:23] [SPEAKER_05]: Well, Griffin, I kept every issue in which I was the movie critic for The Proconian.

[00:17:30] [SPEAKER_02]: So what's the, can you tell me the year again?

[00:17:32] [SPEAKER_02]: I'm sorry.

[00:17:32] [SPEAKER_02]: Sorry.

[00:17:32] [SPEAKER_02]: Right. Yeah.

[00:17:33] [SPEAKER_05]: It's 1990.

[00:17:34] [SPEAKER_05]: So this is spring of my senior year of high school.

[00:17:36] [SPEAKER_05]: Okay.

[00:17:37] [SPEAKER_05]: Senior year in high school.

[00:17:38] [SPEAKER_05]: The Proconian's a daily newspaper, right?

[00:17:40] [SPEAKER_05]: You guys were.

[00:17:40] [SPEAKER_05]: Twice daily.

[00:17:41] [SPEAKER_05]: It was a morning and evening edition.

[00:17:42] [SPEAKER_05]: Morning and 8pm edition.

[00:17:43] [SPEAKER_05]: Yeah.

[00:17:44] [SPEAKER_05]: And it's still on paper.

[00:17:45] [SPEAKER_05]: No, it was every Friday, I think.

[00:17:47] [SPEAKER_05]: It was a weekly paper.

[00:17:48] [SPEAKER_05]: That's pretty bad.

[00:17:48] [SPEAKER_02]: Weekly is for high school paper pretty impressive.

[00:17:50] [SPEAKER_01]: That's nice also to give you the weekend to sort of really sit with it.

[00:17:53] [SPEAKER_01]: Digest everything.

[00:17:54] [SPEAKER_01]: Yeah.

[00:17:54] [SPEAKER_05]: Totally.

[00:17:56] [SPEAKER_05]: So I had an entertainment column.

[00:17:58] [SPEAKER_05]: It was called the three bean salad of entertainment.

[00:18:01] [SPEAKER_05]: The three beans of the salad were movies, TV shows and music.

[00:18:06] [SPEAKER_05]: Those were three of my interests.

[00:18:07] [SPEAKER_05]: The three great beans of society.

[00:18:09] [SPEAKER_05]: And like every fucking know it all high school boy, I just used this platform to announce

[00:18:17] [SPEAKER_05]: hyperbolic justifications for why the Minutemen are the best band that has ever existed or

[00:18:22] [SPEAKER_05]: you know, whatever, just justify all my tastes.

[00:18:24] [SPEAKER_05]: Did you have an editor?

[00:18:25] [SPEAKER_05]: Like how much control?

[00:18:26] [SPEAKER_05]: Well, the editor was my high school girlfriend.

[00:18:28] [SPEAKER_05]: Wow.

[00:18:28] [SPEAKER_05]: So I actually had quite a bit of leeway.

[00:18:31] [SPEAKER_05]: This sounds like this go Friday or whatever.

[00:18:32] [SPEAKER_05]: This is some antics.

[00:18:33] [SPEAKER_05]: Yeah.

[00:18:35] [SPEAKER_05]: Now what's interesting about this edition is that I like-

[00:18:40] [SPEAKER_05]: No, they yell a lot.

[00:18:41] [SPEAKER_05]: Remember when, um, remember, so remember on Spirited Away when I brought in like one

[00:18:46] [SPEAKER_05]: of my favorite pieces of criticism-

[00:18:48] [SPEAKER_05]: Nigel Andrews.

[00:18:49] [SPEAKER_05]: Six out of five stars.

[00:18:50] [SPEAKER_05]: In the history of the park.

[00:18:51] [SPEAKER_05]: Exactly.

[00:18:51] [SPEAKER_02]: And you checked with him and he maintains his six stars.

[00:18:53] [SPEAKER_05]: Yeah, exactly.

[00:18:54] [SPEAKER_05]: Yeah.

[00:18:54] [SPEAKER_05]: Just such a great, such a great, um, also it's another well-preserved piece of newspaper

[00:18:59] [SPEAKER_05]: criticism.

[00:19:01] [SPEAKER_05]: Well, the wonderful thing you'll remember is that that was six out of five stars.

[00:19:05] [SPEAKER_05]: Well, now when I paid close attention to page 10 of the Perkanian, where the, where the

[00:19:12] [SPEAKER_05]: column title is, it doesn't say three bean salad of entertainment.

[00:19:15] [SPEAKER_05]: It says four bean salad of entertainment.

[00:19:18] [SPEAKER_05]: Oh, and then the column begins as Burger King says, sometimes you got to break the rules.

[00:19:26] [SPEAKER_05]: So I broke a few-

[00:19:27] [SPEAKER_05]: Did Burger King say that?

[00:19:28] [SPEAKER_05]: Was that the thing?

[00:19:28] [SPEAKER_05]: I think that was a thing back in the nineties.

[00:19:30] [SPEAKER_05]: Yeah.

[00:19:30] [SPEAKER_05]: Okay.

[00:19:30] [SPEAKER_05]: So I broke a few, I broke a few rules, ordered a Whopper and change the name of my column.

[00:19:36] [SPEAKER_05]: What is the fourth bean?

[00:19:37] [SPEAKER_05]: Because now of course it used to be the three bean salad of entertainment, but now there's

[00:19:41] [SPEAKER_05]: a fourth bean, right?

[00:19:43] [SPEAKER_05]: So like Nigel Andrews, unknowingly, of course, I was like, let me acknowledge upfront what

[00:19:48] [SPEAKER_05]: you're all thinking, which is what happened to the three bean salad of entertainment?

[00:19:52] [SPEAKER_05]: Why is it now a four bean salad of entertainment?

[00:19:54] [SPEAKER_05]: We've all gotten used to that.

[00:19:55] [SPEAKER_01]: It's also, we've all committed to a prism through which we understand.

[00:20:00] [SPEAKER_05]: Exactly.

[00:20:01] [SPEAKER_05]: Yeah.

[00:20:02] [SPEAKER_05]: What the fourth bean was this week.

[00:20:04] [SPEAKER_05]: I decided to review all the comics in the Chapel Hill newspaper.

[00:20:08] [SPEAKER_05]: Oh, so I added them as a fourth bean.

[00:20:11] [SPEAKER_05]: The fourth bean is, is, um, the funny pages.

[00:20:13] [SPEAKER_05]: Yeah.

[00:20:14] [SPEAKER_05]: The funny pages.

[00:20:14] [SPEAKER_02]: Your newspaper take on Curtis or whatever.

[00:20:16] [SPEAKER_02]: Yeah, exactly.

[00:20:17] [SPEAKER_05]: Prince Valiant, two stars.

[00:20:18] [SPEAKER_05]: The born loser, 4.5 stars.

[00:20:20] [SPEAKER_05]: Kathy, 0.6 stars.

[00:20:22] [SPEAKER_05]: Wait, you just bodied Kathy out of the room.

[00:20:24] [SPEAKER_05]: What?

[00:20:24] [SPEAKER_05]: Kathy's funny.

[00:20:26] [SPEAKER_05]: She likes chocolate.

[00:20:28] [SPEAKER_05]: Do you want to hear my review?

[00:20:29] [SPEAKER_05]: I mean, I'm, I haven't looked at Kathy in a long time and you have to remember I was

[00:20:32] [SPEAKER_05]: a high school boy and I was a total asshole.

[00:20:34] [SPEAKER_05]: So it was probably some misogyny, but here's the review of Kathy.

[00:20:36] [SPEAKER_05]: Kathy by Kathy.

[00:20:38] [SPEAKER_05]: How do you pronounce her last name?

[00:20:39] [SPEAKER_05]: Geist White.

[00:20:39] [SPEAKER_05]: Geist White.

[00:20:40] [SPEAKER_05]: I gave it 0.6 stars.

[00:20:42] [SPEAKER_05]: It says, oh my.

[00:20:44] [SPEAKER_05]: Here's the basic Kathy strip.

[00:20:46] [SPEAKER_05]: Panel one.

[00:20:47] [SPEAKER_05]: Kathy sits behind her desk.

[00:20:48] [SPEAKER_05]: Panel two.

[00:20:49] [SPEAKER_02]: She says, so you're doing.

[00:20:52] [SPEAKER_02]: I haven't looked at this panel too.

[00:20:56] [SPEAKER_05]: She says, it's so awful.

[00:20:59] [SPEAKER_05]: Panel two.

[00:21:00] [SPEAKER_05]: She says, I don't look good in a bathing suit.

[00:21:02] [SPEAKER_05]: Panel three.

[00:21:03] [SPEAKER_05]: Mass hysteria.

[00:21:04] [SPEAKER_05]: Kathy yells.

[00:21:05] [SPEAKER_05]: Oh, panel for Kathy looks guilty.

[00:21:08] [SPEAKER_05]: Lines of exasperation shoot from her head.

[00:21:10] [SPEAKER_05]: Kathy says, I need chocolate there.

[00:21:13] [SPEAKER_05]: Now you never have to read the stupid strip again.

[00:21:16] [SPEAKER_05]: What an asshole.

[00:21:18] [SPEAKER_05]: I mean, but I mean that, you know, that reflects my sense, you know, where I was, where I was

[00:21:22] [SPEAKER_05]: at the time.

[00:21:23] [SPEAKER_02]: That was where America was on Kathy.

[00:21:24] [SPEAKER_02]: Yeah.

[00:21:25] [SPEAKER_02]: Kathy blazed a lot of trails.

[00:21:27] [SPEAKER_02]: I'm very pro Kathy.

[00:21:28] [SPEAKER_01]: That's kind of like the lights, camera, Jackson, a girl's trip review.

[00:21:31] [SPEAKER_01]: Oh yeah.

[00:21:32] [SPEAKER_01]: What was he?

[00:21:32] [SPEAKER_01]: What happened with him?

[00:21:33] [SPEAKER_01]: No, it wasn't that.

[00:21:33] [SPEAKER_01]: What was the one where a book smart.

[00:21:35] [SPEAKER_01]: We said my, my grandmother always said, if you don't have anything nice to say, don't

[00:21:38] [SPEAKER_01]: say anything at all.

[00:21:39] [SPEAKER_01]: Right.

[00:21:39] [SPEAKER_01]: And they just stares down the camera for a minute in silence.

[00:21:43] [SPEAKER_02]: What was your favorite funny page?

[00:21:45] [SPEAKER_05]: Like what gets the highest?

[00:21:46] [SPEAKER_05]: Uh, snuffy Smith.

[00:21:48] [SPEAKER_05]: Snuffy Smith.

[00:21:49] [SPEAKER_05]: That's by Fred Laswell.

[00:21:50] [SPEAKER_05]: I'm aware of five stars.

[00:21:52] [SPEAKER_02]: Wow.

[00:21:53] [SPEAKER_05]: I think of stuffy Smith.

[00:21:54] [SPEAKER_02]: It's like the sort of gasoline inhaling, like absolute nonsense where it's like Barney

[00:22:01] [SPEAKER_02]: Google is a little too erudite for people.

[00:22:04] [SPEAKER_02]: We need a yokel character to kind of like bring the lab.

[00:22:07] [SPEAKER_01]: Can you, what was the case for stuffy Smith?

[00:22:10] [SPEAKER_05]: Snuffy Smith, the art, especially the Sunday pages, the art was beautiful.

[00:22:16] [SPEAKER_05]: Yeah.

[00:22:17] [SPEAKER_05]: Snuffy Smith is kind of a cool style.

[00:22:18] [SPEAKER_05]: It looked really, really good.

[00:22:20] [SPEAKER_05]: It was just silly.

[00:22:22] [SPEAKER_05]: I mean, it was like one of those things when you're in high school and I think it was,

[00:22:25] [SPEAKER_05]: I don't think it was a deliberate decision, but it's like you and your friends are like,

[00:22:28] [SPEAKER_05]: let's all get really into snuffy and say, this is the best cartoon.

[00:22:32] [SPEAKER_05]: And that'll be our thing.

[00:22:34] [SPEAKER_05]: It's like, we're the snuffy Smith gang.

[00:22:36] [SPEAKER_02]: I'm really sorry to do this.

[00:22:37] [SPEAKER_02]: I know this is a big dense movie.

[00:22:38] [SPEAKER_02]: I just have to know what other funny pages you reviewed.

[00:22:41] [SPEAKER_02]: Just, just the names.

[00:22:42] [SPEAKER_02]: Oh, all right.

[00:22:42] [SPEAKER_02]: And I just want to see if any of the others I want to hear.

[00:22:44] [SPEAKER_05]: I'll run through all the, all the, I'll give you the titles and the stars.

[00:22:47] [SPEAKER_05]: Okay.

[00:22:47] [SPEAKER_05]: We'll do that.

[00:22:48] [SPEAKER_05]: Prince Valiant, two stars, Frank and Ernest, four stars out outland one star, the phantom

[00:22:54] [SPEAKER_05]: 3.6 stars, uh, Calvin and Hobbes, four stars, the born loser 4.5 stars.

[00:23:00] [SPEAKER_05]: Kathy point six stars, the far side 3.4 stars, the family circus 2.5 stars.

[00:23:05] [SPEAKER_05]: According to Guinness 3.7 stars, peanuts 4.6 stars, snuffy Smith five stars.

[00:23:11] [SPEAKER_02]: I mean, you're putting snuffy Smith over peanuts and Calvin and Hobbes.

[00:23:15] [SPEAKER_02]: You're being a bit of a high school contrarian.

[00:23:16] [SPEAKER_02]: I was a high school.

[00:23:18] [SPEAKER_05]: Right.

[00:23:18] [SPEAKER_05]: I know at that point, I had a whole page every week where I could just do whatever I want.

[00:23:23] [SPEAKER_05]: You know, it's like, I mean, wait till I read this fucking review of twin peaks.

[00:23:27] [SPEAKER_03]: I mean, if you think this is bad, this is queuing up him reviewing twin peaks.

[00:23:30] [SPEAKER_01]: And by the way, we've already established it's a dense movie.

[00:23:32] [SPEAKER_01]: We have to talk about.

[00:23:33] [SPEAKER_01]: We haven't even gotten to the twin peaks thing.

[00:23:34] [SPEAKER_01]: I just want to read quickly a snuffy Smith script.

[00:23:38] [SPEAKER_01]: A strip.

[00:23:38] [SPEAKER_01]: Like recent?

[00:23:39] [SPEAKER_01]: No, it's from 86.

[00:23:40] [SPEAKER_01]: Okay.

[00:23:41] [SPEAKER_02]: Uh, cause I believe got Barney Google and snuffy Smith still runs and you read it and

[00:23:45] [SPEAKER_02]: you're like, who on earth even knows what this is about?

[00:23:49] [SPEAKER_05]: Well, like what this is the original strip, I think was from the early 20th century.

[00:23:53] [SPEAKER_05]: It's the longest running.

[00:23:54] [SPEAKER_05]: And Fred last, right.

[00:23:55] [SPEAKER_05]: Yeah.

[00:23:55] [SPEAKER_05]: And Barney Google is gone.

[00:23:56] [SPEAKER_05]: Like he hasn't been a part of it in like a hundred years.

[00:23:59] [SPEAKER_02]: I think it's literally still called though, Barney Google and snuffy Smith.

[00:24:03] [SPEAKER_02]: Oh, I wonder.

[00:24:04] [SPEAKER_02]: Yeah.

[00:24:05] [SPEAKER_02]: Um, but okay.

[00:24:06] [SPEAKER_01]: Well read, please read me a snuffy.

[00:24:08] [SPEAKER_01]: It should be from 06.

[00:24:09] [SPEAKER_01]: I have a hard time reading the handwriting on the date on it, but it's a, they're playing

[00:24:13] [SPEAKER_01]: poker, uh, snuffy and his friend.

[00:24:15] [SPEAKER_01]: I, excuse me.

[00:24:16] [SPEAKER_01]: I don't know the character's name.

[00:24:18] [SPEAKER_01]: And he says balls of fire snuffy.

[00:24:21] [SPEAKER_01]: I'm tired of all your cheating.

[00:24:23] [SPEAKER_01]: Put up your dukes, your spelled Y O R.

[00:24:26] [SPEAKER_01]: Of course.

[00:24:27] [SPEAKER_01]: It's only a two panel strip.

[00:24:28] [SPEAKER_01]: Yeah.

[00:24:29] [SPEAKER_01]: Snuffy Smith is usually two panels.

[00:24:32] [SPEAKER_01]: Which I'm starting to know.

[00:24:32] [SPEAKER_05]: I'm starting to see David's case here, which is there's a cleanness to it.

[00:24:36] [SPEAKER_05]: It's so clean.

[00:24:37] [SPEAKER_05]: It's so freaking clean.

[00:24:39] [SPEAKER_05]: It's like ammonia.

[00:24:41] [SPEAKER_01]: So balls of fire snuffy.

[00:24:42] [SPEAKER_01]: I'm tired of all your harmful.

[00:24:44] [SPEAKER_01]: Put up your dukes, right?

[00:24:45] [SPEAKER_01]: Toxic.

[00:24:46] [SPEAKER_01]: And then second panel snuffy has dropped the cards and he's holding up to penance pendants.

[00:24:51] [SPEAKER_01]: Let's say JMU.

[00:24:53] [SPEAKER_01]: He's putting up his dukes.

[00:24:55] [SPEAKER_01]: Oh, wow.

[00:24:56] [SPEAKER_01]: That's so bad.

[00:24:58] [SPEAKER_01]: I think more literary.

[00:24:59] [SPEAKER_01]: That's like more referential.

[00:25:01] [SPEAKER_02]: Can I read you today's snuffy?

[00:25:02] [SPEAKER_02]: Are they still making snuffy?

[00:25:03] [SPEAKER_02]: We have to talk about the movie after we talk about 20.

[00:25:06] [SPEAKER_02]: Snuffy is talking to, I think his friend is called doc.

[00:25:08] [SPEAKER_02]: Yeah.

[00:25:09] [SPEAKER_02]: Why should snuffy says, why should one feller get to decide everything?

[00:25:13] [SPEAKER_02]: Oh, wow.

[00:25:13] [SPEAKER_02]: David's making a choice in the voice.

[00:25:15] [SPEAKER_02]: And doc says, hmm, you know, you're right.

[00:25:18] [SPEAKER_02]: Snuffy.

[00:25:19] [SPEAKER_02]: Okay.

[00:25:20] [SPEAKER_02]: Panel two.

[00:25:21] [SPEAKER_02]: Doc is flipping three coins in the air and saying, I'll flip Lincoln, Jefferson and Washington.

[00:25:29] [SPEAKER_02]: That's good.

[00:25:30] [SPEAKER_02]: That's good.

[00:25:31] [SPEAKER_02]: That's a good comment.

[00:25:32] [SPEAKER_05]: I will defend that one.

[00:25:34] [SPEAKER_05]: That's good.

[00:25:35] [SPEAKER_02]: Don't really get it.

[00:25:37] [SPEAKER_05]: I really get it.

[00:25:39] [SPEAKER_05]: Yeah, that's yeah.

[00:25:40] [SPEAKER_02]: It's just like the logic of snuffy saying, I don't like how one person decides everything,

[00:25:44] [SPEAKER_02]: which I think stuff.

[00:25:45] [SPEAKER_02]: He's trying to talk about like executive power could be.

[00:25:48] [SPEAKER_02]: And doc is interpreting it as like the coin.

[00:25:51] [SPEAKER_02]: It's actually kind of awesome.

[00:25:54] [SPEAKER_02]: The president on the coin is kind of making the call.

[00:25:57] [SPEAKER_02]: Right.

[00:25:58] [SPEAKER_02]: Right.

[00:25:58] [SPEAKER_02]: Yeah.

[00:25:59] [SPEAKER_02]: So he's going to flip three coins.

[00:26:00] [SPEAKER_02]: Now, I don't know how flipping three coins is really going to help him make any decisions

[00:26:03] [SPEAKER_01]: is the only thing I'll say.

[00:26:05] [SPEAKER_01]: Well, sure.

[00:26:05] [SPEAKER_01]: But if there were a sense of closure, then this trip would end.

[00:26:07] [SPEAKER_01]: There has to be a yearning.

[00:26:08] [SPEAKER_01]: There has to be something unresolved.

[00:26:10] [SPEAKER_01]: Right.

[00:26:10] [SPEAKER_01]: Snuffy.

[00:26:11] [SPEAKER_02]: John Rose is the current.

[00:26:14] [SPEAKER_05]: Yeah.

[00:26:14] [SPEAKER_05]: Fred Laswell must be long, long retired, if not deceased.

[00:26:18] [SPEAKER_02]: Yeah.

[00:26:19] [SPEAKER_02]: But anyway, it's just really funny that you put snuffy on top.

[00:26:23] [SPEAKER_02]: Back to the prick on hand and for.

[00:26:24] [SPEAKER_02]: Oh, right.

[00:26:25] [SPEAKER_02]: John Rose has been doing it since 1998.

[00:26:28] [SPEAKER_02]: Oh, wow.

[00:26:29] [SPEAKER_02]: Okay.

[00:26:30] [SPEAKER_02]: Yeah.

[00:26:30] [SPEAKER_02]: 12 years old.

[00:26:31] [SPEAKER_02]: Yeah.

[00:26:32] [SPEAKER_05]: All right.

[00:26:32] [SPEAKER_05]: So in the same, the same issue of the prick on Ian, I reviewed Twin Peaks, which was airing

[00:26:37] [SPEAKER_05]: at the time.

[00:26:39] [SPEAKER_05]: This I have reread.

[00:26:40] [SPEAKER_05]: This is a, it's a tough read.

[00:26:43] [SPEAKER_05]: I mean, this really.

[00:26:45] [SPEAKER_05]: Reading your high school, right?

[00:26:47] [SPEAKER_05]: It's a.

[00:26:47] [SPEAKER_01]: There's a precedent for it on this podcast and you couldn't come off worse than I did.

[00:26:51] [SPEAKER_01]: So please proceed.

[00:26:52] [SPEAKER_01]: Right.

[00:26:52] [SPEAKER_05]: I'm not going to read all of this review.

[00:26:54] [SPEAKER_05]: I will just read the thing that I remember being so proud of when I wrote it.

[00:26:59] [SPEAKER_05]: I can't believe David Lynch recovered from this cutting.

[00:27:04] [SPEAKER_05]: Uh, remark.

[00:27:05] [SPEAKER_05]: The critic says, I don't like Twin Peaks.

[00:27:09] [SPEAKER_05]: It moves too slowly for television.

[00:27:11] [SPEAKER_05]: It's pretentious to the point of being overtly obnoxious.

[00:27:16] [SPEAKER_05]: Director David Lynch has not changed the face of television for the 1990s.

[00:27:20] [SPEAKER_05]: He's just made a tired genre more surreal.

[00:27:24] [SPEAKER_05]: That's no great feat.

[00:27:26] Yeah.

[00:27:26] [SPEAKER_02]: Wow.

[00:27:27] [SPEAKER_05]: Wow.

[00:27:28] [SPEAKER_02]: I see.

[00:27:28] [SPEAKER_02]: I thought you were going to be like, hey guys, check out this crazy show on ABC Twin Peaks.

[00:27:33] [SPEAKER_02]: But you're like, no, no, no.

[00:27:35] [SPEAKER_05]: No, I was like storm is, uh, you know, a little Armin White up in here.

[00:27:39] [SPEAKER_05]: Like, oh, everyone's talking about this great show.

[00:27:41] [SPEAKER_05]: It actually is kind of boring and weird.

[00:27:43] [SPEAKER_01]: The unlost masses are falling for it.

[00:27:45] [SPEAKER_02]: Exactly.

[00:27:46] [SPEAKER_02]: With your snuffy Smith is actually the best.

[00:27:48] [SPEAKER_02]: Some contrary.

[00:27:50] [SPEAKER_02]: Yeah.

[00:27:51] [SPEAKER_05]: Like where you're like the common man, the simple tails, you know, but, but what's interesting

[00:27:55] [SPEAKER_05]: and I had forgotten about until I reread this review was at the time I had seen Eraserhead

[00:28:00] [SPEAKER_05]: because so what I say is, um, oh God.

[00:28:03] [SPEAKER_05]: Um, I talk about some other stuff and then I say Eraserhead is weird and it represents Lynch

[00:28:08] [SPEAKER_05]: at his best.

[00:28:09] [SPEAKER_05]: Eraserhead is actually extremely bizarre.

[00:28:11] [SPEAKER_05]: Hmm.

[00:28:12] [SPEAKER_05]: Hot take.

[00:28:13] [SPEAKER_05]: And has some of the more disturbing images in the history of American film.

[00:28:16] [SPEAKER_05]: Right.

[00:28:16] [SPEAKER_02]: So you're like Twin Peaks 2 sanded down.

[00:28:18] [SPEAKER_02]: Yeah.

[00:28:18] [SPEAKER_02]: Right.

[00:28:19] [SPEAKER_05]: But the weirdness in Eraserhead is not without purpose.

[00:28:22] [SPEAKER_05]: It's a twisted sort of symbolism and makes the film agonizingly personal.

[00:28:29] [SPEAKER_05]: Twin Peaks is not very personal.

[00:28:30] [SPEAKER_05]: It's actually quite alienating.

[00:28:31] [SPEAKER_01]: Anyway, can I, I had seen Eraserhead.

[00:28:34] [SPEAKER_01]: Do you know when in the arc of Twin Peaks this review came out?

[00:28:39] [SPEAKER_01]: Like how much of the show were you commenting on?

[00:28:41] [SPEAKER_05]: Well, if it's spring of 1990, I think it was probably within the first few weeks.

[00:28:45] [SPEAKER_05]: I don't remember when it actually.

[00:28:47] [SPEAKER_01]: The first season is eight episodes that started late.

[00:28:49] [SPEAKER_01]: Like it was like March to May or March to April or something.

[00:28:54] [SPEAKER_05]: That sounds right.

[00:28:54] [SPEAKER_01]: I'm just curious if you're like reviewing the pilot or if you're.

[00:28:57] [SPEAKER_05]: Probably the pilot and maybe one other episode.

[00:28:59] [SPEAKER_05]: Yeah.

[00:28:59] [SPEAKER_05]: I honestly don't remember.

[00:29:00] [SPEAKER_05]: Wow.

[00:29:01] [SPEAKER_01]: Okay.

[00:29:01] [SPEAKER_01]: Yeah.

[00:29:01] [SPEAKER_05]: Okay.

[00:29:02] [SPEAKER_05]: But I know I watched it.

[00:29:03] [SPEAKER_05]: I mean, I would have, I would have actually watched an episode.

[00:29:06] [SPEAKER_05]: Yeah.

[00:29:07] [SPEAKER_05]: The only time I, the only, the only time I behaved unethically as a, as a column, entertainment

[00:29:12] [SPEAKER_05]: columnist was I actually reviewed a GWAR concert before I went to it because we had to get the thing into press and GWAR was playing that night.

[00:29:22] [SPEAKER_05]: But I had seen GWAR so many times.

[00:29:23] [SPEAKER_05]: I was like, I know what's going to happen.

[00:29:25] [SPEAKER_05]: So I just reviewed it before actually seeing that particular.

[00:29:27] [SPEAKER_05]: Yeah.

[00:29:28] Yeah.

[00:29:28] Yeah.

[00:29:28] [SPEAKER_02]: I, I, a little different from a long running.

[00:29:31] [SPEAKER_01]: I tried to just talk about embarrassing high school newspaper things.

[00:29:35] [SPEAKER_02]: Yeah.

[00:29:35] [SPEAKER_02]: Cause there's definitely enough, no like history of you saying like stuff on mic or in paper.

[00:29:41] [SPEAKER_01]: So were you a high school movie critic?

[00:29:43] [SPEAKER_01]: I, I had a, I had a column called Griffin's top five.

[00:29:47] [SPEAKER_01]: That was, it was usually more of a, it was a humor piece.

[00:29:50] [SPEAKER_01]: It was a, I'd come up with a weird top five list.

[00:29:54] [SPEAKER_01]: Uh huh.

[00:29:54] [SPEAKER_01]: Maybe it was top 10.

[00:29:55] [SPEAKER_01]: It was top 10.

[00:29:55] [SPEAKER_01]: It was top 10.

[00:29:57] [SPEAKER_01]: Uh, but there was, they would, I feel like at the end of the year, they'd ask a couple people to do end of your movie list and you'd have like four competing ones.

[00:30:06] [SPEAKER_01]: Of course.

[00:30:07] [SPEAKER_01]: On the page.

[00:30:08] [SPEAKER_01]: I wasn't the regular movie critic.

[00:30:10] [SPEAKER_05]: Right.

[00:30:10] [SPEAKER_05]: I see.

[00:30:11] [SPEAKER_01]: Yeah.

[00:30:11] [SPEAKER_05]: Uh, and you wanted to put on that sex tape and they wouldn't let you.

[00:30:14] [SPEAKER_01]: Yeah.

[00:30:15] [SPEAKER_01]: I, you know, Lucretia Martel's the holy girl at number three, Paris Hilton sex tape, number 10, I believe was my original list.

[00:30:20] [SPEAKER_01]: And they wisely said, uh, absolutely not.

[00:30:25] [SPEAKER_01]: David.

[00:30:26] [SPEAKER_01]: Yes.

[00:30:27] [SPEAKER_01]: We are so thrilled that this episode is brought to you by our friends at Regal Cinemas.

[00:30:33] [SPEAKER_01]: Regal.

[00:30:34] [SPEAKER_01]: The movies.

[00:30:36] [SPEAKER_01]: Theaters.

[00:30:37] [SPEAKER_01]: Kings of movies.

[00:30:38] [SPEAKER_01]: The kings.

[00:30:39] [SPEAKER_01]: The crown is atop their head.

[00:30:41] [SPEAKER_01]: Yep.

[00:30:41] [SPEAKER_01]: When it comes to theatrical exhibition.

[00:30:42] [SPEAKER_01]: Yeah.

[00:30:43] [SPEAKER_02]: You probably have a Regal somewhere near you.

[00:30:46] [SPEAKER_01]: They're all over this beautiful country of ours.

[00:30:48] [SPEAKER_01]: They're all over.

[00:30:49] [SPEAKER_01]: And, and, uh, here's the thing in particular.

[00:30:51] [SPEAKER_01]: That's great.

[00:30:53] [SPEAKER_01]: Regal unlimited.

[00:30:54] [SPEAKER_01]: Okay.

[00:30:55] [SPEAKER_01]: Cause Regal unlimited is the, all you can watch movie subscription pass that pays for itself.

[00:30:59] [SPEAKER_01]: In just two visits.

[00:31:00] [SPEAKER_01]: You can see any standard 2d movie anytime with no blackout dates or restrictions.

[00:31:05] [SPEAKER_01]: And with Regal unlimited, you won't just save money on tickets.

[00:31:08] [SPEAKER_01]: You also save on snacks.

[00:31:09] [SPEAKER_02]: You get money off the snacks.

[00:31:10] [SPEAKER_02]: It's true.

[00:31:11] [SPEAKER_01]: Members get 10% off all non-alcoholic concession items.

[00:31:14] [SPEAKER_02]: You just open your app to see the movie you want to see.

[00:31:18] [SPEAKER_02]: Pick.

[00:31:18] [SPEAKER_02]: You pick your ticket, your seat, and then you go see it for free.

[00:31:23] [SPEAKER_02]: It was like a convenience charge.

[00:31:24] [SPEAKER_01]: That's it.

[00:31:25] [SPEAKER_01]: If you see two movies this month, you've made back the purchase.

[00:31:29] [SPEAKER_01]: Immediately.

[00:31:30] [SPEAKER_01]: And if you're a listener of this podcast, there's a reasonable chance you see more than two movies in theaters per month.

[00:31:34] [SPEAKER_02]: The thing I love about it is it also encourages you to go to see movies more because you're like, eh,

[00:31:40] [SPEAKER_02]: you know, I'm already an unlimited member.

[00:31:41] [SPEAKER_02]: Like, eh, I'm on the fence about seeing that in theaters.

[00:31:43] [SPEAKER_01]: I'm just going to go.

[00:31:44] [SPEAKER_01]: We talk about some things happening in the world of movie theaters this November.

[00:31:48] [SPEAKER_01]: Yeah. What do we got?

[00:31:49] [SPEAKER_01]: 2024 year of our Lord.

[00:31:50] [SPEAKER_01]: You saw Conclave.

[00:31:51] [SPEAKER_01]: Yeah.

[00:31:52] [SPEAKER_01]: It's a rollicking good time.

[00:31:53] [SPEAKER_01]: Yeah.

[00:31:53] [SPEAKER_01]: We had a lot of glossy grown up thriller.

[00:31:55] [SPEAKER_01]: Yeah.

[00:31:56] [SPEAKER_01]: As our friend John Hodgman said a great movie about doors.

[00:32:01] [SPEAKER_01]: That was his line.

[00:32:02] [SPEAKER_01]: I give him full credit.

[00:32:03] [SPEAKER_01]: And a movie with an incredibly normal ending you need to see for yourself.

[00:32:08] [SPEAKER_01]: Is that fair to say?

[00:32:08] [SPEAKER_01]: Absolutely.

[00:32:09] [SPEAKER_01]: It's, it's a movie that gets a great response from a crowd going through the sort of rollercoaster arc of what is.

[00:32:16] [SPEAKER_01]: Whoa.

[00:32:17] [SPEAKER_02]: But November has lots of big movies, Griff.

[00:32:19] [SPEAKER_02]: Sure.

[00:32:20] [SPEAKER_02]: Validator 2.

[00:32:20] [SPEAKER_02]: You've seen?

[00:32:21] [SPEAKER_02]: Wicked.

[00:32:22] [SPEAKER_02]: I have seen Validator 2.

[00:32:23] [SPEAKER_02]: Lots of fun.

[00:32:23] [SPEAKER_01]: Denzel Washington having a ball.

[00:32:25] [SPEAKER_01]: He's in it.

[00:32:26] [SPEAKER_01]: I hear he kind of just disappears into the tapestry.

[00:32:29] [SPEAKER_02]: Moana 2, right?

[00:32:30] [SPEAKER_02]: Like this is like, you know, it's a Thanksgiving's approaching.

[00:32:33] [SPEAKER_02]: There's all kinds of big stuff to see.

[00:32:35] [SPEAKER_02]: Yeah.

[00:32:35] [SPEAKER_02]: We're going to get wicked.

[00:32:36] [SPEAKER_02]: We're going to get Glicked.

[00:32:38] [SPEAKER_02]: Yeah.

[00:32:38] [SPEAKER_01]: Is that how it's said?

[00:32:39] [SPEAKER_01]: I see it typed out.

[00:32:40] [SPEAKER_01]: People talk about getting Glicked.

[00:32:41] [SPEAKER_01]: Oh, because it's like Gladiator 2.

[00:32:43] [SPEAKER_01]: It's just not very clean.

[00:32:44] [SPEAKER_01]: Yeah.

[00:32:44] [SPEAKER_01]: Well, look, maybe you're someone who wants to catch Robert Zemeckis is here and it's final days playing in theaters.

[00:32:51] [SPEAKER_01]: And you're like, do I pay full ticket price to see this movie?

[00:32:54] [SPEAKER_01]: Why don't you sign up for Regal Unlimited and just use one of your slots on that?

[00:32:58] [SPEAKER_02]: Covered it on our podcast if you want to catch up with it.

[00:33:00] [SPEAKER_02]: It's a perfect use of Regal Unlimited.

[00:33:02] [SPEAKER_02]: Now listen.

[00:33:02] [SPEAKER_02]: Anora going wide.

[00:33:04] [SPEAKER_02]: That's true.

[00:33:04] [SPEAKER_02]: Spreading across this great country.

[00:33:06] [SPEAKER_02]: A film we both love.

[00:33:07] [SPEAKER_02]: When you join Regal Crown Club, which is free to join.

[00:33:10] [SPEAKER_01]: That's their free membership program you can upgrade to Unlimited on top of that.

[00:33:13] [SPEAKER_02]: Right.

[00:33:13] [SPEAKER_02]: For Regal Crown Club, you're going to get concession upgrades.

[00:33:17] [SPEAKER_02]: You're going to get movie tickets and exclusive prizes and stuff when you earn points.

[00:33:20] [SPEAKER_01]: Certain days, benefits on certain things.

[00:33:23] [SPEAKER_01]: You're collecting points every time you spend.

[00:33:25] [SPEAKER_01]: Mondays, you get 25% off candy.

[00:33:27] [SPEAKER_02]: Tuesdays, you get 50% off popcorn.

[00:33:29] [SPEAKER_02]: Yeah.

[00:33:29] [SPEAKER_02]: Discounted movie tickets with the Regal Value Days program.

[00:33:32] [SPEAKER_02]: They got all kinds of stuff.

[00:33:33] [SPEAKER_01]: On your birthday, you get a free popcorn.

[00:33:34] [SPEAKER_01]: And here's the thing I love.

[00:33:35] [SPEAKER_01]: If you're like me, and I think a good percentage of our listeners are, those points can be cashed

[00:33:41] [SPEAKER_01]: in a number of ways.

[00:33:42] [SPEAKER_01]: You can get free movie tickets.

[00:33:43] [SPEAKER_01]: You can get upgrades on sizes of soda or popcorn or whatever it is.

[00:33:47] [SPEAKER_01]: A free concession item entirely.

[00:33:48] [SPEAKER_01]: You can also go to their website.

[00:33:50] [SPEAKER_01]: Yeah.

[00:33:51] [SPEAKER_01]: And spend your points on some fun promotional movie memorabilia.

[00:33:56] [SPEAKER_01]: Yeah.

[00:33:56] [SPEAKER_01]: They'll throw weird stuff up there.

[00:33:58] [SPEAKER_01]: I certainly got a lot of our avatar cup toppers.

[00:34:00] [SPEAKER_01]: They also have sweepstakes you can join with points.

[00:34:04] [SPEAKER_01]: A lot of posters.

[00:34:06] [SPEAKER_01]: All this stuff is very exciting.

[00:34:07] [SPEAKER_01]: Yeah.

[00:34:08] [SPEAKER_01]: On its own.

[00:34:09] [SPEAKER_02]: It is.

[00:34:10] [SPEAKER_02]: But if you sign up now and use the code BLANKCHECK,

[00:34:13] [SPEAKER_02]: That's us.

[00:34:14] [SPEAKER_02]: That's us.

[00:34:15] [SPEAKER_02]: You will get 10% off your three month subscription.

[00:34:19] [SPEAKER_02]: So not only do you already get this great deal, you get 10% off it and you get to support

[00:34:22] [SPEAKER_02]: the show.

[00:34:23] [SPEAKER_02]: Yeah.

[00:34:24] [SPEAKER_02]: It's win, win, win.

[00:34:25] [SPEAKER_02]: Now, go to the Regal app and click the unlimited banner.

[00:34:28] [SPEAKER_02]: Mm-hmm.

[00:34:29] [SPEAKER_02]: Follow the instructions there to sign up and enter the promo code BLANKCHECK when prompted

[00:34:32] [SPEAKER_02]: to receive your discount.

[00:34:34] [SPEAKER_02]: Just to tell you how it works.

[00:34:35] [SPEAKER_01]: Yeah.

[00:34:36] [SPEAKER_01]: We're making it as simple as we can.

[00:34:38] [SPEAKER_01]: And boy, once you've done the sign up, does it make life a lot easier for regular theater

[00:34:43] [SPEAKER_01]: goingers like us.

[00:34:45] [SPEAKER_01]: Yes.

[00:34:45] [SPEAKER_01]: Can't wait to see Red 1 and 4DX.

[00:34:48] [SPEAKER_01]: Anyway, David Lynch, great American artist.

[00:34:52] [SPEAKER_02]: So you didn't like Twin Peaks as a young man.

[00:34:56] [SPEAKER_02]: Did you come around on Twin Peaks or on David Lynch generally?

[00:35:00] [SPEAKER_05]: I think before the Showtime thing started, I think I rewatched all of season one.

[00:35:07] [SPEAKER_05]: I don't think I've ever seen all of season two of Twin Peaks.

[00:35:10] [SPEAKER_05]: I think I just bailed at some point.

[00:35:12] [SPEAKER_05]: It feels like everyone does.

[00:35:13] [SPEAKER_05]: Yeah.

[00:35:13] [SPEAKER_05]: Ben and I are currently working through it.

[00:35:15] [SPEAKER_05]: I did the same thing with season two.

[00:35:16] [SPEAKER_05]: Okay.

[00:35:16] [SPEAKER_06]: There is the certain point, I think, where we all kind of drop off with certain.

[00:35:21] [SPEAKER_05]: And I think that's because he wasn't as involved in it or something, or the other guy wasn't

[00:35:26] [SPEAKER_05]: involved or something like that.

[00:35:27] [SPEAKER_02]: Everyone was a little less involved and it was a little more chaotic.

[00:35:30] [SPEAKER_02]: Right.

[00:35:30] [SPEAKER_02]: I think there's much to love about season two, but it's hard to feel motivated to watch

[00:35:35] [SPEAKER_02]: it, especially before knowing that the return is coming.

[00:35:38] [SPEAKER_02]: Right.

[00:35:38] [SPEAKER_02]: Where it's kind of like, well, I know this didn't really get to, you know, kind of resolve

[00:35:44] [SPEAKER_02]: itself artistically, like blah, blah, blah.

[00:35:46] [SPEAKER_02]: But it is worth watching season two if you ever have the time to get to the final episode,

[00:35:51] [SPEAKER_02]: which is quite amazing.

[00:35:52] [SPEAKER_05]: I think I have watched the final episode.

[00:35:55] [SPEAKER_05]: I think a lot of people just skipped ahead.

[00:35:56] [SPEAKER_05]: I think a lot of people just skipped ahead.

[00:35:57] [SPEAKER_05]: Which is understandable.

[00:35:57] [SPEAKER_05]: And I've never seen the Twin Peaks movie Fire Walk With Me.

[00:36:01] [SPEAKER_05]: Oh, interesting.

[00:36:01] [SPEAKER_01]: I would say it's quite good.

[00:36:03] [SPEAKER_05]: I've heard that.

[00:36:04] [SPEAKER_05]: Yeah.

[00:36:05] [SPEAKER_05]: But I have watched The Return and that was a really special experience.

[00:36:11] [SPEAKER_05]: Do you feel like Fire Walk With Me?

[00:36:13] [SPEAKER_05]: Is that the only Lynch movie you haven't seen possibly?

[00:36:16] [SPEAKER_05]: No, I haven't seen a number of them, I realized, coming over here.

[00:36:19] [SPEAKER_05]: I've never seen The Elephant Man.

[00:36:22] [SPEAKER_05]: My favorite.

[00:36:23] [SPEAKER_05]: I think when I was a kid, I think, I think when I was a kid, The Elephant Man was always

[00:36:28] [SPEAKER_05]: on HBO.

[00:36:29] [SPEAKER_05]: I could be misremembering.

[00:36:30] [SPEAKER_05]: So I don't want to say like, oh, I watched it like through osmosis, but I think it presented

[00:36:35] [SPEAKER_05]: as so heavy and intimidating.

[00:36:38] [SPEAKER_05]: Sure.

[00:36:38] [SPEAKER_05]: That childhood David.

[00:36:40] [SPEAKER_05]: Couldn't handle it.

[00:36:41] [SPEAKER_05]: Maybe he was just like, uh, that's, I'll never be grown up enough to watch The Elephant

[00:36:44] [SPEAKER_05]: Man.

[00:36:45] [SPEAKER_05]: Yeah.

[00:36:45] [SPEAKER_05]: It's in black and white.

[00:36:46] [SPEAKER_05]: Like what?

[00:36:46] [SPEAKER_05]: So I've never seen that.

[00:36:47] [SPEAKER_05]: And I, and I've never seen the straight story.

[00:36:51] [SPEAKER_05]: I would, you would, I think you would really like the straight story.

[00:36:54] [SPEAKER_05]: Really?

[00:36:55] [SPEAKER_05]: Yeah.

[00:36:55] [SPEAKER_02]: I'm excited to, I mean, I'm excited to watch it.

[00:36:57] [SPEAKER_02]: You can watch it on Disney Plus if you have Disney Plus.

[00:36:58] [SPEAKER_02]: Oh really?

[00:36:59] [SPEAKER_02]: Yes.

[00:37:00] [SPEAKER_05]: And I think, I think I've seen all the other ones.

[00:37:04] [SPEAKER_05]: I saw Eraserhead in middle school

[00:37:07] [SPEAKER_05]: because

[00:37:08] [SPEAKER_05]: I had this great book

[00:37:10] [SPEAKER_05]: it was called Cult Movies by Danny Perry

[00:37:13] [SPEAKER_05]: have you guys ever heard of that book?

[00:37:15] [SPEAKER_05]: he published three of them

[00:37:16] [SPEAKER_05]: and in the 80s

[00:37:18] [SPEAKER_05]: if you wanted to know about weird movies

[00:37:20] [SPEAKER_05]: he published these three collections of his

[00:37:23] [SPEAKER_05]: idiosyncratic personal essays

[00:37:25] [SPEAKER_05]: and reviews of cult movies

[00:37:26] [SPEAKER_05]: and it turned me on to a lot of amazing movies

[00:37:29] [SPEAKER_05]: and he wrote about Eraserhead

[00:37:33] [SPEAKER_05]: and included some stills in the essay

[00:37:36] [SPEAKER_05]: I think there's a photo of the baby

[00:37:37] [SPEAKER_05]: and my friends and I are like

[00:37:38] [SPEAKER_05]: well we definitely gotta see this movie

[00:37:41] [SPEAKER_05]: and also at the time in the 80s

[00:37:43] [SPEAKER_05]: I lived in a college town

[00:37:45] [SPEAKER_05]: so like I think at the record store

[00:37:46] [SPEAKER_05]: I think they had Eraserhead posters

[00:37:48] [SPEAKER_05]: you know the iconic image of

[00:37:50] [SPEAKER_05]: what's his name with the hair backlit

[00:37:51] [SPEAKER_05]: so I think it was like an image

[00:37:53] [SPEAKER_05]: it was like it had a currency

[00:37:56] [SPEAKER_05]: we talked about that

[00:37:57] [SPEAKER_01]: in our Eraserhead episode

[00:37:59] [SPEAKER_01]: that it's just like

[00:37:59] [SPEAKER_01]: if you're someone who's kind of trying to find the subculture

[00:38:02] [SPEAKER_01]: in any way

[00:38:03] [SPEAKER_01]: yeah right

[00:38:04] [SPEAKER_01]: in art

[00:38:04] [SPEAKER_01]: that's just an image that somehow gets exposed to you at a young age

[00:38:07] [SPEAKER_01]: right

[00:38:08] [SPEAKER_01]: I remember having

[00:38:09] [SPEAKER_01]: I had an Entertainment Weekly issue

[00:38:10] [SPEAKER_01]: that I want to say was from

[00:38:12] [SPEAKER_01]: 02 or 03

[00:38:13] [SPEAKER_01]: that was like their definitive ranking

[00:38:16] [SPEAKER_01]: of the top 25 cult movies of all time

[00:38:19] [SPEAKER_01]: and I probably kept that issue for 15 years

[00:38:22] [SPEAKER_05]: yeah it's like those books I had

[00:38:23] [SPEAKER_01]: yeah

[00:38:23] [SPEAKER_01]: yeah the cult movie books

[00:38:24] [SPEAKER_01]: right but like to get that issue

[00:38:26] [SPEAKER_01]: when I was in high school

[00:38:27] [SPEAKER_01]: and be like

[00:38:27] [SPEAKER_01]: well here's the guide

[00:38:28] [SPEAKER_01]: if I watch these 25 movies

[00:38:31] [SPEAKER_05]: totally

[00:38:31] [SPEAKER_05]: right

[00:38:31] [SPEAKER_01]: I have some sense of like

[00:38:33] [SPEAKER_01]: the weird corners of film

[00:38:34] [SPEAKER_01]: and then I can go deeper from there

[00:38:36] [SPEAKER_01]: right

[00:38:36] [SPEAKER_01]: in each direction

[00:38:37] [SPEAKER_05]: how am I gonna get a copy of El Topo

[00:38:40] [SPEAKER_05]: and watch it

[00:38:41] [SPEAKER_05]: yeah

[00:38:41] [SPEAKER_05]: because that sounds really crazy

[00:38:43] [SPEAKER_01]: yeah when a lot of this stuff felt

[00:38:44] [SPEAKER_01]: like

[00:38:44] [SPEAKER_01]: Superstar the Karen Carpenter story

[00:38:46] [SPEAKER_01]: was on that list

[00:38:47] [SPEAKER_01]: oh wow

[00:38:47] [SPEAKER_01]: right yeah

[00:38:48] [SPEAKER_01]: and they mention in the write up

[00:38:49] [SPEAKER_01]: you can't watch this

[00:38:50] [SPEAKER_01]: you can't watch it

[00:38:50] [SPEAKER_01]: makes you want to watch it

[00:38:51] [SPEAKER_05]: at the time that I was doing

[00:38:53] [SPEAKER_05]: all this cult movie research

[00:38:54] [SPEAKER_05]: remember there was no

[00:38:55] [SPEAKER_05]: there were no DVDs

[00:38:56] [SPEAKER_05]: there was obviously no streaming

[00:38:57] [SPEAKER_05]: it was just like VHS

[00:38:58] [SPEAKER_05]: like and maybe they'll have it

[00:39:00] [SPEAKER_05]: maybe they won't

[00:39:00] [SPEAKER_05]: so Eraserhead was something

[00:39:02] [SPEAKER_05]: that we really wanted to see

[00:39:03] [SPEAKER_05]: and I remember like

[00:39:04] [SPEAKER_05]: we had a slumber party

[00:39:05] [SPEAKER_05]: it was like

[00:39:06] [SPEAKER_05]: we got it

[00:39:06] [SPEAKER_05]: tonight is Eraserhead night

[00:39:08] [SPEAKER_05]: and then we watched it

[00:39:08] [SPEAKER_05]: and it was great

[00:39:09] [SPEAKER_05]: you know

[00:39:09] [SPEAKER_02]: it is to me

[00:39:11] [SPEAKER_02]: the definitive cult movie

[00:39:13] [SPEAKER_01]: yeah

[00:39:13] [SPEAKER_01]: yeah

[00:39:14] [SPEAKER_01]: so aside from your

[00:39:15] [SPEAKER_01]: distaste at the time

[00:39:16] [SPEAKER_01]: for Twin Peaks

[00:39:17] [SPEAKER_01]: yeah well you just got it

[00:39:18] [SPEAKER_01]: you know you saw through the

[00:39:19] [SPEAKER_01]: yeah

[00:39:20] [SPEAKER_01]: through the fog

[00:39:20] [SPEAKER_01]: I saw through Society's Lies

[00:39:23] [SPEAKER_01]: yeah

[00:39:23] [SPEAKER_01]: you were otherwise

[00:39:24] [SPEAKER_01]: pretty in the bag for lunch

[00:39:25] [SPEAKER_01]: it sounds like

[00:39:27] [SPEAKER_05]: well I think

[00:39:28] [SPEAKER_05]: for years

[00:39:29] [SPEAKER_05]: I mean I only knew him

[00:39:30] [SPEAKER_05]: from Eraserhead

[00:39:31] [SPEAKER_05]: like I don't think

[00:39:32] [SPEAKER_05]: I saw Wild at Heart

[00:39:33] [SPEAKER_05]: until I was in my 20s

[00:39:35] [SPEAKER_05]: you probably didn't see

[00:39:36] [SPEAKER_05]: Lost Highway

[00:39:37] [SPEAKER_05]: when I only saw

[00:39:38] [SPEAKER_05]: Lost Highway last year

[00:39:39] [SPEAKER_05]: when it was in Revival

[00:39:40] [SPEAKER_05]: pretty good right

[00:39:41] [SPEAKER_05]: I saw it

[00:39:41] [SPEAKER_05]: yeah

[00:39:42] [SPEAKER_05]: pretty good

[00:39:44] [SPEAKER_05]: and Mulholland Drive

[00:39:45] [SPEAKER_05]: I saw in the theater

[00:39:46] [SPEAKER_05]: when it came out

[00:39:46] [SPEAKER_05]: and then maybe once or twice

[00:39:47] [SPEAKER_05]: afterwards on DVD

[00:39:48] [SPEAKER_05]: or something

[00:39:49] [SPEAKER_05]: so let's take you to

[00:39:51] [SPEAKER_05]: Inland

[00:39:51] [SPEAKER_05]: and Dune

[00:39:51] [SPEAKER_05]: and Dune I never saw

[00:39:53] [SPEAKER_05]: just check it out

[00:39:54] [SPEAKER_05]: I can't believe

[00:39:54] [SPEAKER_05]: Hodgman has let you

[00:39:56] [SPEAKER_05]: get away with that

[00:39:56] [SPEAKER_05]: well he summarized it

[00:39:57] [SPEAKER_05]: for me like 50 times

[00:39:59] [SPEAKER_05]: but

[00:39:59] [SPEAKER_05]: yeah

[00:39:59] [SPEAKER_05]: I remember once

[00:40:00] [SPEAKER_05]: we were on tour

[00:40:01] [SPEAKER_05]: and we were at a

[00:40:02] [SPEAKER_05]: we were performing

[00:40:03] [SPEAKER_05]: in Alabama

[00:40:04] [SPEAKER_05]: in this great venue

[00:40:05] [SPEAKER_05]: called The Bottle Tree

[00:40:06] [SPEAKER_05]: doesn't exist anymore

[00:40:07] [SPEAKER_05]: and when it was over

[00:40:08] [SPEAKER_05]: and we were hanging out

[00:40:09] [SPEAKER_05]: at the bar

[00:40:09] [SPEAKER_05]: they were playing

[00:40:10] [SPEAKER_05]: David Lynch's Dune

[00:40:11] [SPEAKER_05]: in the background

[00:40:12] [SPEAKER_05]: and it was just like

[00:40:13] [SPEAKER_05]: I've never seen

[00:40:14] [SPEAKER_05]: someone struggle

[00:40:15] [SPEAKER_05]: as much as like

[00:40:16] [SPEAKER_05]: John trying to be sociable

[00:40:17] [SPEAKER_05]: and talk to other people

[00:40:19] [SPEAKER_05]: while also just like

[00:40:21] [SPEAKER_05]: his eyes are fucking

[00:40:21] [SPEAKER_05]: fixated on the

[00:40:22] [SPEAKER_05]: 80 times

[00:40:23] [SPEAKER_05]: yeah exactly

[00:40:24] [SPEAKER_05]: yeah

[00:40:24] [SPEAKER_05]: but I've never seen that either

[00:40:26] [SPEAKER_05]: because it just looks like

[00:40:27] [SPEAKER_05]: I don't know man

[00:40:28] [SPEAKER_05]: okay so when

[00:40:29] [SPEAKER_01]: when you walk into

[00:40:30] [SPEAKER_01]: Inland Empire

[00:40:31] [SPEAKER_01]: in Chapel Hill

[00:40:32] [SPEAKER_01]: in 2007

[00:40:33] [SPEAKER_01]: in 2007

[00:40:35] [SPEAKER_01]: you're not like

[00:40:37] [SPEAKER_01]: David Lynch is my god

[00:40:38] [SPEAKER_01]: I'm obsessive

[00:40:41] [SPEAKER_01]: I'm encyclopedic

[00:40:42] [SPEAKER_01]: he's made a couple things

[00:40:44] [SPEAKER_01]: that you love deeply

[00:40:45] [SPEAKER_01]: yeah

[00:40:45] [SPEAKER_05]: yeah

[00:40:46] [SPEAKER_05]: I really really liked

[00:40:47] [SPEAKER_05]: Mulholland Drive

[00:40:48] [SPEAKER_05]: and I think that is like

[00:40:50] [SPEAKER_05]: he was just in the pocket

[00:40:52] [SPEAKER_05]: on that one

[00:40:52] [SPEAKER_05]: like he was in the sweet spot

[00:40:54] [SPEAKER_05]: and

[00:40:56] [SPEAKER_05]: you know

[00:40:56] [SPEAKER_05]: there's just moments

[00:40:59] [SPEAKER_05]: there's moments in that movie

[00:41:00] [SPEAKER_05]: that are just so affecting

[00:41:03] [SPEAKER_05]: just like

[00:41:04] [SPEAKER_05]: I think

[00:41:05] [SPEAKER_05]: I think one

[00:41:05] [SPEAKER_05]: I think the thing

[00:41:06] [SPEAKER_05]: I think one thing

[00:41:07] [SPEAKER_05]: that David Lynch

[00:41:08] [SPEAKER_05]: does better than anyone

[00:41:10] [SPEAKER_05]: he does it

[00:41:11] [SPEAKER_05]: in the final scene

[00:41:12] [SPEAKER_05]: of

[00:41:13] [SPEAKER_05]: Twin Peaks The Return

[00:41:14] [SPEAKER_05]: he does it with

[00:41:16] [SPEAKER_05]: Naomi Watts

[00:41:17] [SPEAKER_05]: masturbating

[00:41:18] [SPEAKER_05]: in Mulholland Drive

[00:41:19] [SPEAKER_05]: and he does it

[00:41:20] [SPEAKER_05]: in Inland Empire

[00:41:22] [SPEAKER_05]: is a sense of

[00:41:23] [SPEAKER_05]: almost just like

[00:41:25] [SPEAKER_05]: cosmic

[00:41:26] [SPEAKER_05]: desolation

[00:41:26] [SPEAKER_05]: yes

[00:41:27] [SPEAKER_05]: just an

[00:41:28] [SPEAKER_05]: utter

[00:41:30] [SPEAKER_02]: reduced to rubble

[00:41:31] [SPEAKER_02]: someone who has been

[00:41:32] [SPEAKER_02]: reduced

[00:41:32] [SPEAKER_05]: like

[00:41:33] [SPEAKER_05]: a hollow feeling

[00:41:34] [SPEAKER_05]: that is so

[00:41:36] [SPEAKER_05]: haunting

[00:41:37] [SPEAKER_05]: like it woke

[00:41:38] [SPEAKER_05]: like when we finished

[00:41:39] [SPEAKER_05]: watching The Return

[00:41:40] [SPEAKER_05]: like it woke me up

[00:41:41] [SPEAKER_05]: that night

[00:41:41] [SPEAKER_05]: that when that

[00:41:42] [SPEAKER_05]: that shot of him

[00:41:43] [SPEAKER_05]: where he's like

[00:41:43] [SPEAKER_05]: what's the line

[00:41:44] [SPEAKER_05]: what year is this

[00:41:45] [SPEAKER_05]: against an absolutely

[00:41:47] [SPEAKER_05]: black sky

[00:41:47] [SPEAKER_05]: they must have

[00:41:48] [SPEAKER_05]: CG'd the sky

[00:41:49] [SPEAKER_05]: to make it just

[00:41:49] [SPEAKER_05]: totally matte black

[00:41:51] [SPEAKER_05]: and the same

[00:41:52] [SPEAKER_05]: with Naomi Watts

[00:41:53] [SPEAKER_05]: in Mulholland Drive

[00:41:55] [SPEAKER_05]: when it's like

[00:41:55] [SPEAKER_05]: you're back in reality

[00:41:56] [SPEAKER_05]: and the brick

[00:41:57] [SPEAKER_05]: she's masturbating

[00:41:58] [SPEAKER_05]: and that brick wall

[00:41:58] [SPEAKER_05]: is like

[00:41:59] [SPEAKER_05]: going in and out

[00:42:00] [SPEAKER_05]: of focus

[00:42:00] [SPEAKER_05]: or whatever it is

[00:42:01] [SPEAKER_05]: it's just like

[00:42:02] [SPEAKER_02]: yeah I think

[00:42:02] [SPEAKER_02]: that's really rude

[00:42:03] [SPEAKER_02]: because I usually

[00:42:04] [SPEAKER_02]: jerk off to walls

[00:42:05] [SPEAKER_02]: you know

[00:42:06] [SPEAKER_01]: it's

[00:42:06] [SPEAKER_01]: well they have

[00:42:07] [SPEAKER_01]: the right curves

[00:42:07] [SPEAKER_01]: if it's that kind

[00:42:08] [SPEAKER_01]: of like

[00:42:08] [SPEAKER_01]: what is it

[00:42:09] [SPEAKER_01]: almost like a stucco

[00:42:10] [SPEAKER_01]: kind of thing

[00:42:11] [SPEAKER_05]: it's um

[00:42:12] [SPEAKER_05]: I think he's

[00:42:13] [SPEAKER_05]: so good at that

[00:42:15] [SPEAKER_05]: and it's also

[00:42:16] [SPEAKER_05]: a feeling that

[00:42:17] [SPEAKER_05]: anyway

[00:42:18] [SPEAKER_05]: so when I went

[00:42:19] [SPEAKER_05]: to see Endland Empire

[00:42:19] [SPEAKER_05]: it was like

[00:42:20] [SPEAKER_05]: I like David Lynch

[00:42:22] [SPEAKER_05]: um

[00:42:22] [SPEAKER_05]: I'm not gonna

[00:42:23] [SPEAKER_05]: you're not there

[00:42:24] [SPEAKER_05]: with two like

[00:42:25] [SPEAKER_05]: flags being like

[00:42:26] [SPEAKER_05]: no no

[00:42:27] [SPEAKER_05]: it's like

[00:42:27] [SPEAKER_05]: David Lynch

[00:42:28] [SPEAKER_05]: has a new movie out

[00:42:29] [SPEAKER_05]: like

[00:42:29] [SPEAKER_05]: I've never seen

[00:42:30] [SPEAKER_05]: a movie at the Carolina

[00:42:31] [SPEAKER_05]: it's supposed to be

[00:42:32] [SPEAKER_05]: a great theater

[00:42:33] [SPEAKER_05]: I'll go see

[00:42:33] [SPEAKER_05]: I'll go check it out

[00:42:35] [SPEAKER_05]: yeah

[00:42:35] [SPEAKER_05]: and what's interesting

[00:42:36] [SPEAKER_05]: is when we get

[00:42:37] [SPEAKER_05]: to exhibit B

[00:42:37] [SPEAKER_05]: one I mean

[00:42:38] [SPEAKER_05]: one of the reasons

[00:42:39] [SPEAKER_05]: that this memory

[00:42:39] [SPEAKER_05]: is so special for me

[00:42:41] [SPEAKER_05]: is that I remember it

[00:42:42] [SPEAKER_05]: in the context

[00:42:42] [SPEAKER_05]: of thinking

[00:42:43] [SPEAKER_05]: that was a great year

[00:42:45] [SPEAKER_05]: for me going to the movies

[00:42:48] [SPEAKER_05]: 2007

[00:42:48] [SPEAKER_01]: yeah we were talking

[00:42:49] [SPEAKER_02]: about this

[00:42:50] [SPEAKER_01]: right

[00:42:50] [SPEAKER_01]: it's nuts

[00:42:51] [SPEAKER_01]: yeah

[00:42:52] [SPEAKER_01]: yeah

[00:42:52] [SPEAKER_01]: right

[00:42:52] [SPEAKER_01]: because this

[00:42:53] [SPEAKER_01]: this falls into 2007

[00:42:54] [SPEAKER_01]: 2007 thought of

[00:42:56] [SPEAKER_01]: as sort of like

[00:42:57] [SPEAKER_01]: a high watermark

[00:42:58] [SPEAKER_01]: a big year

[00:42:59] [SPEAKER_01]: it's kind of a second

[00:43:00] [SPEAKER_01]: 1999

[00:43:00] [SPEAKER_01]: of a lot of major

[00:43:02] [SPEAKER_01]: young American auteurs

[00:43:03] [SPEAKER_05]: so exhibit B

[00:43:05] [SPEAKER_05]: is a printout

[00:43:06] [SPEAKER_05]: of my Excel spreadsheet

[00:43:07] [SPEAKER_05]: that I kept

[00:43:08] [SPEAKER_05]: for tax purposes

[00:43:09] [SPEAKER_05]: I was a freelancer

[00:43:10] [SPEAKER_05]: so seeing movies

[00:43:11] [SPEAKER_05]: was a tax write-off

[00:43:12] [SPEAKER_05]: according to my accountant

[00:43:13] [SPEAKER_05]: so I have

[00:43:14] [SPEAKER_05]: like over 20 years

[00:43:15] [SPEAKER_05]: of just like

[00:43:16] [SPEAKER_05]: all the movies

[00:43:16] [SPEAKER_05]: that I paid money for

[00:43:17] [SPEAKER_05]: and

[00:43:18] [SPEAKER_05]: I mean

[00:43:20] [SPEAKER_05]: it's crazy

[00:43:22] [SPEAKER_05]: if you like

[00:43:23] [SPEAKER_05]: specifically I realize

[00:43:24] [SPEAKER_05]: if you like

[00:43:25] [SPEAKER_05]: bro-y

[00:43:26] [SPEAKER_05]: elevated genre movies

[00:43:28] [SPEAKER_05]: that end

[00:43:28] [SPEAKER_05]: with an unresolved

[00:43:30] [SPEAKER_05]: kind of

[00:43:30] [SPEAKER_05]: crappy feeling

[00:43:31] [SPEAKER_05]: this is your year

[00:43:33] [SPEAKER_05]: it's so true

[00:43:34] [SPEAKER_05]: children of men

[00:43:35] [SPEAKER_05]: yes

[00:43:35] [SPEAKER_05]: the departed

[00:43:37] [SPEAKER_05]: some of these

[00:43:38] [SPEAKER_01]: are late 2006

[00:43:39] [SPEAKER_01]: that you've seen

[00:43:40] [SPEAKER_01]: early 7

[00:43:40] [SPEAKER_01]: I just want to clarify

[00:43:41] [SPEAKER_01]: yep

[00:43:42] [SPEAKER_01]: yep

[00:43:43] [SPEAKER_01]: the freaking

[00:43:44] [SPEAKER_01]: because you have

[00:43:45] [SPEAKER_01]: there will be blood

[00:43:46] [SPEAKER_01]: and no country

[00:43:47] [SPEAKER_01]: at the end of the year

[00:43:47] [SPEAKER_01]: yep

[00:43:48] [SPEAKER_01]: you have

[00:43:48] [SPEAKER_01]: freaking Zodiac

[00:43:49] [SPEAKER_01]: Michael Clayton

[00:43:51] [SPEAKER_01]: yeah

[00:43:51] [SPEAKER_02]: Eastern Promises

[00:43:52] [SPEAKER_02]: the feeling you're talking about

[00:43:54] [SPEAKER_02]: is present

[00:43:55] [SPEAKER_02]: in all

[00:43:55] [SPEAKER_02]: yeah

[00:43:55] [SPEAKER_02]: Gone Baby Gone

[00:43:57] [SPEAKER_05]: which actually

[00:43:58] [SPEAKER_05]: I rewatched recently

[00:43:59] [SPEAKER_05]: when I was looking

[00:43:59] [SPEAKER_05]: at this spreadsheet

[00:44:00] [SPEAKER_05]: it got me so psyched

[00:44:01] [SPEAKER_05]: for Gone Baby Gone

[00:44:02] [SPEAKER_05]: I rewatched

[00:44:03] [SPEAKER_05]: and that might be

[00:44:04] [SPEAKER_05]: getting up towards

[00:44:04] [SPEAKER_05]: five times

[00:44:05] [SPEAKER_05]: wow

[00:44:05] [SPEAKER_05]: I freaking

[00:44:06] [SPEAKER_05]: love Gone Baby Gone

[00:44:07] [SPEAKER_05]: I think it's so good

[00:44:08] [SPEAKER_05]: and I think

[00:44:09] [SPEAKER_05]: some of the sequences

[00:44:09] [SPEAKER_05]: are so exciting

[00:44:10] [SPEAKER_05]: and I think

[00:44:11] [SPEAKER_05]: Casey Affleck

[00:44:11] [SPEAKER_05]: is fucking

[00:44:12] [SPEAKER_05]: mesmerizing

[00:44:13] [SPEAKER_05]: in that movie

[00:44:14] [SPEAKER_05]: he is

[00:44:15] [SPEAKER_05]: before the devil

[00:44:16] [SPEAKER_05]: knows you dead

[00:44:16] [SPEAKER_05]: speaking of feel good movies

[00:44:18] [SPEAKER_05]: yeah

[00:44:18] [SPEAKER_05]: I mean jeepers creepers

[00:44:20] [SPEAKER_01]: do you know what I almost think

[00:44:21] [SPEAKER_01]: was in the water

[00:44:21] [SPEAKER_01]: that year

[00:44:22] [SPEAKER_01]: and I'll make it

[00:44:24] [SPEAKER_01]: 2006 or 2007

[00:44:25] [SPEAKER_01]: George W. Bush

[00:44:25] [SPEAKER_05]: and the Iraq War

[00:44:26] [SPEAKER_01]: yeah I was wondering

[00:44:27] [SPEAKER_01]: what is it

[00:44:27] [SPEAKER_01]: I think

[00:44:28] [SPEAKER_01]: I think a lot of it

[00:44:29] [SPEAKER_01]: is there was like

[00:44:30] [SPEAKER_01]: the immediate aftermath

[00:44:31] [SPEAKER_01]: of how do we reckon

[00:44:32] [SPEAKER_01]: with 9-11

[00:44:33] [SPEAKER_01]: and a lot of movies

[00:44:34] [SPEAKER_01]: that were trying to tackle

[00:44:35] [SPEAKER_01]: it more directly

[00:44:36] [SPEAKER_01]: or there was

[00:44:37] [SPEAKER_01]: all the sort of like

[00:44:38] [SPEAKER_01]: po-faced

[00:44:39] [SPEAKER_01]: Iraq war movies

[00:44:40] [SPEAKER_01]: yeah

[00:44:41] [SPEAKER_01]: these are all

[00:44:42] [SPEAKER_05]: taking elliptical approach

[00:44:43] [SPEAKER_05]: and that's why

[00:44:44] [SPEAKER_05]: it's more just in the air

[00:44:45] [SPEAKER_05]: yeah

[00:44:45] [SPEAKER_01]: it's like

[00:44:46] [SPEAKER_01]: it took five or six years

[00:44:47] [SPEAKER_01]: for people to be like

[00:44:48] [SPEAKER_01]: I want to make a movie

[00:44:49] [SPEAKER_01]: about this mood

[00:44:50] [SPEAKER_01]: I'm feeling

[00:44:50] [SPEAKER_01]: rather than actually

[00:44:52] [SPEAKER_01]: trying to talk about

[00:44:52] [SPEAKER_01]: the events

[00:44:53] [SPEAKER_01]: Zodiac

[00:44:53] [SPEAKER_05]: for crying out loud

[00:44:55] [SPEAKER_05]: Zodiac

[00:44:55] [SPEAKER_05]: I saw

[00:44:56] [SPEAKER_05]: I mean

[00:44:57] [SPEAKER_05]: when I was thinking back

[00:44:58] [SPEAKER_05]: on Inland Empire

[00:44:58] [SPEAKER_05]: when I think back

[00:44:59] [SPEAKER_05]: on that memory

[00:45:00] [SPEAKER_05]: I think back

[00:45:02] [SPEAKER_05]: of just being

[00:45:03] [SPEAKER_05]: in the sticket

[00:45:04] [SPEAKER_05]: of just like

[00:45:04] [SPEAKER_05]: really good

[00:45:05] [SPEAKER_05]: movies

[00:45:06] [SPEAKER_05]: now Inland Empire

[00:45:07] [SPEAKER_05]: is obviously

[00:45:07] [SPEAKER_05]: an outlier

[00:45:08] [SPEAKER_05]: like as much

[00:45:09] [SPEAKER_05]: as I like Zodiac

[00:45:10] [SPEAKER_05]: like Zodiac

[00:45:11] [SPEAKER_05]: is not Inland Empire

[00:45:12] [SPEAKER_05]: you know

[00:45:13] [SPEAKER_05]: like it's just

[00:45:14] [SPEAKER_05]: Inland Empire

[00:45:15] [SPEAKER_05]: is just doing

[00:45:16] [SPEAKER_05]: something completely

[00:45:16] [SPEAKER_05]: different

[00:45:17] [SPEAKER_05]: sure

[00:45:17] [SPEAKER_05]: the movie

[00:45:18] [SPEAKER_05]: that I saw

[00:45:19] [SPEAKER_05]: just about a week

[00:45:20] [SPEAKER_05]: after I saw

[00:45:21] [SPEAKER_05]: Inland Empire

[00:45:22] [SPEAKER_05]: comes the closest

[00:45:23] [SPEAKER_05]: to the experience

[00:45:24] [SPEAKER_05]: I had watching

[00:45:25] [SPEAKER_05]: Inland Empire

[00:45:25] [SPEAKER_05]: is this fucking

[00:45:26] [SPEAKER_05]: Romanian movie

[00:45:27] [SPEAKER_05]: do you ever see

[00:45:28] [SPEAKER_05]: a Romanian

[00:45:29] [SPEAKER_05]: quote unquote

[00:45:29] [SPEAKER_05]: comedy

[00:45:30] [SPEAKER_05]: called

[00:45:30] [SPEAKER_05]: The Death

[00:45:31] [SPEAKER_05]: of Mr.

[00:45:32] [SPEAKER_05]: Lazzarrescu

[00:45:32] [SPEAKER_05]: of course

[00:45:33] [SPEAKER_05]: yeah

[00:45:33] [SPEAKER_05]: I remember that one

[00:45:34] [SPEAKER_05]: that was

[00:45:35] [SPEAKER_05]: hot shit

[00:45:36] [SPEAKER_05]: though

[00:45:36] [SPEAKER_05]: it was when

[00:45:37] [SPEAKER_05]: Romanian cinema

[00:45:38] [SPEAKER_05]: it was after

[00:45:39] [SPEAKER_05]: four months

[00:45:40] [SPEAKER_05]: three weeks

[00:45:40] [SPEAKER_05]: two days

[00:45:41] [SPEAKER_05]: yeah

[00:45:41] [SPEAKER_05]: for sure

[00:45:42] [SPEAKER_02]: Christy

[00:45:43] [SPEAKER_02]: I'm glad

[00:45:44] [SPEAKER_02]: on pronouncing

[00:45:45] [SPEAKER_02]: Romanian names

[00:45:46] [SPEAKER_02]: but it is

[00:45:47] [SPEAKER_02]: one of those

[00:45:47] [SPEAKER_02]: things right

[00:45:47] [SPEAKER_02]: where they're

[00:45:48] [SPEAKER_02]: like

[00:45:48] [SPEAKER_02]: there's a

[00:45:48] [SPEAKER_02]: great new

[00:45:49] [SPEAKER_02]: comedy

[00:45:49] [SPEAKER_02]: out of

[00:45:49] [SPEAKER_02]: Eastern

[00:45:49] [SPEAKER_02]: Europe

[00:45:50] [SPEAKER_02]: and I'm

[00:45:50] [SPEAKER_02]: like

[00:45:50] [SPEAKER_02]: hmm

[00:45:50] [SPEAKER_02]: is it

[00:45:51] [SPEAKER_02]: two and a half

[00:45:51] [SPEAKER_02]: hours long

[00:45:52] [SPEAKER_02]: is it

[00:45:53] [SPEAKER_05]: two and a half

[00:45:55] [SPEAKER_05]: hours

[00:45:55] [SPEAKER_05]: of an elderly

[00:45:56] [SPEAKER_05]: alcoholic

[00:45:57] [SPEAKER_05]: dying in real

[00:45:58] [SPEAKER_05]: time

[00:45:59] [SPEAKER_05]: as he is

[00:45:59] [SPEAKER_05]: kicked out

[00:46:00] [SPEAKER_05]: of multiple

[00:46:01] [SPEAKER_05]: hospital

[00:46:01] [SPEAKER_05]: emergency rooms

[00:46:02] [SPEAKER_02]: people in Romania

[00:46:04] [SPEAKER_02]: are like

[00:46:04] [SPEAKER_02]: rolling in the

[00:46:05] [SPEAKER_01]: aisles

[00:46:06] [SPEAKER_01]: why is this

[00:46:08] [SPEAKER_01]: it's bureaucracy

[00:46:09] [SPEAKER_01]: refusing to let

[00:46:10] [SPEAKER_01]: this guy die

[00:46:11] [SPEAKER_02]: it's making fun

[00:46:12] [SPEAKER_02]: of you know

[00:46:14] [SPEAKER_02]: institutions

[00:46:14] [SPEAKER_02]: right

[00:46:15] [SPEAKER_02]: yeah

[00:46:15] [SPEAKER_05]: another great

[00:46:16] [SPEAKER_05]: experience of

[00:46:17] [SPEAKER_05]: just going

[00:46:18] [SPEAKER_05]: into a movie

[00:46:18] [SPEAKER_05]: cold

[00:46:19] [SPEAKER_05]: I saw it

[00:46:19] [SPEAKER_05]: in Chapel Hill

[00:46:20] [SPEAKER_05]: there's an

[00:46:21] [SPEAKER_05]: art and indie

[00:46:21] [SPEAKER_05]: cinema that was

[00:46:22] [SPEAKER_05]: actually started

[00:46:22] [SPEAKER_05]: by my old

[00:46:23] [SPEAKER_05]: high school

[00:46:24] [SPEAKER_05]: English teacher

[00:46:26] [SPEAKER_05]: Bruce Stone

[00:46:27] [SPEAKER_05]: it's called

[00:46:27] [SPEAKER_05]: the Chelsea

[00:46:27] [SPEAKER_05]: and it's still

[00:46:28] [SPEAKER_05]: an operation

[00:46:29] [SPEAKER_05]: and you could

[00:46:29] [SPEAKER_05]: go there

[00:46:30] [SPEAKER_05]: and just like

[00:46:30] [SPEAKER_05]: and watch all

[00:46:32] [SPEAKER_05]: these funky

[00:46:32] [SPEAKER_05]: like I saw

[00:46:33] [SPEAKER_05]: Akira there

[00:46:34] [SPEAKER_05]: when Akira

[00:46:34] [SPEAKER_05]: came out

[00:46:34] [SPEAKER_05]: I saw

[00:46:35] [SPEAKER_05]: the vanishing

[00:46:35] [SPEAKER_05]: there

[00:46:36] [SPEAKER_05]: when the

[00:46:36] [SPEAKER_05]: vanishing

[00:46:36] [SPEAKER_05]: was first

[00:46:37] [SPEAKER_05]: released

[00:46:37] [SPEAKER_05]: speaking of

[00:46:37] [SPEAKER_05]: another great

[00:46:38] [SPEAKER_05]: feel-good movie

[00:46:38] [SPEAKER_05]: yeah that ends

[00:46:39] [SPEAKER_05]: really happy

[00:46:40] [SPEAKER_05]: yeah

[00:46:40] [SPEAKER_03]: yeah

[00:46:40] [SPEAKER_05]: and um

[00:46:41] [SPEAKER_05]: so it's like

[00:46:42] [SPEAKER_05]: yeah there's

[00:46:42] [SPEAKER_05]: a new comedy

[00:46:43] [SPEAKER_05]: out of Romania

[00:46:43] [SPEAKER_05]: the death of

[00:46:44] [SPEAKER_05]: Mr.

[00:46:45] [SPEAKER_05]: Lazaruscu

[00:46:45] [SPEAKER_05]: so I went

[00:46:46] [SPEAKER_05]: in cold

[00:46:47] [SPEAKER_05]: it's like

[00:46:48] [SPEAKER_05]: Inland Empire

[00:46:49] [SPEAKER_05]: it's a long

[00:46:50] [SPEAKER_05]: movie

[00:46:51] [SPEAKER_02]: it's two and a

[00:46:51] [SPEAKER_02]: half hours long

[00:46:52] [SPEAKER_05]: and at the

[00:46:53] [SPEAKER_05]: end of it

[00:46:53] [SPEAKER_05]: an older guy

[00:46:55] [SPEAKER_05]: on the front

[00:46:56] [SPEAKER_05]: row

[00:46:57] [SPEAKER_05]: literally yelled

[00:46:57] [SPEAKER_05]: out

[00:46:58] [SPEAKER_05]: that's it

[00:47:00] [SPEAKER_05]: he was so

[00:47:01] [SPEAKER_05]: pissed

[00:47:02] [SPEAKER_05]: he's like

[00:47:02] [SPEAKER_05]: yeah that's it

[00:47:03] [SPEAKER_05]: he died

[00:47:03] [SPEAKER_05]: like it was in

[00:47:04] [SPEAKER_05]: the title

[00:47:04] [SPEAKER_05]: you can't be

[00:47:04] [SPEAKER_05]: disappointed

[00:47:05] [SPEAKER_05]: like you're not

[00:47:05] [SPEAKER_05]: getting your money

[00:47:06] [SPEAKER_05]: back

[00:47:06] [SPEAKER_02]: I think it

[00:47:07] [SPEAKER_02]: actually

[00:47:07] [SPEAKER_02]: from what I

[00:47:08] [SPEAKER_02]: remember

[00:47:08] [SPEAKER_02]: the movie

[00:47:09] [SPEAKER_02]: it ends

[00:47:09] [SPEAKER_02]: with them

[00:47:09] [SPEAKER_02]: being like

[00:47:10] [SPEAKER_02]: okay we're

[00:47:10] [SPEAKER_02]: finally gonna

[00:47:10] [SPEAKER_02]: do like a

[00:47:11] [SPEAKER_02]: brain operation

[00:47:12] [SPEAKER_02]: on you

[00:47:12] [SPEAKER_02]: and the movie

[00:47:13] [SPEAKER_02]: is like

[00:47:13] [SPEAKER_02]: well leave

[00:47:13] [SPEAKER_02]: it off

[00:47:14] [SPEAKER_02]: here

[00:47:14] [SPEAKER_02]: we're gonna

[00:47:14] [SPEAKER_02]: we're gonna

[00:47:15] [SPEAKER_02]: let you guys

[00:47:15] [SPEAKER_02]: go now

[00:47:16] [SPEAKER_02]: and you're

[00:47:16] [SPEAKER_02]: just like

[00:47:17] [SPEAKER_02]: no I think

[00:47:17] [SPEAKER_05]: he dies

[00:47:18] [SPEAKER_05]: on a stretcher

[00:47:18] [SPEAKER_05]: I think

[00:47:19] [SPEAKER_02]: he's definitely

[00:47:20] [SPEAKER_02]: on the table

[00:47:22] [SPEAKER_02]: I mean it is

[00:47:23] [SPEAKER_02]: in the title

[00:47:23] [SPEAKER_02]: that he dies

[00:47:24] [SPEAKER_02]: so you know

[00:47:25] [SPEAKER_02]: don't be

[00:47:25] [SPEAKER_05]: so my memory

[00:47:26] [SPEAKER_05]: of Inland Empire

[00:47:27] [SPEAKER_05]: is coupled

[00:47:27] [SPEAKER_05]: with my memory

[00:47:28] [SPEAKER_05]: of just being

[00:47:28] [SPEAKER_05]: like what a

[00:47:29] [SPEAKER_05]: great year

[00:47:29] [SPEAKER_05]: for movies

[00:47:30] [SPEAKER_05]: like I like

[00:47:31] [SPEAKER_05]: bro-y movies

[00:47:32] [SPEAKER_05]: that end

[00:47:32] [SPEAKER_05]: on a bummer

[00:47:33] [SPEAKER_05]: note

[00:47:34] [SPEAKER_05]: I thought

[00:47:34] [SPEAKER_05]: death of

[00:47:35] [SPEAKER_05]: Mr. Lazarescu

[00:47:36] [SPEAKER_05]: was fun

[00:47:37] [SPEAKER_05]: like I don't

[00:47:38] [SPEAKER_05]: need to see

[00:47:38] [SPEAKER_05]: it again

[00:47:39] [SPEAKER_05]: but you know

[00:47:39] [SPEAKER_05]: it's like

[00:47:40] [SPEAKER_05]: if you saw

[00:47:41] [SPEAKER_05]: that recent

[00:47:41] [SPEAKER_05]: movie from

[00:47:41] [SPEAKER_05]: Romania

[00:47:42] [SPEAKER_05]: called

[00:47:42] [SPEAKER_05]: do not

[00:47:42] [SPEAKER_05]: expect too

[00:47:43] [SPEAKER_05]: much from

[00:47:43] [SPEAKER_05]: the end

[00:47:43] [SPEAKER_05]: of the world

[00:47:44] [SPEAKER_05]: did you see

[00:47:44] [SPEAKER_05]: that

[00:47:45] [SPEAKER_05]: fucking awesome

[00:47:46] [SPEAKER_05]: yeah

[00:47:46] [SPEAKER_02]: another two

[00:47:47] [SPEAKER_02]: and a half

[00:47:48] [SPEAKER_02]: hour movie

[00:47:48] [SPEAKER_02]: absolutely

[00:47:49] [SPEAKER_02]: an absolute

[00:47:50] [SPEAKER_02]: grind

[00:47:51] [SPEAKER_05]: 1208

[00:47:52] [SPEAKER_01]: East of Bucharest

[00:47:52] [SPEAKER_01]: did either of you

[00:47:53] [SPEAKER_01]: see that

[00:47:53] [SPEAKER_01]: that was around

[00:47:54] [SPEAKER_01]: I never saw

[00:47:54] [SPEAKER_01]: that was

[00:47:55] [SPEAKER_01]: 607

[00:47:56] [SPEAKER_01]: very funny

[00:47:56] [SPEAKER_01]: very bleak

[00:47:58] [SPEAKER_01]: Romanian comedy

[00:47:58] [SPEAKER_01]: yeah

[00:47:59] [SPEAKER_02]: that one I think

[00:48:00] [SPEAKER_02]: is at least short

[00:48:01] [SPEAKER_02]: I'll give that one

[00:48:02] [SPEAKER_02]: credit

[00:48:02] [SPEAKER_02]: yeah

[00:48:04] [SPEAKER_02]: I don't know

[00:48:04] [SPEAKER_02]: what the rule is

[00:48:05] [SPEAKER_02]: about Eastern

[00:48:05] [SPEAKER_02]: European films

[00:48:06] [SPEAKER_02]: needing to be

[00:48:07] [SPEAKER_02]: very long

[00:48:09] [SPEAKER_02]: so you saw

[00:48:10] [SPEAKER_02]: Lind Empire

[00:48:10] [SPEAKER_02]: in this beautiful

[00:48:11] [SPEAKER_02]: theater

[00:48:11] [SPEAKER_02]: I saw it in this

[00:48:12] [SPEAKER_05]: beautiful

[00:48:12] [SPEAKER_05]: empty

[00:48:12] [SPEAKER_05]: almost empty

[00:48:13] [SPEAKER_05]: theater

[00:48:14] [SPEAKER_05]: I went in

[00:48:14] [SPEAKER_05]: just being like

[00:48:15] [SPEAKER_05]: oh David Lynch

[00:48:15] [SPEAKER_05]: has a new movie

[00:48:16] [SPEAKER_05]: and that's all

[00:48:17] [SPEAKER_05]: I knew

[00:48:18] [SPEAKER_05]: and

[00:48:19] [SPEAKER_05]: I

[00:48:20] [SPEAKER_05]: I just

[00:48:21] [SPEAKER_05]: I just

[00:48:22] [SPEAKER_05]: remember it

[00:48:23] [SPEAKER_05]: as just like

[00:48:23] [SPEAKER_05]: a

[00:48:24] [SPEAKER_05]: great

[00:48:25] [SPEAKER_05]: experience

[00:48:26] [SPEAKER_05]: like

[00:48:26] [SPEAKER_05]: re-watching

[00:48:27] [SPEAKER_05]: it was

[00:48:27] [SPEAKER_05]: interesting

[00:48:27] [SPEAKER_05]: I had

[00:48:28] [SPEAKER_05]: misremembered

[00:48:28] [SPEAKER_05]: a lot

[00:48:29] [SPEAKER_05]: of

[00:48:29] [SPEAKER_05]: the movie

[00:48:29] [SPEAKER_05]: and I

[00:48:30] [SPEAKER_05]: obviously

[00:48:30] [SPEAKER_05]: forgotten

[00:48:31] [SPEAKER_05]: a lot

[00:48:31] [SPEAKER_05]: of it

[00:48:31] [SPEAKER_05]: it's been

[00:48:31] [SPEAKER_05]: 17 years

[00:48:32] [SPEAKER_05]: but there's

[00:48:33] [SPEAKER_05]: some

[00:48:33] [SPEAKER_05]: you know

[00:48:34] [SPEAKER_05]: this

[00:48:34] [SPEAKER_05]: the

[00:48:34] [SPEAKER_05]: shot

[00:48:35] [SPEAKER_05]: of

[00:48:36] [SPEAKER_05]: Laura

[00:48:36] [SPEAKER_05]: Dern

[00:48:36] [SPEAKER_05]: running

[00:48:37] [SPEAKER_05]: towards

[00:48:37] [SPEAKER_05]: the camera

[00:48:38] [SPEAKER_05]: on that

[00:48:39] [SPEAKER_05]: outdoor

[00:48:39] [SPEAKER_05]: path

[00:48:40] [SPEAKER_05]: and then

[00:48:40] [SPEAKER_05]: close up

[00:48:41] [SPEAKER_05]: on her

[00:48:41] [SPEAKER_05]: face

[00:48:42] [SPEAKER_05]: and she's

[00:48:42] [SPEAKER_05]: got this

[00:48:43] [SPEAKER_05]: agonizing

[00:48:43] [SPEAKER_05]: grimace

[00:48:44] [SPEAKER_05]: that's

[00:48:44] [SPEAKER_05]: really

[00:48:44] [SPEAKER_05]: her

[00:48:45] [SPEAKER_05]: overlit

[00:48:47] [SPEAKER_05]: my

[00:48:47] [SPEAKER_05]: memory

[00:48:48] [SPEAKER_05]: of that

[00:48:48] [SPEAKER_05]: night

[00:48:48] [SPEAKER_05]: is

[00:48:49] [SPEAKER_05]: seeing

[00:48:50] [SPEAKER_05]: her

[00:48:50] [SPEAKER_05]: face

[00:48:51] [SPEAKER_05]: on a

[00:48:52] [SPEAKER_05]: fucking

[00:48:53] [SPEAKER_05]: it was

[00:48:53] [SPEAKER_05]: like

[00:48:53] [SPEAKER_05]: one of

[00:48:54] [SPEAKER_05]: the

[00:48:55] [SPEAKER_05]: biggest

[00:48:56] [SPEAKER_05]: things

[00:48:56] [SPEAKER_05]: I've

[00:48:57] [SPEAKER_05]: ever

[00:48:57] [SPEAKER_05]: seen

[00:48:57] [SPEAKER_05]: if that

[00:48:57] [SPEAKER_05]: makes

[00:48:58] [SPEAKER_05]: sense

[00:48:58] [SPEAKER_05]: the

[00:49:01] [SPEAKER_05]: hugeness

[00:49:02] [SPEAKER_05]: of her

[00:49:02] [SPEAKER_05]: emotion

[00:49:03] [SPEAKER_05]: and seeing

[00:49:04] [SPEAKER_05]: it on

[00:49:04] [SPEAKER_05]: a

[00:49:04] [SPEAKER_05]: big

[00:49:05] [SPEAKER_05]: huge

[00:49:06] [SPEAKER_05]: screen

[00:49:07] [SPEAKER_05]: I just

[00:49:08] [SPEAKER_05]: remember

[00:49:08] [SPEAKER_05]: being

[00:49:08] [SPEAKER_05]: just

[00:49:09] [SPEAKER_05]: like

[00:49:09] [SPEAKER_05]: absolutely

[00:49:09] [SPEAKER_05]: like

[00:49:13] [SPEAKER_05]: I

[00:49:14] [SPEAKER_05]: remember

[00:49:15] [SPEAKER_05]: is

[00:49:16] [SPEAKER_05]: the

[00:49:17] [SPEAKER_05]: credit

[00:49:17] [SPEAKER_05]: sequence

[00:49:18] [SPEAKER_05]: with

[00:49:18] [SPEAKER_05]: Sinner

[00:49:19] [SPEAKER_05]: Man

[00:49:19] [SPEAKER_05]: and just

[00:49:20] [SPEAKER_05]: a feeling

[00:49:20] [SPEAKER_05]: of

[00:49:20] [SPEAKER_05]: absolute

[00:49:21] [SPEAKER_05]: relief

[00:49:21] [SPEAKER_05]: and

[00:49:21] [SPEAKER_05]: euphoria

[00:49:22] [SPEAKER_05]: and

[00:49:22] [SPEAKER_05]: catharsis

[00:49:23] [SPEAKER_02]: there is

[00:49:24] [SPEAKER_02]: a huge

[00:49:24] [SPEAKER_02]: relief

[00:49:24] [SPEAKER_02]: to the

[00:49:25] [SPEAKER_02]: credits

[00:49:25] [SPEAKER_02]: in the

[00:49:26] [SPEAKER_02]: theater

[00:49:26] [SPEAKER_02]: because

[00:49:26] [SPEAKER_02]: it is

[00:49:27] [SPEAKER_02]: an

[00:49:27] [SPEAKER_02]: incredibly

[00:49:27] [SPEAKER_02]: long

[00:49:28] [SPEAKER_02]: movie

[00:49:28] [SPEAKER_02]: and

[00:49:28] [SPEAKER_02]: it is

[00:49:28] [SPEAKER_02]: quite

[00:49:29] [SPEAKER_02]: punishing

[00:49:29] [SPEAKER_02]: at

[00:49:29] [SPEAKER_02]: times

[00:49:31] [SPEAKER_02]: and

[00:49:32] [SPEAKER_02]: the

[00:49:33] [SPEAKER_02]: ending

[00:49:33] [SPEAKER_02]: is fun

[00:49:34] [SPEAKER_02]: and the

[00:49:35] [SPEAKER_02]: music

[00:49:35] [SPEAKER_02]: is so

[00:49:35] [SPEAKER_02]: good

[00:49:36] [SPEAKER_02]: and

[00:49:36] [SPEAKER_02]: there

[00:49:36] [SPEAKER_02]: yeah

[00:49:36] [SPEAKER_02]: there's

[00:49:37] [SPEAKER_02]: just

[00:49:37] [SPEAKER_02]: that

[00:49:37] [SPEAKER_02]: sense

[00:49:37] [SPEAKER_02]: of

[00:49:37] [SPEAKER_02]: like

[00:49:37] [SPEAKER_02]: okay

[00:49:38] [SPEAKER_02]: I

[00:49:44] [SPEAKER_02]: think

[00:49:45] [SPEAKER_02]: you're

[00:49:45] [SPEAKER_02]: like

[00:49:45] [SPEAKER_02]: yeah

[00:49:45] [SPEAKER_02]: I've

[00:49:45] [SPEAKER_02]: been

[00:49:45] [SPEAKER_02]: strained

[00:49:46] [SPEAKER_02]: to

[00:49:46] [SPEAKER_02]: keep

[00:49:46] [SPEAKER_02]: all

[00:49:46] [SPEAKER_02]: these

[00:49:47] [SPEAKER_02]: place

[00:49:47] [SPEAKER_02]: spinning

[00:49:47] [SPEAKER_02]: and

[00:49:47] [SPEAKER_02]: try

[00:49:47] [SPEAKER_02]: and

[00:49:48] [SPEAKER_02]: think

[00:49:48] [SPEAKER_02]: about

[00:49:48] [SPEAKER_02]: what

[00:49:48] [SPEAKER_02]: they

[00:49:48] [SPEAKER_02]: are

[00:49:48] [SPEAKER_02]: while

[00:49:49] [SPEAKER_02]: another

[00:49:49] [SPEAKER_02]: part

[00:49:49] [SPEAKER_02]: of

[00:49:49] [SPEAKER_02]: my

[00:49:49] [SPEAKER_02]: brain

[00:49:49] [SPEAKER_02]: is

[00:49:50] [SPEAKER_02]: like

[00:49:50] [SPEAKER_02]: don't

[00:49:50] [SPEAKER_02]: worry

[00:49:51] [SPEAKER_02]: about

[00:49:51] [SPEAKER_02]: it

[00:49:51] [SPEAKER_02]: like

[00:49:51] [SPEAKER_02]: just

[00:49:52] [SPEAKER_02]: soak

[00:49:52] [SPEAKER_02]: it

[00:49:52] [SPEAKER_02]: in

[00:49:52] [SPEAKER_02]: or

[00:49:53] [SPEAKER_02]: whatever

[00:49:53] [SPEAKER_02]: but

[00:49:53] [SPEAKER_02]: you

[00:49:53] [SPEAKER_02]: if

[00:49:54] [SPEAKER_02]: you're

[00:49:54] [SPEAKER_02]: watching

[00:49:54] [SPEAKER_02]: a

[00:49:54] [SPEAKER_02]: movie

[00:49:55] [SPEAKER_02]: you can't

[00:49:55] [SPEAKER_02]: help

[00:49:55] [SPEAKER_02]: but

[00:49:56] [SPEAKER_02]: try

[00:49:56] [SPEAKER_02]: to

[00:49:56] [SPEAKER_02]: grasp

[00:49:57] [SPEAKER_02]: a

[00:49:57] [SPEAKER_02]: narrative

[00:49:57] [SPEAKER_02]: I

[00:49:57] [SPEAKER_02]: think

[00:49:58] [SPEAKER_02]: absolutely

[00:49:58] [SPEAKER_02]: unless

[00:49:59] [SPEAKER_02]: you're

[00:49:59] [SPEAKER_02]: very

[00:49:59] [SPEAKER_02]: used

[00:49:59] [SPEAKER_02]: to

[00:50:00] [SPEAKER_02]: avant-garde

[00:50:00] [SPEAKER_02]: cinema

[00:50:00] [SPEAKER_02]: where

[00:50:01] [SPEAKER_02]: you're

[00:50:01] [SPEAKER_02]: like

[00:50:01] [SPEAKER_02]: oh

[00:50:01] [SPEAKER_02]: yeah

[00:50:14] [SPEAKER_01]: you

[00:50:15] [SPEAKER_01]: Sims

[00:50:16] [SPEAKER_01]: made

[00:50:16] [SPEAKER_01]: a

[00:50:16] [SPEAKER_01]: joke

[00:50:16] [SPEAKER_01]: in

[00:50:17] [SPEAKER_01]: maybe

[00:50:17] [SPEAKER_01]: the

[00:50:17] [SPEAKER_01]: Eraserhead

[00:50:18] [SPEAKER_01]: episode

[00:50:18] [SPEAKER_01]: that

[00:50:19] [SPEAKER_01]: his

[00:50:19] [SPEAKER_01]: glib

[00:50:20] [SPEAKER_01]: analysis

[00:50:20] [SPEAKER_01]: for

[00:50:20] [SPEAKER_01]: all

[00:50:20] [SPEAKER_01]: David

[00:50:21] [SPEAKER_01]: Lynch

[00:50:21] [SPEAKER_01]: movies

[00:50:21] [SPEAKER_01]: when

[00:50:22] [SPEAKER_01]: people

[00:50:22] [SPEAKER_01]: try to

[00:50:23] [SPEAKER_01]: unlock

[00:50:23] [SPEAKER_01]: them

[00:50:24] [SPEAKER_01]: was

[00:50:25] [SPEAKER_01]: just

[00:50:25] [SPEAKER_01]: going to

[00:50:25] [SPEAKER_01]: be

[00:50:25] [SPEAKER_01]: it's

[00:50:25] [SPEAKER_01]: about

[00:50:26] [SPEAKER_01]: a

[00:50:44] [SPEAKER_01]: point

[00:50:44] [SPEAKER_01]: out

[00:50:45] [SPEAKER_01]: he's

[00:50:45] [SPEAKER_01]: been

[00:50:45] [SPEAKER_01]: proven

[00:50:45] [SPEAKER_01]: somewhat

[00:50:46] [SPEAKER_01]: correct

[00:50:46] [SPEAKER_01]: maybe

[00:50:47] [SPEAKER_01]: four

[00:50:47] [SPEAKER_01]: times

[00:50:47] [SPEAKER_01]: across

[00:50:48] [SPEAKER_01]: this

[00:50:48] [SPEAKER_01]: series

[00:50:49] [SPEAKER_01]: two

[00:50:50] [SPEAKER_01]: minutes

[00:50:50] [SPEAKER_01]: and

[00:50:51] [SPEAKER_01]: twelve

[00:50:51] [SPEAKER_01]: seconds

[00:50:51] [SPEAKER_01]: into

[00:50:51] [SPEAKER_01]: this

[00:50:52] [SPEAKER_01]: movie

[00:50:53] [SPEAKER_01]: a

[00:50:54] [SPEAKER_01]: couple

[00:50:55] [SPEAKER_01]: a

[00:50:55] [SPEAKER_01]: man

[00:50:55] [SPEAKER_01]: and

[00:50:55] [SPEAKER_01]: a

[00:50:55] [SPEAKER_01]: woman

[00:50:55] [SPEAKER_01]: in

[00:50:56] [SPEAKER_01]: silhouette

[00:50:58] [SPEAKER_01]: subtitled

[00:50:58] [SPEAKER_01]: in

[00:50:59] [SPEAKER_01]: Polish

[00:50:59] [SPEAKER_01]: right

[00:50:59] [SPEAKER_01]: we

[00:51:00] [SPEAKER_01]: don't

[00:51:00] [SPEAKER_01]: really

[00:51:00] [SPEAKER_01]: have

[00:51:01] [SPEAKER_01]: our

[00:51:01] [SPEAKER_01]: bearings

[00:51:01] [SPEAKER_01]: yet

[00:51:01] [SPEAKER_01]: faces

[00:51:02] [SPEAKER_01]: blurred

[00:51:02] [SPEAKER_01]: out

[00:51:02] [SPEAKER_01]: interestingly

[00:51:03] [SPEAKER_01]: start

[00:51:03] [SPEAKER_01]: having

[00:51:04] [SPEAKER_01]: an

[00:51:04] [SPEAKER_01]: argument

[00:51:04] [SPEAKER_01]: about

[00:51:04] [SPEAKER_01]: I

[00:51:04] [SPEAKER_01]: don't

[00:51:05] [SPEAKER_01]: have

[00:51:05] [SPEAKER_01]: the

[00:51:05] [SPEAKER_01]: key

[00:51:05] [SPEAKER_01]: yeah

[00:51:06] [SPEAKER_01]: it's

[00:51:06] [SPEAKER_01]: true

[00:51:06] [SPEAKER_01]: for

[00:51:07] [SPEAKER_01]: these

[00:51:07] [SPEAKER_01]: movies

[00:51:07] [SPEAKER_01]: do

[00:51:07] [SPEAKER_01]: have

[00:51:08] [SPEAKER_01]: key

[00:51:08] [SPEAKER_01]: losing

[00:51:09] [SPEAKER_01]: keys

[00:51:10] [SPEAKER_01]: yeah

[00:51:12] [SPEAKER_05]: you're

[00:51:12] [SPEAKER_05]: not

[00:51:12] [SPEAKER_05]: wrong

[00:51:13] [SPEAKER_05]: there is

[00:51:13] [SPEAKER_05]: a

[00:51:13] [SPEAKER_05]: lot

[00:51:13] [SPEAKER_05]: of

[00:51:13] [SPEAKER_05]: keys

[00:51:14] [SPEAKER_05]: passageways

[00:51:14] [SPEAKER_05]: and portals

[00:51:15] [SPEAKER_05]: I mean

[00:51:16] [SPEAKER_05]: that's

[00:51:16] [SPEAKER_05]: obviously

[00:51:17] [SPEAKER_05]: like

[00:51:17] [SPEAKER_05]: one of

[00:51:17] [SPEAKER_05]: his

[00:51:19] [SPEAKER_05]: recurring

[00:51:19] [SPEAKER_05]: motifs

[00:51:20] [SPEAKER_05]: and obsessions

[00:51:20] [SPEAKER_01]: you had

[00:51:21] [SPEAKER_01]: your line

[00:51:22] [SPEAKER_01]: on

[00:51:22] [SPEAKER_01]: I think

[00:51:23] [SPEAKER_01]: the

[00:51:23] [SPEAKER_01]: spirited

[00:51:23] [SPEAKER_01]: away

[00:51:24] [SPEAKER_01]: episode

[00:51:24] [SPEAKER_01]: where you

[00:51:25] [SPEAKER_01]: said

[00:51:25] [SPEAKER_01]: that you

[00:51:26] [SPEAKER_01]: think

[00:51:26] [SPEAKER_01]: all

[00:51:26] [SPEAKER_01]: movies

[00:51:26] [SPEAKER_01]: are

[00:51:26] [SPEAKER_01]: puzzles

[00:51:27] [SPEAKER_01]: or

[00:51:27] [SPEAKER_01]: dreams

[00:51:27] [SPEAKER_01]: and

[00:51:27] [SPEAKER_01]: it's

[00:51:28] [SPEAKER_01]: a thing

[00:51:28] [SPEAKER_01]: we cite

[00:51:28] [SPEAKER_01]: a lot

[00:51:29] [SPEAKER_01]: and think

[00:51:29] [SPEAKER_01]: about

[00:51:29] [SPEAKER_01]: a lot

[00:51:30] [SPEAKER_01]: on this

[00:51:30] [SPEAKER_01]: show

[00:51:31] [SPEAKER_01]: and I

[00:51:32] [SPEAKER_01]: think

[00:51:32] [SPEAKER_01]: well not

[00:51:32] [SPEAKER_05]: all

[00:51:33] [SPEAKER_05]: movies

[00:51:33] [SPEAKER_05]: but like

[00:51:33] [SPEAKER_05]: movies

[00:51:34] [SPEAKER_05]: that you

[00:51:34] [SPEAKER_05]: sit

[00:51:34] [SPEAKER_05]: with

[00:51:35] [SPEAKER_05]: and

[00:51:44] [SPEAKER_05]: are

[00:51:45] [SPEAKER_05]: just

[00:51:45] [SPEAKER_05]: like

[00:51:45] [SPEAKER_05]: being

[00:51:45] [SPEAKER_05]: in

[00:51:45] [SPEAKER_05]: a

[00:51:45] [SPEAKER_05]: feeling

[00:51:46] [SPEAKER_01]: isn't

[00:51:46] [SPEAKER_01]: what's

[00:51:46] [SPEAKER_01]: interesting

[00:51:47] [SPEAKER_01]: about

[00:51:47] [SPEAKER_01]: Lynch

[00:51:47] [SPEAKER_01]: that he

[00:51:47] [SPEAKER_01]: kind of

[00:51:48] [SPEAKER_01]: makes

[00:51:48] [SPEAKER_01]: films

[00:51:48] [SPEAKER_01]: that are

[00:51:49] [SPEAKER_01]: simultaneously

[00:51:49] [SPEAKER_01]: puzzles

[00:51:50] [SPEAKER_01]: and dreams

[00:51:51] [SPEAKER_05]: well that's

[00:51:52] [SPEAKER_05]: why I think

[00:51:53] [SPEAKER_05]: Mulholland Drive

[00:51:53] [SPEAKER_05]: is in the

[00:51:54] [SPEAKER_05]: pocket

[00:51:54] [SPEAKER_05]: yeah

[00:51:54] [SPEAKER_05]: because that's

[00:51:55] [SPEAKER_05]: in the

[00:51:55] [SPEAKER_05]: sweet spot

[00:51:55] [SPEAKER_05]: it's the

[00:51:56] [SPEAKER_05]: best version

[00:51:56] [SPEAKER_05]: you can

[00:51:57] [SPEAKER_05]: have fun

[00:51:58] [SPEAKER_02]: with it

[00:51:58] [SPEAKER_02]: as a puzzle

[00:51:58] [SPEAKER_02]: or not

[00:51:59] [SPEAKER_02]: you can

[00:51:59] [SPEAKER_05]: watch it

[00:51:59] [SPEAKER_05]: both ways

[00:52:00] [SPEAKER_05]: right

[00:52:01] [SPEAKER_05]: Inland Empire

[00:52:03] [SPEAKER_05]: I think

[00:52:04] [SPEAKER_05]: you can't

[00:52:05] [SPEAKER_05]: solve it

[00:52:05] [SPEAKER_05]: all the way

[00:52:06] [SPEAKER_05]: I mean

[00:52:07] [SPEAKER_05]: this is the

[00:52:08] [SPEAKER_05]: reason that I

[00:52:08] [SPEAKER_05]: really come

[00:52:09] [SPEAKER_05]: to love

[00:52:10] [SPEAKER_05]: this movie

[00:52:10] [SPEAKER_05]: is I

[00:52:11] [SPEAKER_05]: think part

[00:52:12] [SPEAKER_05]: of it

[00:52:12] [SPEAKER_05]: was that

[00:52:12] [SPEAKER_05]: you know

[00:52:13] [SPEAKER_05]: it was

[00:52:13] [SPEAKER_05]: like

[00:52:13] [SPEAKER_05]: improvised

[00:52:14] [SPEAKER_05]: like

[00:52:14] [SPEAKER_05]: he didn't

[00:52:14] [SPEAKER_05]: really

[00:52:14] [SPEAKER_05]: have a

[00:52:15] [SPEAKER_05]: script

[00:52:15] [SPEAKER_05]: like

[00:52:15] [SPEAKER_05]: he was

[00:52:15] [SPEAKER_05]: just

[00:52:15] [SPEAKER_05]: like

[00:52:16] [SPEAKER_02]: written

[00:52:16] [SPEAKER_02]: and

[00:52:17] [SPEAKER_02]: we

[00:52:17] [SPEAKER_02]: can

[00:52:17] [SPEAKER_02]: talk

[00:52:17] [SPEAKER_02]: about

[00:52:17] [SPEAKER_02]: that

[00:52:17] [SPEAKER_02]: we

[00:52:18] [SPEAKER_01]: I mean

[00:52:18] [SPEAKER_01]: we should

[00:52:18] [SPEAKER_01]: crack open

[00:52:19] [SPEAKER_01]: the dossier

[00:52:19] [SPEAKER_01]: but I

[00:52:19] [SPEAKER_01]: watched this

[00:52:20] [SPEAKER_01]: movie last

[00:52:21] [SPEAKER_01]: night for the

[00:52:21] [SPEAKER_01]: first time

[00:52:21] [SPEAKER_01]: with the

[00:52:22] [SPEAKER_01]: like

[00:52:22] [SPEAKER_01]: I'm not

[00:52:22] [SPEAKER_01]: going to

[00:52:23] [SPEAKER_01]: try to

[00:52:23] [SPEAKER_01]: solve

[00:52:23] [SPEAKER_01]: this

[00:52:23] [SPEAKER_01]: because

[00:52:24] [SPEAKER_01]: I

[00:52:24] [SPEAKER_01]: understand

[00:52:24] [SPEAKER_01]: the way

[00:52:25] [SPEAKER_01]: he made

[00:52:25] [SPEAKER_01]: it

[00:52:25] [SPEAKER_01]: right

[00:52:26] [SPEAKER_01]: yeah

[00:52:26] [SPEAKER_01]: not as

[00:52:27] [SPEAKER_01]: intentionally

[00:52:28] [SPEAKER_01]: designed

[00:52:29] [SPEAKER_01]: with a

[00:52:30] [SPEAKER_01]: like

[00:52:30] [SPEAKER_01]: simple

[00:52:30] [SPEAKER_01]: codex

[00:52:31] [SPEAKER_01]: in his

[00:52:31] [SPEAKER_01]: mind

[00:52:32] [SPEAKER_02]: I

[00:52:32] [SPEAKER_02]: think

[00:52:32] [SPEAKER_02]: there

[00:52:33] [SPEAKER_02]: is

[00:52:33] [SPEAKER_02]: still

[00:52:33] [SPEAKER_02]: a

[00:52:33] [SPEAKER_02]: sort

[00:52:34] [SPEAKER_02]: of

[00:52:35] [SPEAKER_02]: story

[00:52:35] [SPEAKER_02]: you

[00:52:35] [SPEAKER_02]: can

[00:52:35] [SPEAKER_02]: pluck

[00:52:36] [SPEAKER_02]: out

[00:52:36] [SPEAKER_02]: of

[00:52:36] [SPEAKER_02]: Inland

[00:52:36] [SPEAKER_02]: Empire

[00:52:37] [SPEAKER_02]: but

[00:52:37] [SPEAKER_02]: it's

[00:52:38] [SPEAKER_02]: sort

[00:52:38] [SPEAKER_02]: of

[00:52:38] [SPEAKER_02]: like

[00:52:38] [SPEAKER_02]: Mulholland

[00:52:39] [SPEAKER_01]: Drive

[00:52:39] [SPEAKER_01]: where

[00:52:39] [SPEAKER_01]: you

[00:52:39] [SPEAKER_01]: don't

[00:52:39] [SPEAKER_01]: have

[00:52:39] [SPEAKER_01]: to

[00:52:39] [SPEAKER_01]: do

[00:52:40] [SPEAKER_01]: that

[00:52:40] [SPEAKER_01]: at

[00:52:40] [SPEAKER_01]: the

[00:52:40] [SPEAKER_01]: very

[00:52:40] [SPEAKER_01]: end

[00:52:41] [SPEAKER_01]: I

[00:52:41] [SPEAKER_01]: suddenly

[00:52:41] [SPEAKER_01]: had

[00:52:42] [SPEAKER_01]: a

[00:52:42] [SPEAKER_01]: read

[00:52:42] [SPEAKER_01]: on

[00:52:42] [SPEAKER_01]: it

[00:52:43] [SPEAKER_01]: I'm

[00:52:43] [SPEAKER_01]: sorry

[00:52:43] [SPEAKER_01]: I feel

[00:52:43] [SPEAKER_01]: like

[00:52:44] [SPEAKER_01]: I

[00:52:44] [SPEAKER_01]: interrupted

[00:52:44] [SPEAKER_01]: you

[00:52:44] [SPEAKER_01]: nothing

[00:52:44] [SPEAKER_01]: you're

[00:52:45] [SPEAKER_01]: about

[00:52:45] [SPEAKER_01]: to

[00:52:45] [SPEAKER_01]: say

[00:52:45] [SPEAKER_01]: about

[00:52:45] [SPEAKER_01]: not

[00:52:46] [SPEAKER_01]: trying

[00:52:46] [SPEAKER_01]: to

[00:52:47] [SPEAKER_01]: solve

[00:52:47] [SPEAKER_01]: this

[00:52:47] [SPEAKER_01]: movie

[00:52:47] [SPEAKER_01]: or

[00:52:48] [SPEAKER_01]: whether

[00:52:48] [SPEAKER_01]: it

[00:52:48] [SPEAKER_01]: is

[00:52:48] [SPEAKER_01]: solvable

[00:52:49] [SPEAKER_01]: well

[00:52:49] [SPEAKER_05]: I

[00:52:49] [SPEAKER_05]: mean

[00:52:49] [SPEAKER_05]: the

[00:52:49] [SPEAKER_05]: solution

[00:52:49] [SPEAKER_05]: is

[00:52:50] [SPEAKER_05]: in

[00:52:50] [SPEAKER_05]: the

[00:52:50] [SPEAKER_05]: is

[00:52:50] [SPEAKER_05]: in

[00:52:51] [SPEAKER_05]: the

[00:52:51] [SPEAKER_05]: posters

[00:52:51] [SPEAKER_05]: it's

[00:52:51] [SPEAKER_05]: like

[00:52:52] [SPEAKER_05]: a woman

[00:53:05] [SPEAKER_01]: performance

[00:53:06] [SPEAKER_01]: that is

[00:53:06] [SPEAKER_01]: so locked

[00:53:07] [SPEAKER_01]: in

[00:53:08] [SPEAKER_01]: that even

[00:53:09] [SPEAKER_01]: if the

[00:53:09] [SPEAKER_01]: actor

[00:53:09] [SPEAKER_01]: herself

[00:53:10] [SPEAKER_01]: does not

[00:53:11] [SPEAKER_01]: really

[00:53:11] [SPEAKER_01]: understand

[00:53:12] [SPEAKER_01]: what movie

[00:53:13] [SPEAKER_01]: she's in

[00:53:13] [SPEAKER_01]: or what

[00:53:13] [SPEAKER_01]: she's in

[00:53:14] [SPEAKER_05]: I can't

[00:53:15] [SPEAKER_05]: wait to

[00:53:15] [SPEAKER_05]: see this

[00:53:15] [SPEAKER_05]: movie

[00:53:16] [SPEAKER_05]: and figure

[00:53:16] [SPEAKER_05]: out

[00:53:16] [SPEAKER_05]: what

[00:53:16] [SPEAKER_05]: the

[00:53:17] [SPEAKER_05]: fuck

[00:53:17] [SPEAKER_05]: I

[00:53:35] [SPEAKER_01]: that

[00:53:35] [SPEAKER_01]: you

[00:53:35] [SPEAKER_01]: kind

[00:53:36] [SPEAKER_01]: of

[00:53:36] [SPEAKER_01]: stay

[00:53:36] [SPEAKER_01]: locked

[00:53:36] [SPEAKER_01]: into

[00:53:37] [SPEAKER_01]: whatever

[00:53:37] [SPEAKER_01]: she's

[00:53:37] [SPEAKER_02]: playing

[00:53:38] [SPEAKER_02]: at

[00:53:38] [SPEAKER_02]: that

[00:53:38] [SPEAKER_02]: moment

[00:53:39] [SPEAKER_02]: that

[00:53:39] [SPEAKER_02]: the

[00:53:39] [SPEAKER_02]: movie

[00:53:39] [SPEAKER_02]: became

[00:53:40] [SPEAKER_02]: this

[00:53:40] [SPEAKER_02]: kind

[00:53:40] [SPEAKER_02]: of

[00:53:41] [SPEAKER_02]: like

[00:53:41] [SPEAKER_02]: early

[00:53:41] [SPEAKER_02]: internet

[00:53:41] [SPEAKER_02]: meme

[00:53:42] [SPEAKER_02]: because

[00:53:42] [SPEAKER_02]: David Lynch

[00:53:43] [SPEAKER_02]: rented a cow

[00:53:44] [SPEAKER_02]: and went

[00:53:44] [SPEAKER_02]: on the street

[00:53:45] [SPEAKER_02]: and did an Oscar

[00:53:46] [SPEAKER_02]: campaign for Laura Dern

[00:53:47] [SPEAKER_02]: and people were like

[00:53:48] [SPEAKER_02]: in a way she should get an Oscar

[00:53:50] [SPEAKER_02]: nomination she has like

[00:53:51] [SPEAKER_02]: 40 Oscar clips

[00:53:53] [SPEAKER_02]: she delivers monologues

[00:53:54] [SPEAKER_02]: she does accents

[00:53:55] [SPEAKER_02]: she cries

[00:53:56] [SPEAKER_02]: she dies

[00:53:57] [SPEAKER_02]: like

[00:53:57] [SPEAKER_02]: and at the same time

[00:53:59] [SPEAKER_02]: people were like

[00:53:59] [SPEAKER_02]: can you please be

[00:54:00] [SPEAKER_02]: sorry no Oscar

[00:54:01] [SPEAKER_02]: voter is going to

[00:54:02] [SPEAKER_02]: respond to this movie

[00:54:05] [SPEAKER_02]: but it was

[00:54:06] [SPEAKER_02]: it was such a thing

[00:54:07] [SPEAKER_02]: at the moment

[00:54:07] [SPEAKER_02]: where I feel like

[00:54:08] [SPEAKER_02]: his Oscar campaign

[00:54:09] [SPEAKER_02]: became more famous

[00:54:10] [SPEAKER_02]: than the movie

[00:54:12] [SPEAKER_01]: in a certain way

[00:54:13] [SPEAKER_01]: despite not getting

[00:54:14] [SPEAKER_01]: her nomination

[00:54:14] [SPEAKER_01]: that she was never

[00:54:15] [SPEAKER_01]: going to get

[00:54:16] [SPEAKER_01]: it has

[00:54:17] [SPEAKER_01]: proven more effective

[00:54:19] [SPEAKER_01]: than most Oscar

[00:54:19] [SPEAKER_01]: campaigns

[00:54:20] [SPEAKER_01]: and that we all

[00:54:20] [SPEAKER_01]: remember

[00:54:21] [SPEAKER_01]: the campaign

[00:54:22] [SPEAKER_01]: it's like

[00:54:23] [SPEAKER_01]: that and the

[00:54:24] [SPEAKER_01]: fucking Melissa Leo

[00:54:25] [SPEAKER_01]: I'm buying out

[00:54:26] [SPEAKER_01]: ads myself

[00:54:26] [SPEAKER_01]: that say consider

[00:54:27] [SPEAKER_05]: those are the two

[00:54:28] [SPEAKER_05]: for your consideration

[00:54:29] [SPEAKER_05]: campaigns that people

[00:54:30] [SPEAKER_05]: still talk about

[00:54:30] [SPEAKER_01]: and they're the two

[00:54:31] [SPEAKER_01]: times that people

[00:54:32] [SPEAKER_01]: went crazy

[00:54:32] [SPEAKER_01]: right that they

[00:54:33] [SPEAKER_01]: were just like

[00:54:34] [SPEAKER_01]: fuck your like

[00:54:35] [SPEAKER_01]: model of how

[00:54:36] [SPEAKER_01]: you do this

[00:54:36] [SPEAKER_05]: and good for them

[00:54:37] [SPEAKER_05]: I'm not doing

[00:54:38] [SPEAKER_05]: Melissa Leo

[00:54:38] [SPEAKER_05]: I totally support that

[00:54:40] [SPEAKER_01]: like go for it

[00:54:40] [SPEAKER_02]: and David Lynch

[00:54:41] [SPEAKER_02]: doesn't get the

[00:54:42] [SPEAKER_02]: nomination

[00:54:42] [SPEAKER_02]: he wants

[00:54:43] [SPEAKER_02]: he got attention

[00:54:44] [SPEAKER_02]: yeah

[00:54:44] [SPEAKER_02]: and he knows

[00:54:45] [SPEAKER_02]: how to get

[00:54:45] [SPEAKER_02]: all right

[00:54:46] [SPEAKER_02]: yeah I will

[00:54:46] [SPEAKER_02]: we have research

[00:54:47] [SPEAKER_02]: on the film

[00:54:47] [SPEAKER_02]: so I will

[00:54:48] [SPEAKER_02]: right okay

[00:54:49] [SPEAKER_02]: crack open our

[00:54:50] [SPEAKER_02]: dossier

[00:54:50] [SPEAKER_02]: yes

[00:54:51] [SPEAKER_02]: Mulholland Drive

[00:54:52] [SPEAKER_02]: of course

[00:54:52] [SPEAKER_02]: came out in 2001

[00:54:54] [SPEAKER_02]: and David Lynch

[00:54:56] [SPEAKER_02]: doesn't really have

[00:54:57] [SPEAKER_02]: any plans for

[00:54:57] [SPEAKER_02]: another movie

[00:54:58] [SPEAKER_02]: after that

[00:54:58] [SPEAKER_02]: he's much more

[00:54:59] [SPEAKER_02]: interested in the

[00:55:00] [SPEAKER_02]: internet

[00:55:01] [SPEAKER_02]: and his

[00:55:02] [SPEAKER_02]: doing his dumb

[00:55:02] [SPEAKER_02]: land

[00:55:02] [SPEAKER_02]: right

[00:55:03] [SPEAKER_02]: his own website

[00:55:04] [SPEAKER_02]: yeah

[00:55:04] [SPEAKER_02]: maybe starting

[00:55:05] [SPEAKER_02]: his own television

[00:55:06] [SPEAKER_02]: station is something

[00:55:07] [SPEAKER_02]: he talks about

[00:55:08] [SPEAKER_02]: he starts

[00:55:09] [SPEAKER_02]: David Lynch dot com

[00:55:10] [SPEAKER_02]: and for ten dollars

[00:55:11] [SPEAKER_02]: a month

[00:55:12] [SPEAKER_02]: people will remember

[00:55:12] [SPEAKER_02]: this

[00:55:13] [SPEAKER_02]: you would get

[00:55:13] [SPEAKER_02]: his daily weather

[00:55:15] [SPEAKER_02]: reports

[00:55:15] [SPEAKER_02]: something called

[00:55:17] [SPEAKER_02]: Out Yonder

[00:55:17] [SPEAKER_02]: where he and his

[00:55:18] [SPEAKER_02]: son Austin

[00:55:18] [SPEAKER_02]: would talk to each

[00:55:19] [SPEAKER_02]: other

[00:55:20] [SPEAKER_02]: okay

[00:55:20] [SPEAKER_02]: I'm not sure

[00:55:20] [SPEAKER_05]: I've ever seen

[00:55:21] [SPEAKER_05]: those

[00:55:21] [SPEAKER_05]: I've definitely

[00:55:22] [SPEAKER_05]: seen the weather

[00:55:23] [SPEAKER_05]: reports

[00:55:23] [SPEAKER_05]: of course

[00:55:24] [SPEAKER_05]: blue skies

[00:55:24] [SPEAKER_05]: and golden

[00:55:25] [SPEAKER_05]: sunshine

[00:55:26] [SPEAKER_01]: he would speed

[00:55:27] [SPEAKER_01]: run levels

[00:55:27] [SPEAKER_01]: of Sonic

[00:55:28] [SPEAKER_01]: and Knuckles

[00:55:29] [SPEAKER_02]: yeah

[00:55:30] [SPEAKER_02]: dumb land

[00:55:31] [SPEAKER_02]: which we talk

[00:55:32] [SPEAKER_02]: about a little

[00:55:32] [SPEAKER_02]: bit on our

[00:55:33] [SPEAKER_02]: do you remember

[00:55:33] [SPEAKER_02]: dumb land

[00:55:34] [SPEAKER_02]: it was sort

[00:55:34] [SPEAKER_02]: of an animated

[00:55:35] [SPEAKER_02]: crudely animated

[00:55:36] [SPEAKER_02]: dumb land

[00:55:36] [SPEAKER_02]: feels very

[00:55:37] [SPEAKER_02]: dumb people

[00:55:38] [SPEAKER_02]: actually

[00:55:38] [SPEAKER_05]: yeah

[00:55:39] [SPEAKER_05]: right

[00:55:39] [SPEAKER_05]: I get it

[00:55:40] [SPEAKER_05]: confused with

[00:55:41] [SPEAKER_05]: the comic

[00:55:41] [SPEAKER_05]: he had

[00:55:42] [SPEAKER_05]: that never

[00:55:42] [SPEAKER_05]: changed

[00:55:43] [SPEAKER_05]: the angriest

[00:55:44] [SPEAKER_05]: dog in the

[00:55:44] [SPEAKER_05]: world

[00:55:44] [SPEAKER_05]: or whatever

[00:55:45] [SPEAKER_05]: it's called

[00:55:45] [SPEAKER_05]: where it's

[00:55:45] [SPEAKER_05]: the same

[00:55:46] [SPEAKER_05]: art every

[00:55:46] [SPEAKER_05]: single time

[00:55:47] [SPEAKER_05]: yeah

[00:55:47] [SPEAKER_02]: something called

[00:55:48] [SPEAKER_02]: Head with a

[00:55:49] [SPEAKER_02]: Hammer

[00:55:49] [SPEAKER_02]: oh yeah

[00:55:49] [SPEAKER_02]: I remember

[00:55:50] [SPEAKER_02]: that which

[00:55:50] [SPEAKER_02]: was sort

[00:55:50] [SPEAKER_02]: of like

[00:55:50] [SPEAKER_02]: an office

[00:55:51] [SPEAKER_02]: drone

[00:55:52] [SPEAKER_02]: satire

[00:55:52] [SPEAKER_02]: something called

[00:55:53] [SPEAKER_02]: Blue Bob

[00:55:54] [SPEAKER_02]: which was a

[00:55:55] [SPEAKER_02]: blues

[00:55:55] [SPEAKER_02]: industrial blues

[00:55:56] [SPEAKER_02]: album he made

[00:55:56] [SPEAKER_02]: with the guitarist

[00:55:57] [SPEAKER_02]: John Neff

[00:55:58] [SPEAKER_02]: Jesus Christ

[00:55:58] [SPEAKER_02]: I mean it's

[00:55:59] [SPEAKER_02]: David Lynch

[00:56:00] [SPEAKER_02]: industrial blues

[00:56:01] [SPEAKER_01]: and

[00:56:02] [SPEAKER_01]: but he was almost

[00:56:03] [SPEAKER_01]: like doing an

[00:56:04] [SPEAKER_01]: early version

[00:56:05] [SPEAKER_01]: of a Patreon

[00:56:05] [SPEAKER_01]: yeah right

[00:56:07] [SPEAKER_01]: yeah yeah

[00:56:07] [SPEAKER_01]: hey your

[00:56:07] [SPEAKER_01]: subscription

[00:56:08] [SPEAKER_01]: here's all my

[00:56:09] [SPEAKER_01]: stuff

[00:56:09] [SPEAKER_01]: is where all

[00:56:10] [SPEAKER_01]: of it will go

[00:56:11] [SPEAKER_02]: in 2002

[00:56:11] [SPEAKER_02]: he released

[00:56:12] [SPEAKER_02]: Rabbits

[00:56:13] [SPEAKER_02]: which is probably

[00:56:14] [SPEAKER_02]: the most famous

[00:56:15] [SPEAKER_02]: thing that came

[00:56:16] [SPEAKER_02]: out of all of

[00:56:17] [SPEAKER_02]: this famous

[00:56:17] [SPEAKER_02]: quote unquote

[00:56:18] [SPEAKER_02]: which footage

[00:56:19] [SPEAKER_02]: of which of

[00:56:19] [SPEAKER_02]: course is in

[00:56:20] [SPEAKER_02]: the Inland Empire

[00:56:21] [SPEAKER_02]: we talk about

[00:56:21] [SPEAKER_02]: that on our

[00:56:22] [SPEAKER_02]: short film episode

[00:56:23] [SPEAKER_02]: as well

[00:56:23] [SPEAKER_02]: have you ever

[00:56:23] [SPEAKER_02]: seen Rabbits

[00:56:24] [SPEAKER_05]: I've only seen

[00:56:25] [SPEAKER_05]: it in the

[00:56:26] [SPEAKER_05]: Inland Empire

[00:56:28] [SPEAKER_02]: and so

[00:56:29] [SPEAKER_02]: you know

[00:56:29] [SPEAKER_02]: you've got

[00:56:29] [SPEAKER_02]: Scott Coffey

[00:56:30] [SPEAKER_02]: Laura Herring

[00:56:31] [SPEAKER_02]: and Naomi Watts

[00:56:32] [SPEAKER_02]: in rabbit suits

[00:56:33] [SPEAKER_02]: doing the strange

[00:56:34] [SPEAKER_02]: sitcom and they

[00:56:35] [SPEAKER_02]: are in the

[00:56:35] [SPEAKER_02]: rabbit suits

[00:56:36] [SPEAKER_02]: confirmed

[00:56:36] [SPEAKER_04]: whoa really

[00:56:38] [SPEAKER_02]: it's really them

[00:56:39] [SPEAKER_02]: that's cool

[00:56:40] [SPEAKER_02]: that's

[00:56:41] [SPEAKER_02]: Laura Herring

[00:56:42] [SPEAKER_02]: I mean if you're

[00:56:42] [SPEAKER_05]: gonna do it

[00:56:43] [SPEAKER_05]: do it

[00:56:43] [SPEAKER_05]: like that's

[00:56:44] [SPEAKER_05]: what's so wonderful

[00:56:44] [SPEAKER_05]: about him

[00:56:45] [SPEAKER_05]: right

[00:56:45] [SPEAKER_05]: just fucking

[00:56:45] [SPEAKER_02]: yeah

[00:56:46] [SPEAKER_02]: Laura Herring

[00:56:47] [SPEAKER_02]: said her

[00:56:48] [SPEAKER_02]: approach was

[00:56:48] [SPEAKER_02]: I closed my

[00:56:49] [SPEAKER_02]: eyes and I

[00:56:50] [SPEAKER_02]: followed his

[00:56:50] [SPEAKER_02]: instructions

[00:56:52] [SPEAKER_02]: David Lynch

[00:56:53] [SPEAKER_02]: dot com

[00:56:53] [SPEAKER_02]: shut down

[00:56:54] [SPEAKER_02]: in the mid

[00:56:55] [SPEAKER_02]: 2000s

[00:56:57] [SPEAKER_02]: classic second

[00:56:57] [SPEAKER_02]: dot com

[00:56:58] [SPEAKER_02]: bubble

[00:56:58] [SPEAKER_02]: he did

[00:56:59] [SPEAKER_02]: yes he did

[00:57:00] [SPEAKER_02]: keep up the

[00:57:00] [SPEAKER_02]: weather reports

[00:57:01] [SPEAKER_02]: sporadically and

[00:57:02] [SPEAKER_02]: they sort of

[00:57:02] [SPEAKER_02]: still exist

[00:57:03] [SPEAKER_02]: but he realized

[00:57:04] [SPEAKER_02]: he said

[00:57:04] [SPEAKER_02]: you can't charge

[00:57:05] [SPEAKER_02]: people for a

[00:57:06] [SPEAKER_02]: site you don't

[00:57:06] [SPEAKER_02]: update all the

[00:57:07] [SPEAKER_02]: time so I

[00:57:08] [SPEAKER_02]: lost interest

[00:57:09] [SPEAKER_02]: in it

[00:57:09] [SPEAKER_05]: would that

[00:57:10] [SPEAKER_05]: others would

[00:57:11] [SPEAKER_05]: take the same

[00:57:11] [SPEAKER_02]: lesson

[00:57:12] [SPEAKER_02]: can I say

[00:57:13] [SPEAKER_01]: he was

[00:57:13] [SPEAKER_01]: quick to

[00:57:14] [SPEAKER_01]: figure out

[00:57:14] [SPEAKER_01]: the grind

[00:57:15] [SPEAKER_02]: that does

[00:57:15] [SPEAKER_02]: in a lot

[00:57:15] [SPEAKER_02]: of people

[00:57:16] [SPEAKER_02]: right

[00:57:16] [SPEAKER_02]: and then

[00:57:17] [SPEAKER_02]: he went

[00:57:18] [SPEAKER_02]: from internet

[00:57:18] [SPEAKER_02]: to the

[00:57:19] [SPEAKER_02]: most analog

[00:57:20] [SPEAKER_02]: form of

[00:57:21] [SPEAKER_02]: generating

[00:57:22] [SPEAKER_02]: creativity

[00:57:23] [SPEAKER_02]: walking

[00:57:24] [SPEAKER_02]: and running

[00:57:25] [SPEAKER_02]: into

[00:57:25] [SPEAKER_02]: Laura Dern

[00:57:27] [SPEAKER_02]: his new

[00:57:28] [SPEAKER_02]: neighbor

[00:57:28] [SPEAKER_02]: he hadn't

[00:57:29] [SPEAKER_02]: seen her

[00:57:30] [SPEAKER_02]: in a while

[00:57:30] [SPEAKER_02]: dating Billy

[00:57:32] [SPEAKER_02]: Bob Thornton

[00:57:32] [SPEAKER_02]: apparently

[00:57:33] [SPEAKER_02]: and they ran

[00:57:34] [SPEAKER_02]: into each

[00:57:35] [SPEAKER_02]: other on

[00:57:36] [SPEAKER_02]: yon street

[00:57:37] [SPEAKER_02]: just walking

[00:57:38] [SPEAKER_02]: around

[00:57:39] [SPEAKER_02]: and they were

[00:57:40] [SPEAKER_02]: like you know

[00:57:40] [SPEAKER_02]: we should do

[00:57:41] [SPEAKER_02]: something together

[00:57:42] [SPEAKER_02]: are you serious

[00:57:43] [SPEAKER_02]: that's how this

[00:57:43] [SPEAKER_02]: happened

[00:57:44] [SPEAKER_02]: because like

[00:57:45] [SPEAKER_02]: what would the

[00:57:45] [SPEAKER_02]: last thing she

[00:57:46] [SPEAKER_02]: had been with

[00:57:47] [SPEAKER_02]: him

[00:57:48] [SPEAKER_02]: it had been

[00:57:50] [SPEAKER_02]: 10 years

[00:57:50] [SPEAKER_05]: more than 10

[00:57:51] [SPEAKER_05]: years

[00:57:51] [SPEAKER_05]: I just want to

[00:57:52] [SPEAKER_05]: quickly

[00:57:52] [SPEAKER_05]: oh in blue

[00:57:53] [SPEAKER_05]: velvet I've seen

[00:57:53] [SPEAKER_05]: blue velvet

[00:57:54] [SPEAKER_05]: sorry

[00:57:54] [SPEAKER_05]: of course

[00:57:56] [SPEAKER_01]: don't spend

[00:57:57] [SPEAKER_01]: time on this

[00:57:57] [SPEAKER_01]: I just want to

[00:57:58] [SPEAKER_01]: quickly just

[00:57:59] [SPEAKER_01]: jump back

[00:57:59] [SPEAKER_01]: and circle

[00:58:00] [SPEAKER_01]: a thing that

[00:58:00] [SPEAKER_01]: I think people

[00:58:01] [SPEAKER_01]: forget which

[00:58:01] [SPEAKER_01]: is that

[00:58:02] [SPEAKER_01]: Billy Bob Thornton

[00:58:03] [SPEAKER_01]: left Laura Dern

[00:58:04] [SPEAKER_01]: for Angelina Jolie

[00:58:05] [SPEAKER_01]: yeah he was

[00:58:06] [SPEAKER_01]: he was

[00:58:07] [SPEAKER_01]: dating some

[00:58:08] [SPEAKER_01]: really fancy

[00:58:09] [SPEAKER_01]: folks

[00:58:09] [SPEAKER_01]: in that crazy

[00:58:10] [SPEAKER_01]: whatever it was

[00:58:10] [SPEAKER_01]: 18 months

[00:58:11] [SPEAKER_01]: two years

[00:58:12] [SPEAKER_01]: of the

[00:58:12] [SPEAKER_01]: Billy Bob

[00:58:12] [SPEAKER_01]: Angelina thing

[00:58:13] [SPEAKER_01]: the quiet

[00:58:14] [SPEAKER_01]: narrative was

[00:58:15] [SPEAKER_01]: and Laura Dern

[00:58:16] [SPEAKER_01]: is sad

[00:58:17] [SPEAKER_01]: right

[00:58:18] [SPEAKER_05]: right

[00:58:18] [SPEAKER_05]: right

[00:58:18] [SPEAKER_05]: that he had

[00:58:19] [SPEAKER_05]: dumped her

[00:58:19] [SPEAKER_05]: yes

[00:58:19] [SPEAKER_05]: do you want to

[00:58:20] [SPEAKER_05]: know something

[00:58:20] [SPEAKER_05]: really crazy

[00:58:21] [SPEAKER_05]: that I remember

[00:58:22] [SPEAKER_05]: about Billy Bob Thornton

[00:58:23] [SPEAKER_05]: I think about

[00:58:23] [SPEAKER_05]: this so often

[00:58:24] [SPEAKER_05]: on Fresh Air

[00:58:25] [SPEAKER_05]: with Terry Gross

[00:58:26] [SPEAKER_05]: the interview show

[00:58:28] [SPEAKER_05]: she once interviewed

[00:58:29] [SPEAKER_05]: him

[00:58:30] [SPEAKER_05]: and he said

[00:58:31] [SPEAKER_05]: he was like

[00:58:32] [SPEAKER_05]: yeah

[00:58:33] [SPEAKER_05]: he was like

[00:58:33] [SPEAKER_05]: I really get

[00:58:34] [SPEAKER_05]: freaked out by

[00:58:35] [SPEAKER_05]: old furniture

[00:58:35] [SPEAKER_05]: like I can't

[00:58:37] [SPEAKER_05]: I can't buy

[00:58:38] [SPEAKER_05]: antique furniture

[00:58:39] [SPEAKER_05]: or secondhand

[00:58:40] [SPEAKER_05]: furniture

[00:58:41] [SPEAKER_05]: it like freaks me

[00:58:41] [SPEAKER_05]: out it really

[00:58:42] [SPEAKER_05]: disturbs me

[00:58:43] [SPEAKER_05]: I have to buy

[00:58:43] [SPEAKER_05]: new furniture

[00:58:44] [SPEAKER_05]: I think about

[00:58:45] [SPEAKER_05]: that all the time

[00:58:46] [SPEAKER_02]: I believe

[00:58:47] [SPEAKER_02]: do you think

[00:58:47] [SPEAKER_02]: there's a point

[00:58:47] [SPEAKER_02]: at which his

[00:58:48] [SPEAKER_02]: furniture becomes

[00:58:49] [SPEAKER_02]: too old for

[00:58:50] [SPEAKER_01]: yeah I wonder

[00:58:50] [SPEAKER_01]: yeah right

[00:58:51] [SPEAKER_01]: exactly

[00:58:52] [SPEAKER_05]: yeah

[00:58:52] [SPEAKER_05]: anyway

[00:58:53] [SPEAKER_01]: I believe

[00:58:54] [SPEAKER_01]: he has like

[00:58:56] [SPEAKER_01]: held up film

[00:58:57] [SPEAKER_01]: productions

[00:58:57] [SPEAKER_01]: if they set

[00:58:58] [SPEAKER_01]: dress

[00:58:59] [SPEAKER_01]: I

[00:58:59] [SPEAKER_01]: the thing about

[00:59:01] [SPEAKER_01]: him is like

[00:59:01] [SPEAKER_01]: his phobias

[00:59:02] [SPEAKER_01]: and hangups

[00:59:03] [SPEAKER_01]: are like complete

[00:59:04] [SPEAKER_01]: and unbreakable

[00:59:05] [SPEAKER_05]: right

[00:59:06] [SPEAKER_05]: yeah

[00:59:06] [SPEAKER_05]: and there are

[00:59:07] [SPEAKER_05]: many of them

[00:59:07] [SPEAKER_05]: it's not an

[00:59:08] [SPEAKER_05]: affectation

[00:59:08] [SPEAKER_05]: but I know

[00:59:09] [SPEAKER_01]: the antique one

[00:59:09] [SPEAKER_01]: like carries over

[00:59:10] [SPEAKER_01]: into all aspects

[00:59:11] [SPEAKER_01]: of his life

[00:59:11] [SPEAKER_02]: I love that

[00:59:13] [SPEAKER_02]: they ran into

[00:59:13] [SPEAKER_02]: each other

[00:59:14] [SPEAKER_02]: and they're like

[00:59:15] [SPEAKER_02]: we should do

[00:59:15] [SPEAKER_02]: something together

[00:59:16] [SPEAKER_02]: so David Lynch

[00:59:17] [SPEAKER_02]: is like let

[00:59:18] [SPEAKER_02]: let me just film

[00:59:19] [SPEAKER_02]: you doing some

[00:59:19] [SPEAKER_02]: stuff

[00:59:21] [SPEAKER_02]: and she says

[00:59:21] [SPEAKER_02]: she did tell

[00:59:22] [SPEAKER_02]: her agent at

[00:59:23] [SPEAKER_02]: CAA I'm going

[00:59:23] [SPEAKER_02]: to do this

[00:59:24] [SPEAKER_02]: and her agent

[00:59:25] [SPEAKER_02]: was like

[00:59:25] [SPEAKER_02]: what's he paying

[00:59:25] [SPEAKER_02]: you

[00:59:27] [SPEAKER_02]: and Lynch

[00:59:28] [SPEAKER_02]: said well

[00:59:28] [SPEAKER_02]: the internet

[00:59:29] [SPEAKER_02]: rate is $100

[00:59:30] [SPEAKER_02]: and so he

[00:59:31] [SPEAKER_02]: paid her $100

[00:59:32] [SPEAKER_02]: and they shot

[00:59:33] [SPEAKER_02]: this lengthy

[00:59:34] [SPEAKER_02]: monologue

[00:59:34] [SPEAKER_02]: which is you know

[00:59:35] [SPEAKER_02]: basically lots of

[00:59:36] [SPEAKER_02]: it is in the film

[00:59:37] [SPEAKER_02]: which is her

[00:59:37] [SPEAKER_02]: talking they're

[00:59:38] [SPEAKER_02]: called the Mr. K

[00:59:39] [SPEAKER_02]: monologues in the

[00:59:40] [SPEAKER_02]: film but it's her

[00:59:40] [SPEAKER_02]: when she's talking

[00:59:41] [SPEAKER_02]: with the sort of

[00:59:41] [SPEAKER_02]: southern accent

[00:59:42] [SPEAKER_02]: recounting these

[00:59:43] [SPEAKER_02]: things to a

[00:59:44] [SPEAKER_02]: the spectacled man

[00:59:45] [SPEAKER_05]: one of the

[00:59:46] [SPEAKER_05]: actually creepiest

[00:59:48] [SPEAKER_05]: characters in the

[00:59:49] [SPEAKER_05]: movie

[00:59:49] [SPEAKER_05]: that performance

[00:59:50] [SPEAKER_05]: is so unsettling

[00:59:51] [SPEAKER_05]: he is

[00:59:52] [SPEAKER_05]: of the guy

[00:59:53] [SPEAKER_05]: behind the desk

[00:59:54] [SPEAKER_02]: it's all shot

[00:59:54] [SPEAKER_02]: in his painting

[00:59:55] [SPEAKER_02]: studio

[00:59:56] [SPEAKER_02]: which they made

[00:59:56] [SPEAKER_02]: a sort of set

[00:59:57] [SPEAKER_02]: inside of

[00:59:59] [SPEAKER_02]: and she started

[01:00:00] [SPEAKER_02]: speaking and they

[01:00:01] [SPEAKER_02]: stopped twice

[01:00:01] [SPEAKER_02]: once for an

[01:00:02] [SPEAKER_02]: airplane

[01:00:02] [SPEAKER_02]: once to reload

[01:00:03] [SPEAKER_02]: the camera

[01:00:05] [SPEAKER_02]: just apart from

[01:00:06] [SPEAKER_02]: that they just

[01:00:06] [SPEAKER_02]: did long

[01:00:06] [SPEAKER_02]: like 45 minute

[01:00:08] [SPEAKER_02]: takes

[01:00:08] [SPEAKER_05]: but we should

[01:00:09] [SPEAKER_05]: emphasize

[01:00:09] [SPEAKER_05]: they were not

[01:00:10] [SPEAKER_05]: reloading the

[01:00:11] [SPEAKER_05]: camera with film

[01:00:12] [SPEAKER_05]: because this movie

[01:00:13] [SPEAKER_05]: is not shot on

[01:00:14] [SPEAKER_05]: film

[01:00:14] [SPEAKER_02]: no you

[01:00:15] [SPEAKER_02]: you love to

[01:00:16] [SPEAKER_02]: come on for

[01:00:16] [SPEAKER_02]: movies that were

[01:00:17] [SPEAKER_02]: shot on

[01:00:17] [SPEAKER_02]: yes

[01:00:19] [SPEAKER_02]: tax machines

[01:00:20] [SPEAKER_02]: yes

[01:00:21] [SPEAKER_02]: what are you

[01:00:22] [SPEAKER_01]: looking at

[01:00:22] [SPEAKER_01]: yeah

[01:00:23] [SPEAKER_01]: Eric Crary

[01:00:24] [SPEAKER_01]: who plays

[01:00:24] [SPEAKER_01]: Mr. K

[01:00:25] [SPEAKER_01]: yes

[01:00:25] [SPEAKER_01]: is kind of a

[01:00:26] [SPEAKER_01]: Monty Montgomery

[01:00:27] [SPEAKER_01]: situation

[01:00:28] [SPEAKER_01]: right

[01:00:28] [SPEAKER_01]: he's a film

[01:00:29] [SPEAKER_01]: producer right

[01:00:29] [SPEAKER_01]: he

[01:00:30] [SPEAKER_01]: here are the

[01:00:30] [SPEAKER_01]: titles he held

[01:00:31] [SPEAKER_01]: on this film

[01:00:32] [SPEAKER_01]: in Lind Empire

[01:00:33] [SPEAKER_01]: okay

[01:00:33] [SPEAKER_01]: he of course

[01:00:34] [SPEAKER_01]: functions as an

[01:00:35] [SPEAKER_01]: actor playing the

[01:00:36] [SPEAKER_01]: okay

[01:00:37] [SPEAKER_01]: he also was

[01:00:38] [SPEAKER_01]: associate producer

[01:00:39] [SPEAKER_01]: he also was

[01:00:39] [SPEAKER_01]: production supervisor

[01:00:40] [SPEAKER_01]: he also was

[01:00:42] [SPEAKER_01]: camera operator

[01:00:42] [SPEAKER_01]: at times

[01:00:43] [SPEAKER_01]: he was part of

[01:00:44] [SPEAKER_01]: the construction

[01:00:45] [SPEAKER_01]: team

[01:00:46] [SPEAKER_01]: this is

[01:00:46] [SPEAKER_01]: but this is how

[01:00:47] [SPEAKER_05]: all movies should

[01:00:48] [SPEAKER_05]: be made

[01:00:48] [SPEAKER_05]: it's certainly

[01:00:49] [SPEAKER_05]: yeah

[01:00:50] [SPEAKER_02]: I mean

[01:00:51] [SPEAKER_02]: yeah

[01:00:51] [SPEAKER_02]: I mean

[01:00:51] [SPEAKER_02]: is the camera

[01:00:52] [SPEAKER_02]: supervisor

[01:00:52] [SPEAKER_02]: just someone

[01:00:53] [SPEAKER_02]: who's like

[01:00:53] [SPEAKER_02]: hey

[01:00:53] [SPEAKER_02]: could you

[01:00:53] [SPEAKER_02]: turn it on

[01:00:54] [SPEAKER_02]: make sure

[01:00:55] [SPEAKER_05]: there's no

[01:00:56] [SPEAKER_05]: film in that

[01:00:56] [SPEAKER_05]: camera

[01:00:56] [SPEAKER_05]: make sure

[01:00:57] [SPEAKER_05]: that thing

[01:00:58] [SPEAKER_05]: looks like

[01:00:58] [SPEAKER_05]: absolute

[01:00:58] [SPEAKER_05]: garbage

[01:00:59] [SPEAKER_01]: he was

[01:00:59] [SPEAKER_01]: Mary Sweeney's

[01:01:00] [SPEAKER_01]: assistant

[01:01:01] [SPEAKER_01]: on Mulholland,

[01:01:02] [SPEAKER_01]: Drive yes

[01:01:02] [SPEAKER_05]: right

[01:01:03] [SPEAKER_01]: so

[01:01:03] [SPEAKER_01]: you're like

[01:01:03] [SPEAKER_01]: here's

[01:01:04] [SPEAKER_01]: his like longtime

[01:01:05] [SPEAKER_01]: partner

[01:01:05] [SPEAKER_01]: creative

[01:01:06] [SPEAKER_01]: collaborator

[01:01:06] [SPEAKER_01]: assistant

[01:01:07] [SPEAKER_01]: who he's

[01:01:08] [SPEAKER_01]: like

[01:01:08] [SPEAKER_01]: I'm working

[01:01:08] [SPEAKER_01]: on a new

[01:01:09] [SPEAKER_01]: thing

[01:01:09] [SPEAKER_01]: I don't

[01:01:09] [SPEAKER_01]: really know

[01:01:09] [SPEAKER_01]: what it

[01:01:10] [SPEAKER_01]: is yet

[01:01:10] [SPEAKER_01]: can you

[01:01:10] [SPEAKER_01]: come

[01:01:11] [SPEAKER_01]: and be

[01:01:12] [SPEAKER_01]: the person

[01:01:12] [SPEAKER_01]: Laura Dern

[01:01:13] [SPEAKER_01]: monologues

[01:01:13] [SPEAKER_01]: to

[01:01:14] [SPEAKER_01]: and also

[01:01:15] [SPEAKER_01]: as the

[01:01:15] [SPEAKER_01]: project

[01:01:15] [SPEAKER_01]: grows

[01:01:16] [SPEAKER_01]: he starts

[01:01:16] [SPEAKER_01]: putting

[01:01:16] [SPEAKER_01]: him in

[01:01:17] [SPEAKER_01]: all these

[01:01:17] [SPEAKER_01]: different

[01:01:17] [SPEAKER_01]: places

[01:01:19] [SPEAKER_02]: they do

[01:01:20] [SPEAKER_02]: do

[01:01:20] [SPEAKER_02]: and

[01:01:20] [SPEAKER_02]: producer

[01:01:21] [SPEAKER_02]: jay

[01:01:22] [SPEAKER_02]: sing

[01:01:23] [SPEAKER_02]: recounts

[01:01:24] [SPEAKER_02]: that

[01:01:24] [SPEAKER_02]: lynch

[01:01:24] [SPEAKER_02]: afterwards

[01:01:25] [SPEAKER_02]: was just

[01:01:25] [SPEAKER_02]: like

[01:01:25] [SPEAKER_02]: what if

[01:01:26] [SPEAKER_02]: this

[01:01:26] [SPEAKER_02]: was a

[01:01:26] [SPEAKER_02]: movie

[01:01:26] [SPEAKER_02]: and was

[01:01:27] [SPEAKER_02]: just

[01:01:27] [SPEAKER_02]: very

[01:01:27] [SPEAKER_02]: excited

[01:01:29] [SPEAKER_01]: and so

[01:01:30] [SPEAKER_01]: 2006

[01:01:31] [SPEAKER_01]: still a

[01:01:31] [SPEAKER_01]: time where

[01:01:32] [SPEAKER_01]: a lot

[01:01:32] [SPEAKER_01]: of people

[01:01:32] [SPEAKER_01]: would look

[01:01:33] [SPEAKER_01]: at that

[01:01:33] [SPEAKER_01]: and go

[01:01:33] [SPEAKER_01]: well

[01:01:34] [SPEAKER_01]: what we

[01:01:34] [SPEAKER_01]: should

[01:01:34] [SPEAKER_01]: do

[01:01:34] [SPEAKER_01]: is

[01:01:35] [SPEAKER_01]: reshoot

[01:01:35] [SPEAKER_01]: this

[01:01:36] [SPEAKER_01]: on film

[01:01:37] [SPEAKER_01]: never

[01:01:38] [SPEAKER_03]: going

[01:01:39] [SPEAKER_03]: back

[01:01:39] [SPEAKER_03]: to

[01:01:39] [SPEAKER_03]: film

[01:01:40] [SPEAKER_03]: yeah

[01:01:40] [SPEAKER_03]: never

[01:01:41] [SPEAKER_03]: going

[01:01:41] [SPEAKER_03]: back

[01:01:42] [SPEAKER_03]: to

[01:01:42] [SPEAKER_03]: film

[01:01:42] [SPEAKER_01]: my

[01:01:42] [SPEAKER_01]: biggest

[01:01:43] [SPEAKER_01]: cultural

[01:01:43] [SPEAKER_01]: memory

[01:01:43] [SPEAKER_01]: of

[01:01:44] [SPEAKER_01]: this

[01:01:44] [SPEAKER_01]: movie

[01:01:44] [SPEAKER_01]: having

[01:01:44] [SPEAKER_01]: not

[01:01:45] [SPEAKER_01]: seen

[01:01:45] [SPEAKER_01]: until

[01:01:45] [SPEAKER_01]: last

[01:01:46] [SPEAKER_01]: night

[01:01:47] [SPEAKER_01]: but

[01:01:48] [SPEAKER_01]: remembering

[01:01:48] [SPEAKER_01]: reading

[01:01:49] [SPEAKER_01]: reviews

[01:01:49] [SPEAKER_01]: and

[01:01:49] [SPEAKER_01]: interviews

[01:01:50] [SPEAKER_01]: at the

[01:01:50] [SPEAKER_01]: time

[01:01:50] [SPEAKER_01]: was that

[01:01:51] [SPEAKER_01]: he kept

[01:01:51] [SPEAKER_01]: on

[01:01:52] [SPEAKER_01]: referring

[01:01:52] [SPEAKER_01]: to

[01:01:52] [SPEAKER_01]: and I

[01:01:53] [SPEAKER_01]: don't

[01:01:53] [SPEAKER_01]: know

[01:01:53] [SPEAKER_01]: if

[01:01:53] [SPEAKER_01]: this

[01:01:53] [SPEAKER_01]: is

[01:01:53] [SPEAKER_01]: in

[01:01:53] [SPEAKER_01]: the

[01:01:53] [SPEAKER_01]: dossier

[01:01:54] [SPEAKER_01]: the

[01:01:55] [SPEAKER_01]: digital

[01:01:55] [SPEAKER_01]: camera

[01:01:55] [SPEAKER_01]: as

[01:01:56] [SPEAKER_01]: my

[01:01:56] [SPEAKER_01]: beautiful

[01:01:57] [SPEAKER_01]: little

[01:01:57] [SPEAKER_01]: ugly

[01:01:58] [SPEAKER_01]: thing

[01:01:58] [SPEAKER_01]: right

[01:01:59] [SPEAKER_02]: that he

[01:02:00] [SPEAKER_02]: was in

[01:02:00] [SPEAKER_02]: love

[01:02:00] [SPEAKER_02]: with

[01:02:01] [SPEAKER_02]: like

[01:02:01] [SPEAKER_02]: we'll

[01:02:02] [SPEAKER_02]: talk

[01:02:02] [SPEAKER_02]: about

[01:02:02] [SPEAKER_02]: it

[01:02:02] [SPEAKER_02]: but

[01:02:02] [SPEAKER_02]: he

[01:02:02] [SPEAKER_02]: could

[01:02:03] [SPEAKER_02]: have

[01:02:03] [SPEAKER_02]: shot

[01:02:03] [SPEAKER_02]: this

[01:02:04] [SPEAKER_02]: on

[01:02:04] [SPEAKER_02]: higher

[01:02:04] [SPEAKER_02]: quality

[01:02:05] [SPEAKER_02]: digital

[01:02:05] [SPEAKER_02]: film

[01:02:06] [SPEAKER_02]: it

[01:02:32] [SPEAKER_02]: like

[01:02:33] [SPEAKER_02]: a

[01:02:33] [SPEAKER_02]: project

[01:02:33] [SPEAKER_02]: they're

[01:02:34] [SPEAKER_02]: working

[01:02:34] [SPEAKER_02]: on

[01:02:34] [SPEAKER_02]: to

[01:02:34] [SPEAKER_02]: like

[01:02:34] [SPEAKER_02]: a

[01:02:34] [SPEAKER_02]: film

[01:02:35] [SPEAKER_02]: right

[01:02:35] [SPEAKER_02]: like

[01:02:36] [SPEAKER_02]: jeremy irons

[01:02:36] [SPEAKER_02]: i guess

[01:02:37] [SPEAKER_02]: makes

[01:02:37] [SPEAKER_02]: them all

[01:02:37] [SPEAKER_02]: be like

[01:02:38] [SPEAKER_02]: i guess

[01:02:38] [SPEAKER_02]: we should

[01:02:38] [SPEAKER_02]: like

[01:02:38] [SPEAKER_02]: come

[01:02:38] [SPEAKER_02]: correct

[01:02:39] [SPEAKER_02]: and

[01:02:39] [SPEAKER_02]: like

[01:02:39] [SPEAKER_02]: act

[01:02:39] [SPEAKER_02]: like

[01:02:40] [SPEAKER_02]: this

[01:02:40] [SPEAKER_02]: is

[01:02:40] [SPEAKER_02]: a

[01:02:40] [SPEAKER_02]: feature

[01:02:40] [SPEAKER_02]: not

[01:02:41] [SPEAKER_02]: just

[01:02:41] [SPEAKER_02]: like

[01:02:42] [SPEAKER_02]: weird

[01:02:42] [SPEAKER_02]: david

[01:02:42] [SPEAKER_02]: lynch

[01:02:43] [SPEAKER_02]: shit

[01:02:43] [SPEAKER_05]: so that

[01:02:44] [SPEAKER_05]: was

[01:02:44] [SPEAKER_05]: one

[01:02:44] [SPEAKER_05]: more

[01:02:44] [SPEAKER_05]: structured

[01:02:45] [SPEAKER_05]: yeah

[01:02:45] [SPEAKER_05]: and his

[01:02:46] [SPEAKER_05]: and his

[01:02:46] [SPEAKER_05]: performance

[01:02:47] [SPEAKER_05]: is

[01:02:47] [SPEAKER_05]: completely

[01:02:47] [SPEAKER_05]: naturalistic

[01:02:48] [SPEAKER_05]: as opposed

[01:02:49] [SPEAKER_05]: to

[01:02:49] [SPEAKER_05]: everybody

[01:02:49] [SPEAKER_05]: else

[01:02:50] [SPEAKER_05]: who's

[01:02:50] [SPEAKER_05]: acting

[01:02:50] [SPEAKER_05]: like

[01:02:50] [SPEAKER_05]: they're

[01:02:50] [SPEAKER_05]: in

[01:02:51] [SPEAKER_05]: a

[01:02:51] [SPEAKER_05]: dream

[01:02:51] [SPEAKER_05]: and

[01:02:52] [SPEAKER_05]: when

[01:02:52] [SPEAKER_05]: he

[01:02:52] [SPEAKER_05]: showed

[01:02:52] [SPEAKER_05]: up

[01:02:52] [SPEAKER_05]: when

[01:02:53] [SPEAKER_05]: i

[01:02:53] [SPEAKER_05]: rewatched

[01:02:53] [SPEAKER_05]: it

[01:03:19] [SPEAKER_02]: uh

[01:03:19] [SPEAKER_02]: to

[01:03:20] [SPEAKER_02]: film

[01:03:20] [SPEAKER_02]: uh

[01:03:21] [SPEAKER_02]: because

[01:03:21] [SPEAKER_02]: it's

[01:03:21] [SPEAKER_02]: the

[01:03:22] [SPEAKER_02]: 2000

[01:03:22] [SPEAKER_02]: smoking

[01:03:22] [SPEAKER_02]: is

[01:03:23] [SPEAKER_02]: going

[01:03:23] [SPEAKER_02]: out

[01:03:23] [SPEAKER_02]: of

[01:03:23] [SPEAKER_02]: vogue

[01:03:23] [SPEAKER_02]: like

[01:03:24] [SPEAKER_02]: smoking

[01:03:24] [SPEAKER_02]: in

[01:03:24] [SPEAKER_02]: public

[01:03:25] [SPEAKER_02]: places

[01:03:25] [SPEAKER_02]: uh

[01:03:26] [SPEAKER_02]: he

[01:03:27] [SPEAKER_02]: would

[01:03:27] [SPEAKER_02]: do

[01:03:27] [SPEAKER_02]: things

[01:03:28] [SPEAKER_02]: like

[01:03:28] [SPEAKER_02]: say

[01:03:28] [SPEAKER_02]: like

[01:03:28] [SPEAKER_02]: hey

[01:03:28] [SPEAKER_02]: jeremy

[01:03:29] [SPEAKER_02]: write

[01:03:29] [SPEAKER_02]: this

[01:03:29] [SPEAKER_02]: down

[01:03:29] [SPEAKER_02]: i

[01:03:30] [SPEAKER_02]: need

[01:03:30] [SPEAKER_02]: six

[01:03:30] [SPEAKER_02]: black

[01:03:30] [SPEAKER_02]: dancers

[01:03:31] [SPEAKER_02]: a

[01:03:31] [SPEAKER_02]: blonde

[01:03:31] [SPEAKER_02]: eurasian

[01:03:31] [SPEAKER_02]: with

[01:03:32] [SPEAKER_02]: a

[01:03:32] [SPEAKER_02]: monkey

[01:03:32] [SPEAKER_02]: on

[01:03:32] [SPEAKER_02]: her

[01:03:32] [SPEAKER_02]: shoulder

[01:03:32] [SPEAKER_02]: a

[01:03:33] [SPEAKER_02]: lumberjack

[01:03:33] [SPEAKER_02]: sawing

[01:03:33] [SPEAKER_02]: wood

[01:03:34] [SPEAKER_02]: natasha

[01:03:34] [SPEAKER_02]: right

[01:03:34] [SPEAKER_02]: that's

[01:03:35] [SPEAKER_02]: the

[01:03:35] [SPEAKER_02]: the

[01:03:35] [SPEAKER_05]: credits

[01:03:36] [SPEAKER_05]: the

[01:03:36] [SPEAKER_05]: closing

[01:03:37] [SPEAKER_05]: you know

[01:03:37] [SPEAKER_02]: like

[01:03:37] [SPEAKER_02]: he

[01:03:38] [SPEAKER_02]: would

[01:03:38] [SPEAKER_02]: basically

[01:03:38] [SPEAKER_02]: just

[01:03:38] [SPEAKER_02]: be

[01:03:39] [SPEAKER_02]: see

[01:03:39] [SPEAKER_02]: if

[01:03:39] [SPEAKER_02]: you

[01:03:39] [SPEAKER_02]: can

[01:03:40] [SPEAKER_02]: find

[01:03:40] [SPEAKER_02]: this

[01:03:40] [SPEAKER_02]: this

[01:03:40] [SPEAKER_02]: this

[01:03:41] [SPEAKER_02]: well

[01:03:41] [SPEAKER_01]: like

[01:03:41] [SPEAKER_01]: a

[01:03:42] [SPEAKER_01]: past

[01:03:42] [SPEAKER_01]: and

[01:03:42] [SPEAKER_01]: future

[01:03:42] [SPEAKER_01]: guest

[01:03:43] [SPEAKER_01]: a

[01:03:43] [SPEAKER_01]: friend

[01:03:43] [SPEAKER_01]: of

[01:03:43] [SPEAKER_01]: the

[01:03:43] [SPEAKER_01]: show

[01:03:44] [SPEAKER_01]: drew

[01:03:44] [SPEAKER_01]: mcweeney

[01:03:44] [SPEAKER_01]: uh

[01:03:45] [SPEAKER_01]: messaged

[01:03:46] [SPEAKER_01]: us

[01:03:46] [SPEAKER_01]: some

[01:03:46] [SPEAKER_01]: months

[01:03:46] [SPEAKER_01]: ago

[01:03:46] [SPEAKER_01]: when we

[01:03:47] [SPEAKER_01]: uh

[01:03:47] [SPEAKER_01]: when lynch

[01:03:48] [SPEAKER_01]: won

[01:03:48] [SPEAKER_01]: march

[01:03:48] [SPEAKER_01]: madness

[01:03:49] [SPEAKER_01]: and told

[01:03:50] [SPEAKER_01]: us that

[01:03:50] [SPEAKER_01]: he's in

[01:03:50] [SPEAKER_01]: the

[01:03:50] [SPEAKER_01]: special

[01:03:51] [SPEAKER_01]: thanks

[01:03:51] [SPEAKER_01]: for

[01:03:51] [SPEAKER_01]: this

[01:03:51] [SPEAKER_01]: movie

[01:03:52] [SPEAKER_01]: i

[01:03:52] [SPEAKER_01]: don't

[01:03:52] [SPEAKER_01]: know

[01:03:53] [SPEAKER_01]: is it

[01:03:53] [SPEAKER_01]: one

[01:04:10] [SPEAKER_01]: like

[01:04:10] [SPEAKER_01]: we'll

[01:04:10] [SPEAKER_01]: be

[01:04:10] [SPEAKER_01]: there

[01:04:11] [SPEAKER_01]: in

[01:04:11] [SPEAKER_01]: like

[01:04:11] [SPEAKER_01]: three

[01:04:11] [SPEAKER_01]: hours

[01:04:12] [SPEAKER_01]: can

[01:04:12] [SPEAKER_01]: we

[01:04:12] [SPEAKER_01]: smoke

[01:04:12] [SPEAKER_02]: in

[01:04:13] [SPEAKER_02]: it

[01:04:13] [SPEAKER_02]: 20

[01:04:13] [SPEAKER_02]: minutes

[01:04:14] [SPEAKER_02]: he shows

[01:04:15] [SPEAKER_02]: up

[01:04:15] [SPEAKER_02]: i have

[01:04:15] [SPEAKER_02]: the text

[01:04:15] [SPEAKER_02]: here

[01:04:16] [SPEAKER_02]: and

[01:04:16] [SPEAKER_02]: he's

[01:04:16] [SPEAKER_02]: with

[01:04:16] [SPEAKER_02]: david

[01:04:16] [SPEAKER_02]: lynch

[01:04:17] [SPEAKER_02]: david

[01:04:17] [SPEAKER_02]: lynch

[01:04:18] [SPEAKER_02]: is like

[01:04:18] [SPEAKER_02]: can i

[01:04:18] [SPEAKER_02]: use

[01:04:19] [SPEAKER_02]: your

[01:04:19] [SPEAKER_02]: room

[01:04:19] [SPEAKER_02]: to shoot

[01:04:19] [SPEAKER_02]: my

[01:04:20] [SPEAKER_02]: new

[01:04:20] [SPEAKER_02]: film

[01:04:21] [SPEAKER_02]: drew

[01:04:21] [SPEAKER_02]: says

[01:04:22] [SPEAKER_02]: yes

[01:04:22] [SPEAKER_02]: of

[01:04:22] [SPEAKER_02]: course

[01:04:22] [SPEAKER_02]: and

[01:04:23] [SPEAKER_02]: that

[01:04:23] [SPEAKER_02]: night

[01:04:24] [SPEAKER_02]: right

[01:04:24] [SPEAKER_02]: so not

[01:04:25] [SPEAKER_02]: even

[01:04:25] [SPEAKER_02]: like

[01:04:25] [SPEAKER_02]: later

[01:04:26] [SPEAKER_01]: like

[01:04:26] [SPEAKER_01]: oh

[01:04:26] [SPEAKER_01]: this

[01:04:26] [SPEAKER_01]: is

[01:04:27] [SPEAKER_01]: a

[01:04:27] [SPEAKER_01]: location

[01:04:27] [SPEAKER_01]: scout

[01:04:28] [SPEAKER_01]: you'll

[01:04:28] [SPEAKER_01]: get

[01:04:28] [SPEAKER_01]: back

[01:04:28] [SPEAKER_01]: to

[01:04:29] [SPEAKER_01]: us

[01:04:29] [SPEAKER_01]: in

[01:04:29] [SPEAKER_01]: two

[01:04:29] [SPEAKER_01]: months

[01:04:29] [SPEAKER_01]: you'll

[01:04:30] [SPEAKER_01]: come

[01:04:30] [SPEAKER_01]: here

[01:04:30] [SPEAKER_01]: not

[01:04:30] [SPEAKER_01]: on

[01:04:31] [SPEAKER_01]: not

[01:04:31] [SPEAKER_01]: on

[01:04:31] [SPEAKER_01]: this

[01:04:31] [SPEAKER_01]: one

[01:04:31] [SPEAKER_02]: uh

[01:04:32] [SPEAKER_02]: he

[01:04:33] [SPEAKER_02]: shows

[01:04:33] [SPEAKER_02]: up

[01:04:33] [SPEAKER_02]: with

[01:04:33] [SPEAKER_02]: mary

[01:04:33] [SPEAKER_02]: sweeney

[01:04:34] [SPEAKER_02]: a

[01:04:34] [SPEAKER_02]: cameraman

[01:04:35] [SPEAKER_02]: laura

[01:04:35] [SPEAKER_02]: dern

[01:04:35] [SPEAKER_02]: four

[01:04:36] [SPEAKER_02]: young

[01:04:36] [SPEAKER_02]: european

[01:04:36] [SPEAKER_02]: women

[01:04:37] [SPEAKER_02]: shoots

[01:04:37] [SPEAKER_02]: for

[01:04:37] [SPEAKER_02]: five

[01:04:37] [SPEAKER_02]: or

[01:04:37] [SPEAKER_02]: six

[01:04:38] [SPEAKER_02]: hours

[01:04:38] [SPEAKER_02]: and

[01:04:38] [SPEAKER_02]: after

[01:04:38] [SPEAKER_02]: that

[01:04:39] [SPEAKER_02]: would

[01:04:39] [SPEAKER_02]: call

[01:04:40] [SPEAKER_02]: drew

[01:04:40] [SPEAKER_02]: every

[01:04:41] [SPEAKER_02]: few

[01:04:41] [SPEAKER_02]: weeks

[01:04:42] [SPEAKER_02]: and

[01:04:42] [SPEAKER_02]: call

[01:04:42] [SPEAKER_02]: ask

[01:04:42] [SPEAKER_02]: him

[01:04:43] [SPEAKER_02]: what

[01:04:43] [SPEAKER_02]: drew

[01:04:43] [SPEAKER_02]: says

[01:04:43] [SPEAKER_02]: was

[01:04:44] [SPEAKER_02]: just

[01:04:44] [SPEAKER_02]: random

[01:04:44] [SPEAKER_02]: questions

[01:04:45] [SPEAKER_02]: about

[01:04:46] [SPEAKER_02]: things

[01:04:46] [SPEAKER_02]: wait

[01:04:47] [SPEAKER_02]: david

[01:04:47] [SPEAKER_02]: lynch

[01:04:48] [SPEAKER_02]: would

[01:04:48] [SPEAKER_02]: call

[01:04:48] [SPEAKER_02]: him

[01:04:48] [SPEAKER_02]: yes

[01:04:49] [SPEAKER_02]: cool

[01:04:49] [SPEAKER_02]: it's

[01:04:50] [SPEAKER_02]: cool

[01:04:50] [SPEAKER_02]: and

[01:05:00] [SPEAKER_01]: night

[01:05:00] [SPEAKER_01]: before

[01:05:00] [SPEAKER_01]: but

[01:05:00] [SPEAKER_01]: also

[01:05:01] [SPEAKER_01]: that's

[01:05:01] [SPEAKER_01]: how

[01:05:01] [SPEAKER_01]: like

[01:05:02] [SPEAKER_01]: all

[01:05:02] [SPEAKER_01]: of

[01:05:02] [SPEAKER_01]: the

[01:05:02] [SPEAKER_01]: department

[01:05:03] [SPEAKER_01]: heads

[01:05:03] [SPEAKER_01]: if

[01:05:04] [SPEAKER_01]: those

[01:05:04] [SPEAKER_01]: even

[01:05:04] [SPEAKER_01]: are

[01:05:04] [SPEAKER_01]: really

[01:05:05] [SPEAKER_01]: proper

[01:05:05] [SPEAKER_01]: titles

[01:05:06] [SPEAKER_01]: on this

[01:05:06] [SPEAKER_01]: right

[01:05:06] [SPEAKER_01]: are

[01:05:07] [SPEAKER_01]: processing

[01:05:07] [SPEAKER_01]: it

[01:05:08] [SPEAKER_01]: and

[01:05:08] [SPEAKER_01]: then

[01:05:08] [SPEAKER_01]: everyone

[01:05:08] [SPEAKER_01]: in

[01:05:08] [SPEAKER_01]: real

[01:05:09] [SPEAKER_01]: time

[01:05:09] [SPEAKER_01]: is

[01:05:09] [SPEAKER_01]: sort

[01:05:09] [SPEAKER_01]: of

[01:05:10] [SPEAKER_01]: like

[01:05:11] [SPEAKER_01]: great

[01:05:11] [SPEAKER_01]: like

[01:05:11] [SPEAKER_01]: it's

[01:05:12] [SPEAKER_01]: a

[01:05:12] [SPEAKER_01]: movie

[01:05:12] [SPEAKER_01]: made

[01:05:12] [SPEAKER_01]: like

[01:05:13] [SPEAKER_01]: it

[01:05:13] [SPEAKER_01]: was

[01:05:13] [SPEAKER_01]: chopped

[01:05:13] [SPEAKER_01]: or

[01:05:14] [SPEAKER_01]: something

[01:05:14] [SPEAKER_01]: you know

[01:05:15] [SPEAKER_01]: where

[01:05:15] [SPEAKER_01]: it's

[01:05:15] [SPEAKER_01]: like

[01:05:15] [SPEAKER_01]: here

[01:05:16] [SPEAKER_01]: are

[01:05:16] [SPEAKER_01]: the

[01:05:16] [SPEAKER_01]: ingredients

[01:05:16] [SPEAKER_01]: now

[01:05:16] [SPEAKER_01]: figure

[01:05:17] [SPEAKER_01]: out

[01:05:17] [SPEAKER_01]: how

[01:05:17] [SPEAKER_01]: to

[01:05:17] [SPEAKER_01]: put

[01:05:17] [SPEAKER_01]: this

[01:05:17] [SPEAKER_01]: together

[01:05:18] [SPEAKER_01]: in

[01:05:30] [SPEAKER_02]: for

[01:05:30] [SPEAKER_02]: a

[01:05:30] [SPEAKER_02]: scene

[01:05:30] [SPEAKER_02]: and

[01:05:30] [SPEAKER_02]: shoot

[01:05:30] [SPEAKER_02]: it

[01:05:30] [SPEAKER_02]: get

[01:05:31] [SPEAKER_02]: another

[01:05:31] [SPEAKER_02]: idea

[01:05:31] [SPEAKER_02]: and

[01:05:31] [SPEAKER_02]: shoot

[01:05:31] [SPEAKER_02]: that

[01:05:32] [SPEAKER_02]: I

[01:05:32] [SPEAKER_02]: didn't

[01:05:32] [SPEAKER_02]: know

[01:05:32] [SPEAKER_02]: how

[01:05:32] [SPEAKER_02]: they

[01:05:33] [SPEAKER_02]: would

[01:05:33] [SPEAKER_02]: relate

[01:05:34] [SPEAKER_02]: production

[01:05:34] [SPEAKER_02]: lasted

[01:05:34] [SPEAKER_02]: about

[01:05:35] [SPEAKER_02]: three

[01:06:00] [SPEAKER_01]: composer

[01:06:00] [SPEAKER_01]: right

[01:06:01] [SPEAKER_01]: you know

[01:06:01] [SPEAKER_01]: a lot

[01:06:01] [SPEAKER_01]: of

[01:06:02] [SPEAKER_01]: Mary Sweeney

[01:06:03] [SPEAKER_01]: obviously

[01:06:03] [SPEAKER_01]: usually did

[01:06:04] [SPEAKER_01]: his editing

[01:06:04] [SPEAKER_01]: and he

[01:06:05] [SPEAKER_01]: said

[01:06:05] [SPEAKER_01]: in this

[01:06:05] [SPEAKER_01]: case

[01:06:06] [SPEAKER_01]: like

[01:06:06] [SPEAKER_01]: there's

[01:06:06] [SPEAKER_01]: no

[01:06:06] [SPEAKER_01]: script

[01:06:07] [SPEAKER_01]: to go

[01:06:07] [SPEAKER_01]: off

[01:06:07] [SPEAKER_01]: of

[01:06:07] [SPEAKER_01]: there's

[01:06:08] [SPEAKER_01]: no

[01:06:08] [SPEAKER_01]: order

[01:06:08] [SPEAKER_01]: to put

[01:06:08] [SPEAKER_01]: these

[01:06:09] [SPEAKER_01]: things

[01:06:09] [SPEAKER_01]: in

[01:06:09] [SPEAKER_01]: I

[01:06:09] [SPEAKER_01]: was

[01:06:09] [SPEAKER_01]: the

[01:06:10] [SPEAKER_01]: only

[01:06:10] [SPEAKER_01]: one

[01:06:10] [SPEAKER_01]: who

[01:06:10] [SPEAKER_01]: could

[01:06:10] [SPEAKER_01]: edit

[01:06:10] [SPEAKER_01]: it

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[01:06:11] [SPEAKER_01]: I

[01:06:12] [SPEAKER_01]: was

[01:06:12] [SPEAKER_01]: the

[01:06:12] [SPEAKER_01]: only

[01:06:12] [SPEAKER_01]: one

[01:06:12] [SPEAKER_01]: who

[01:06:12] [SPEAKER_01]: had

[01:06:12] [SPEAKER_01]: any

[01:06:13] [SPEAKER_01]: sense

[01:06:14] [SPEAKER_01]: like

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[01:06:14] [SPEAKER_01]: looking

[01:06:15] [SPEAKER_01]: at

[01:06:15] [SPEAKER_01]: the

[01:06:15] [SPEAKER_01]: footage

[01:06:15] [SPEAKER_01]: and

[01:06:15] [SPEAKER_01]: trying

[01:06:15] [SPEAKER_01]: to

[01:06:16] [SPEAKER_01]: figure

[01:06:16] [SPEAKER_01]: out

[01:06:16] [SPEAKER_01]: what

[01:06:16] [SPEAKER_01]: it

[01:06:17] [SPEAKER_01]: meant

[01:06:17] [SPEAKER_01]: to

[01:06:17] [SPEAKER_01]: me

[01:06:17] [SPEAKER_01]: but

[01:06:18] [SPEAKER_01]: I

[01:06:18] [SPEAKER_01]: think

[01:06:18] [SPEAKER_01]: the

[01:06:18] [SPEAKER_01]: whole

[01:06:19] [SPEAKER_01]: point

[01:06:19] [SPEAKER_01]: of

[01:06:48] [SPEAKER_01]: the

[01:06:49] [SPEAKER_01]: covered

[01:06:49] [SPEAKER_01]: and

[01:06:49] [SPEAKER_01]: this

[01:06:50] [SPEAKER_01]: feels

[01:06:50] [SPEAKER_01]: like

[01:06:50] [SPEAKER_01]: him

[01:06:51] [SPEAKER_01]: at

[01:06:51] [SPEAKER_01]: this

[01:06:51] [SPEAKER_01]: point

[01:06:51] [SPEAKER_01]: in

[01:06:51] [SPEAKER_01]: his

[01:06:52] [SPEAKER_01]: 60s

[01:06:52] [SPEAKER_01]: being

[01:06:53] [SPEAKER_01]: like

[01:06:54] [SPEAKER_01]: how

[01:06:54] [SPEAKER_01]: do

[01:06:54] [SPEAKER_01]: I

[01:06:54] [SPEAKER_01]: turn

[01:06:55] [SPEAKER_01]: filmmaking

[01:06:55] [SPEAKER_01]: into

[01:06:56] [SPEAKER_01]: something

[01:06:56] [SPEAKER_01]: as

[01:06:57] [SPEAKER_01]: direct

[01:06:57] [SPEAKER_01]: as

[01:06:58] [SPEAKER_01]: my

[01:06:58] [SPEAKER_01]: painting

[01:06:59] [SPEAKER_01]: where

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[01:07:00] [SPEAKER_01]: like

[01:07:00] [SPEAKER_01]: I'm

[01:07:00] [SPEAKER_01]: just

[01:07:00] [SPEAKER_01]: moving

[01:07:00] [SPEAKER_01]: I'm

[01:07:01] [SPEAKER_01]: holding

[01:07:01] [SPEAKER_01]: the

[01:07:01] [SPEAKER_01]: camera

[01:07:02] [SPEAKER_01]: I'm

[01:07:02] [SPEAKER_01]: writing

[01:07:02] [SPEAKER_01]: stuff

[01:07:02] [SPEAKER_01]: I'm

[01:07:03] [SPEAKER_01]: handing

[01:07:03] [SPEAKER_01]: it

[01:07:19] [SPEAKER_02]: I

[01:07:19] [SPEAKER_02]: like

[01:07:22] [SPEAKER_02]: Soderbergh

[01:07:22] [SPEAKER_02]: he

[01:07:22] [SPEAKER_02]: now

[01:07:23] [SPEAKER_02]: has

[01:07:24] [SPEAKER_02]: kind

[01:07:24] [SPEAKER_02]: of

[01:07:24] [SPEAKER_02]: gotten

[01:07:24] [SPEAKER_02]: over

[01:07:24] [SPEAKER_02]: it

[01:07:25] [SPEAKER_02]: it's

[01:07:25] [SPEAKER_02]: not

[01:07:25] [SPEAKER_02]: like

[01:07:25] [SPEAKER_02]: he

[01:07:25] [SPEAKER_02]: doesn't

[01:07:25] [SPEAKER_02]: like

[01:07:25] [SPEAKER_02]: digital

[01:07:26] [SPEAKER_02]: anymore

[01:07:26] [SPEAKER_02]: but

[01:07:26] [SPEAKER_02]: now

[01:07:26] [SPEAKER_02]: he's

[01:07:26] [SPEAKER_02]: like

[01:07:27] [SPEAKER_02]: ah

[01:07:27] [SPEAKER_02]: film's

[01:07:28] [SPEAKER_02]: nice

[01:07:28] [SPEAKER_02]: and

[01:07:28] [SPEAKER_02]: yeah

[01:07:29] [SPEAKER_02]: I

[01:07:29] [SPEAKER_02]: might

[01:07:29] [SPEAKER_02]: use

[01:07:29] [SPEAKER_02]: it

[01:07:49] [SPEAKER_01]: the

[01:07:49] [SPEAKER_01]: work

[01:07:50] [SPEAKER_01]: day

[01:07:50] [SPEAKER_01]: around

[01:07:50] [SPEAKER_01]: this

[01:07:50] [SPEAKER_01]: the

[01:07:50] [SPEAKER_01]: process

[01:07:51] [SPEAKER_01]: the

[01:07:52] [SPEAKER_01]: language

[01:07:52] [SPEAKER_01]: of

[01:07:53] [SPEAKER_01]: the

[01:07:53] [SPEAKER_01]: movie

[01:07:53] [SPEAKER_01]: itself

[01:07:54] [SPEAKER_01]: Lynch

[01:07:54] [SPEAKER_01]: is

[01:07:54] [SPEAKER_01]: also

[01:07:55] [SPEAKER_01]: like

[01:07:56] [SPEAKER_01]: generating

[01:07:56] [SPEAKER_01]: the

[01:07:57] [SPEAKER_01]: language

[01:07:57] [SPEAKER_01]: in

[01:07:58] [SPEAKER_01]: real

[01:07:58] [SPEAKER_01]: time

[01:07:59] [SPEAKER_05]: yeah

[01:07:59] [SPEAKER_05]: it's

[01:08:00] [SPEAKER_05]: really

[01:08:00] [SPEAKER_05]: I

[01:08:00] [SPEAKER_05]: mean

[01:08:00] [SPEAKER_05]: think

[01:08:00] [SPEAKER_05]: one

[01:08:00] [SPEAKER_05]: of

[01:08:00] [SPEAKER_05]: the

[01:08:01] [SPEAKER_05]: reasons

[01:08:01] [SPEAKER_05]: the

[01:08:01] [SPEAKER_05]: movie

[01:08:01] [SPEAKER_05]: is

[01:08:01] [SPEAKER_05]: so

[01:08:01] [SPEAKER_05]: exciting

[01:08:02] [SPEAKER_05]: is

[01:08:02] [SPEAKER_05]: it's

[01:08:03] [SPEAKER_05]: so

[01:08:03] [SPEAKER_05]: intuitive

[01:08:05] [SPEAKER_05]: everything

[01:08:05] [SPEAKER_05]: about

[01:08:05] [SPEAKER_05]: it

[01:08:06] [SPEAKER_05]: right

[01:08:06] [SPEAKER_05]: the

[01:08:06] [SPEAKER_05]: shooting

[01:08:07] [SPEAKER_05]: of

[01:08:07] [SPEAKER_05]: it

[01:08:07] [SPEAKER_05]: the

[01:08:08] [SPEAKER_05]: writing

[01:08:08] [SPEAKER_05]: of

[01:08:08] [SPEAKER_05]: it

[01:08:08] [SPEAKER_05]: such

[01:08:09] [SPEAKER_05]: as

[01:08:09] [SPEAKER_05]: such

[01:08:09] [SPEAKER_05]: as

[01:08:10] [SPEAKER_05]: it

[01:08:10] [SPEAKER_05]: is

[01:08:10] [SPEAKER_05]: and

[01:08:10] [SPEAKER_05]: then

[01:08:10] [SPEAKER_05]: the

[01:08:10] [SPEAKER_05]: editing

[01:08:11] [SPEAKER_05]: of

[01:08:11] [SPEAKER_05]: it

[01:08:11] [SPEAKER_05]: obviously

[01:08:12] [SPEAKER_05]: so

[01:08:13] [SPEAKER_05]: in

[01:08:13] [SPEAKER_05]: a

[01:08:13] [SPEAKER_05]: way

[01:08:14] [SPEAKER_05]: you

[01:08:14] [SPEAKER_05]: know

[01:08:14] [SPEAKER_05]: David

[01:08:15] [SPEAKER_05]: Lynch

[01:08:15] [SPEAKER_05]: is

[01:08:15] [SPEAKER_05]: all

[01:08:15] [SPEAKER_05]: into

[01:08:15] [SPEAKER_05]: meditation

[01:08:16] [SPEAKER_05]: and

[01:08:17] [SPEAKER_05]: all

[01:08:17] [SPEAKER_05]: this

[01:08:17] [SPEAKER_05]: kind

[01:08:17] [SPEAKER_05]: of

[01:08:18] [SPEAKER_05]: stuff

[01:08:18] [SPEAKER_05]: and

[01:08:18] [SPEAKER_05]: this

[01:08:19] [SPEAKER_05]: feels

[01:08:19] [SPEAKER_05]: like

[01:08:19] [SPEAKER_05]: the

[01:08:19] [SPEAKER_05]: closest

[01:08:20] [SPEAKER_05]: he

[01:08:20] [SPEAKER_05]: gets

[01:08:20] [SPEAKER_05]: to

[01:08:24] [SPEAKER_05]: I

[01:08:34] [SPEAKER_05]: know

[01:08:35] [SPEAKER_05]: what

[01:08:36] [SPEAKER_05]: you

[01:08:40] [SPEAKER_01]: no

[01:08:41] [SPEAKER_01]: I

[01:08:41] [SPEAKER_01]: don't

[01:08:41] [SPEAKER_01]: think

[01:08:42] [SPEAKER_01]: there's

[01:08:42] [SPEAKER_01]: another

[01:08:42] [SPEAKER_01]: film

[01:08:42] [SPEAKER_01]: quite

[01:08:43] [SPEAKER_01]: like

[01:08:43] [SPEAKER_01]: this

[01:08:44] [SPEAKER_01]: and

[01:08:44] [SPEAKER_01]: a lot

[01:08:44] [SPEAKER_01]: of

[01:08:44] [SPEAKER_01]: it

[01:08:44] [SPEAKER_01]: is

[01:08:44] [SPEAKER_01]: like

[01:08:45] [SPEAKER_01]: the

[01:08:45] [SPEAKER_01]: process

[01:08:45] [SPEAKER_01]: and

[01:08:45] [SPEAKER_01]: him

[01:08:46] [SPEAKER_01]: having

[01:08:46] [SPEAKER_01]: a

[01:08:47] [SPEAKER_01]: reputation

[01:08:49] [SPEAKER_01]: right

[01:08:49] [SPEAKER_01]: I don't

[01:08:50] [SPEAKER_01]: know

[01:08:50] [SPEAKER_01]: who

[01:08:50] [SPEAKER_01]: could

[01:08:51] [SPEAKER_01]: do

[01:08:51] [SPEAKER_01]: that

[01:08:52] [SPEAKER_01]: exactly

[01:08:52] [SPEAKER_01]: that he

[01:08:53] [SPEAKER_01]: had

[01:08:53] [SPEAKER_01]: like

[01:08:53] [SPEAKER_01]: in

[01:08:54] [SPEAKER_01]: certain

[01:08:54] [SPEAKER_01]: ways

[01:08:54] [SPEAKER_01]: it

[01:08:54] [SPEAKER_01]: feels

[01:08:55] [SPEAKER_01]: like

[01:08:55] [SPEAKER_01]: this

[01:08:55] [SPEAKER_01]: would

[01:08:55] [SPEAKER_01]: be

[01:08:55] [SPEAKER_01]: a lot

[01:08:55] [SPEAKER_01]: of

[01:08:56] [SPEAKER_01]: people's

[01:08:56] [SPEAKER_01]: weird

[01:08:57] [SPEAKER_01]: first

[01:08:57] [SPEAKER_01]: film

[01:08:57] [SPEAKER_01]: they

[01:08:58] [SPEAKER_01]: made

[01:08:58] [SPEAKER_01]: yeah

[01:08:58] [SPEAKER_01]: exactly

[01:08:59] [SPEAKER_01]: before

[01:09:00] [SPEAKER_01]: they

[01:09:00] [SPEAKER_01]: figure

[01:09:00] [SPEAKER_01]: out

[01:09:01] [SPEAKER_01]: had to

[01:09:01] [SPEAKER_01]: hone

[01:09:01] [SPEAKER_01]: their

[01:09:01] [SPEAKER_01]: thing

[01:09:02] [SPEAKER_02]: this

[01:09:02] [SPEAKER_02]: is

[01:09:02] [SPEAKER_02]: also

[01:09:03] [SPEAKER_02]: just

[01:09:03] [SPEAKER_02]: this

[01:09:03] [SPEAKER_02]: is

[01:09:03] [SPEAKER_02]: basically

[01:09:04] [SPEAKER_02]: an

[01:09:04] [SPEAKER_02]: avant-garde

[01:09:05] [SPEAKER_02]: film

[01:09:05] [SPEAKER_02]: and

[01:09:05] [SPEAKER_02]: it

[01:09:05] [SPEAKER_02]: is

[01:09:06] [SPEAKER_02]: the

[01:09:06] [SPEAKER_02]: only

[01:09:06] [SPEAKER_02]: avant-garde

[01:09:07] [SPEAKER_02]: film

[01:09:07] [SPEAKER_02]: a lot

[01:09:07] [SPEAKER_02]: of

[01:09:07] [SPEAKER_02]: people

[01:09:08] [SPEAKER_02]: have

[01:09:08] [SPEAKER_02]: seen

[01:09:08] [SPEAKER_02]: because

[01:09:08] [SPEAKER_02]: they

[01:09:08] [SPEAKER_02]: saw it

[01:09:08] [SPEAKER_02]: because

[01:09:09] [SPEAKER_02]: it

[01:09:09] [SPEAKER_02]: was

[01:09:09] [SPEAKER_02]: a

[01:09:09] [SPEAKER_02]: David

[01:09:09] [SPEAKER_02]: Lynch

[01:09:09] [SPEAKER_02]: film

[01:09:10] [SPEAKER_02]: with

[01:09:10] [SPEAKER_02]: like

[01:09:11] [SPEAKER_02]: famous

[01:09:11] [SPEAKER_02]: people

[01:09:12] [SPEAKER_02]: are

[01:09:31] [SPEAKER_05]: don't

[01:09:31] [SPEAKER_05]: you

[01:09:31] [SPEAKER_05]: kind

[01:09:31] [SPEAKER_05]: of

[01:09:31] [SPEAKER_05]: think

[01:09:31] [SPEAKER_05]: so

[01:09:32] [SPEAKER_05]: don't

[01:09:32] [SPEAKER_05]: you

[01:09:32] [SPEAKER_05]: kind

[01:09:32] [SPEAKER_05]: of

[01:09:32] [SPEAKER_05]: get

[01:09:33] [SPEAKER_05]: sick

[01:09:33] [SPEAKER_05]: of

[01:09:33] [SPEAKER_05]: it

[01:09:33] [SPEAKER_05]: after

[01:09:33] [SPEAKER_05]: a

[01:09:33] [SPEAKER_05]: while

[01:09:33] [SPEAKER_05]: like

[01:09:34] [SPEAKER_05]: a

[01:09:35] [SPEAKER_05]: good

[01:09:36] [SPEAKER_05]: movie

[01:09:37] [SPEAKER_05]: and

[01:09:37] [SPEAKER_05]: it

[01:09:37] [SPEAKER_05]: has

[01:09:37] [SPEAKER_05]: a

[01:09:37] [SPEAKER_05]: screenplay

[01:09:38] [SPEAKER_05]: oh

[01:09:38] [SPEAKER_05]: the

[01:09:38] [SPEAKER_05]: script

[01:09:38] [SPEAKER_05]: is

[01:09:39] [SPEAKER_05]: so

[01:09:39] [SPEAKER_05]: good

[01:09:39] [SPEAKER_05]: oh

[01:09:39] [SPEAKER_05]: I

[01:09:39] [SPEAKER_05]: loved

[01:09:40] [SPEAKER_05]: how

[01:09:40] [SPEAKER_05]: they

[01:09:40] [SPEAKER_05]: resolved

[01:09:40] [SPEAKER_05]: act

[01:09:41] [SPEAKER_05]: to

[01:09:41] [SPEAKER_05]: blah

[01:09:41] [SPEAKER_05]: blah

[01:09:42] [SPEAKER_05]: you

[01:09:42] [SPEAKER_05]: know

[01:09:42] [SPEAKER_05]: or

[01:09:42] [SPEAKER_05]: this

[01:09:42] [SPEAKER_05]: character's

[01:09:43] [SPEAKER_05]: theme

[01:09:43] [SPEAKER_05]: was

[01:09:43] [SPEAKER_05]: blah

[01:09:44] [SPEAKER_05]: you

[01:09:44] [SPEAKER_05]: you

[01:09:44] [SPEAKER_05]: know

[01:09:44] [SPEAKER_05]: what

[01:09:47] [SPEAKER_05]: I

[01:09:48] [SPEAKER_05]: mean

[01:09:48] [SPEAKER_05]: I

[01:09:48] [SPEAKER_05]: like

[01:09:49] [SPEAKER_05]: good

[01:09:49] [SPEAKER_05]: screenplays

[01:09:49] [SPEAKER_05]: they're

[01:09:50] [SPEAKER_05]: a lot

[01:09:50] [SPEAKER_05]: of fun

[01:09:50] [SPEAKER_05]: they make

[01:09:51] [SPEAKER_05]: movies

[01:09:51] [SPEAKER_05]: really

[01:09:51] [SPEAKER_05]: good

[01:09:52] [SPEAKER_05]: but

[01:09:52] [SPEAKER_05]: to

[01:09:52] [SPEAKER_05]: go

[01:09:53] [SPEAKER_05]: go

[01:09:53] [SPEAKER_05]: I

[01:09:53] [SPEAKER_05]: mean

[01:09:54] [SPEAKER_05]: this

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[01:09:54] [SPEAKER_05]: the

[01:09:55] [SPEAKER_05]: thing

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[01:09:55] [SPEAKER_05]: to

[01:09:55] [SPEAKER_05]: go

[01:09:55] [SPEAKER_05]: to

[01:09:55] [SPEAKER_05]: a

[01:09:56] [SPEAKER_05]: big

[01:09:56] [SPEAKER_05]: theater

[01:09:56] [SPEAKER_05]: and

[01:09:57] [SPEAKER_05]: sit

[01:09:57] [SPEAKER_05]: in

[01:09:57] [SPEAKER_05]: the

[01:09:57] [SPEAKER_05]: dark

[01:09:58] [SPEAKER_05]: at

[01:09:58] [SPEAKER_05]: this

[01:09:59] [SPEAKER_05]: massive

[01:09:59] [SPEAKER_05]: screen

[01:10:00] [SPEAKER_05]: in an

[01:10:01] [SPEAKER_05]: almost

[01:10:01] [SPEAKER_05]: empty

[01:10:02] [SPEAKER_05]: theater

[01:10:03] [SPEAKER_05]: and

[01:10:04] [SPEAKER_05]: just

[01:10:04] [SPEAKER_05]: watch

[01:10:04] [SPEAKER_05]: a

[01:10:05] [SPEAKER_05]: terrifying

[01:10:06] [SPEAKER_05]: dream

[01:10:07] [SPEAKER_05]: and

[01:10:08] [SPEAKER_05]: knowing

[01:10:08] [SPEAKER_05]: on

[01:10:09] [SPEAKER_05]: some

[01:10:09] [SPEAKER_05]: level

[01:10:09] [SPEAKER_05]: this

[01:10:10] [SPEAKER_05]: is

[01:10:10] [SPEAKER_05]: inexhaustible

[01:10:11] [SPEAKER_01]: because

[01:10:12] [SPEAKER_05]: I will

[01:10:13] [SPEAKER_05]: never

[01:10:13] [SPEAKER_05]: be able

[01:10:14] [SPEAKER_05]: to

[01:10:14] [SPEAKER_05]: solve

[01:10:14] [SPEAKER_05]: it

[01:10:14] [SPEAKER_05]: because

[01:10:15] [SPEAKER_05]: it

[01:10:15] [SPEAKER_05]: wasn't

[01:10:16] [SPEAKER_05]: made

[01:10:16] [SPEAKER_05]: with

[01:10:16] [SPEAKER_05]: that

[01:10:16] [SPEAKER_05]: part

[01:10:17] [SPEAKER_05]: of

[01:10:17] [SPEAKER_05]: the

[01:10:17] [SPEAKER_05]: brain

[01:10:18] [SPEAKER_05]: or

[01:10:18] [SPEAKER_05]: something

[01:10:18] [SPEAKER_05]: like

[01:10:19] [SPEAKER_05]: this

[01:10:19] [SPEAKER_05]: is

[01:10:20] [SPEAKER_05]: intuitive

[01:10:20] [SPEAKER_05]: this

[01:10:22] [SPEAKER_05]: is

[01:10:22] [SPEAKER_05]: pure

[01:10:23] [SPEAKER_05]: emotion

[01:10:23] [SPEAKER_05]: and

[01:10:24] [SPEAKER_05]: there's

[01:10:24] [SPEAKER_05]: just

[01:10:25] [SPEAKER_05]: like

[01:10:25] [SPEAKER_05]: you

[01:10:25] [SPEAKER_05]: can

[01:10:25] [SPEAKER_05]: solve

[01:10:26] [SPEAKER_05]: it

[01:10:27] [SPEAKER_05]: like

[01:10:27] [SPEAKER_05]: oh

[01:10:27] [SPEAKER_05]: she

[01:10:27] [SPEAKER_05]: is

[01:10:28] [SPEAKER_05]: the

[01:10:28] [SPEAKER_05]: Polish

[01:10:28] [SPEAKER_05]: prostitute

[01:10:29] [SPEAKER_05]: or

[01:10:29] [SPEAKER_05]: oh

[01:10:30] [SPEAKER_05]: the

[01:10:31] [SPEAKER_05]: family

[01:10:31] [SPEAKER_05]: in the

[01:10:31] [SPEAKER_05]: house

[01:10:32] [SPEAKER_05]: wasn't

[01:10:32] [SPEAKER_05]: her

[01:10:32] [SPEAKER_05]: family

[01:10:33] [SPEAKER_05]: quote

[01:10:33] [SPEAKER_05]: unquote

[01:10:34] [SPEAKER_05]: you know

[01:10:34] [SPEAKER_05]: and by

[01:10:34] [SPEAKER_05]: her

[01:10:35] [SPEAKER_05]: I mean

[01:10:35] [SPEAKER_05]: either

[01:10:36] [SPEAKER_05]: Sue

[01:10:36] [SPEAKER_05]: playing

[01:10:36] [SPEAKER_05]: Nikki

[01:10:37] [SPEAKER_05]: or

[01:10:37] [SPEAKER_05]: Nikki

[01:10:37] [SPEAKER_05]: like

[01:10:37] [SPEAKER_05]: who

[01:10:38] [SPEAKER_05]: cares

[01:10:38] [SPEAKER_05]: just

[01:10:39] [SPEAKER_05]: to

[01:10:39] [SPEAKER_05]: sit

[01:10:39] [SPEAKER_05]: in

[01:10:40] [SPEAKER_05]: that

[01:10:40] [SPEAKER_05]: space

[01:10:41] [SPEAKER_05]: and

[01:10:41] [SPEAKER_05]: and

[01:10:42] [SPEAKER_05]: be

[01:10:42] [SPEAKER_05]: like

[01:10:43] [SPEAKER_05]: like

[01:10:44] [SPEAKER_05]: really

[01:10:44] [SPEAKER_05]: lost

[01:10:45] [SPEAKER_05]: his

[01:10:45] [SPEAKER_02]: keys

[01:10:45] [SPEAKER_05]: I

[01:10:46] [SPEAKER_05]: mean

[01:10:46] [SPEAKER_05]: it's

[01:10:46] [SPEAKER_05]: just

[01:10:46] [SPEAKER_05]: like

[01:10:46] [SPEAKER_05]: it's

[01:10:47] [SPEAKER_05]: so

[01:10:47] [SPEAKER_05]: wonderful

[01:10:47] [SPEAKER_05]: it's

[01:10:48] [SPEAKER_05]: like

[01:10:48] [SPEAKER_05]: David

[01:10:49] [SPEAKER_05]: Lynch

[01:10:49] [SPEAKER_05]: is

[01:10:49] [SPEAKER_05]: just

[01:10:50] [SPEAKER_05]: doing

[01:10:50] [SPEAKER_05]: his

[01:10:50] [SPEAKER_05]: thing

[01:10:51] [SPEAKER_05]: it's

[01:10:51] [SPEAKER_05]: so

[01:10:51] [SPEAKER_05]: awesome

[01:10:52] [SPEAKER_05]: that I'm

[01:10:52] [SPEAKER_05]: sitting

[01:10:53] [SPEAKER_05]: in a

[01:10:53] [SPEAKER_05]: fucking

[01:10:53] [SPEAKER_05]: movie

[01:10:54] [SPEAKER_01]: theater

[01:10:54] [SPEAKER_01]: just

[01:10:54] [SPEAKER_01]: watching

[01:10:55] [SPEAKER_01]: David

[01:10:55] [SPEAKER_01]: Lynch

[01:10:55] [SPEAKER_01]: do

[01:10:56] [SPEAKER_01]: his

[01:10:56] [SPEAKER_01]: thing

[01:10:56] [SPEAKER_01]: well

[01:10:56] [SPEAKER_01]: and I

[01:10:56] [SPEAKER_01]: think

[01:10:57] [SPEAKER_01]: this is

[01:10:57] [SPEAKER_01]: the

[01:10:57] [SPEAKER_01]: breakthrough

[01:10:57] [SPEAKER_01]: of

[01:10:58] [SPEAKER_01]: the

[01:10:58] [SPEAKER_01]: technology

[01:10:59] [SPEAKER_01]: changing

[01:10:59] [SPEAKER_01]: right

[01:11:00] [SPEAKER_01]: is

[01:11:00] [SPEAKER_01]: that

[01:11:01] [SPEAKER_01]: like

[01:11:01] [SPEAKER_01]: there

[01:11:02] [SPEAKER_01]: was

[01:11:20] [SPEAKER_01]: clear

[01:11:20] [SPEAKER_01]: plan

[01:11:20] [SPEAKER_01]: and

[01:11:21] [SPEAKER_01]: sense

[01:11:21] [SPEAKER_01]: of

[01:11:21] [SPEAKER_01]: how

[01:11:21] [SPEAKER_01]: to

[01:11:21] [SPEAKER_01]: get

[01:11:21] [SPEAKER_01]: all

[01:11:22] [SPEAKER_01]: of

[01:11:22] [SPEAKER_01]: this

[01:11:22] [SPEAKER_01]: done

[01:11:22] [SPEAKER_01]: and

[01:11:51] [SPEAKER_01]: he

[01:11:52] [SPEAKER_01]: interesting

[01:11:53] [SPEAKER_01]: comes

[01:11:53] [SPEAKER_01]: out

[01:11:53] [SPEAKER_01]: of

[01:11:53] [SPEAKER_01]: it

[01:11:53] [SPEAKER_01]: maybe

[01:11:54] [SPEAKER_01]: it

[01:11:54] [SPEAKER_01]: doesn't

[01:11:54] [SPEAKER_01]: maybe

[01:11:54] [SPEAKER_01]: it's

[01:11:55] [SPEAKER_01]: shared

[01:11:55] [SPEAKER_01]: maybe

[01:11:55] [SPEAKER_01]: it

[01:11:55] [SPEAKER_01]: isn't

[01:11:56] [SPEAKER_01]: but

[01:11:56] [SPEAKER_01]: like

[01:11:57] [SPEAKER_01]: the

[01:11:57] [SPEAKER_01]: gears

[01:11:57] [SPEAKER_01]: operate

[01:11:58] [SPEAKER_01]: and

[01:11:59] [SPEAKER_01]: then

[01:11:59] [SPEAKER_01]: it

[01:11:59] [SPEAKER_01]: felt

[01:11:59] [SPEAKER_01]: like

[01:11:59] [SPEAKER_01]: for

[01:12:00] [SPEAKER_01]: him

[01:12:00] [SPEAKER_01]: every

[01:12:01] [SPEAKER_01]: three

[01:12:01] [SPEAKER_01]: or

[01:12:01] [SPEAKER_01]: four

[01:12:02] [SPEAKER_01]: years

[01:12:02] [SPEAKER_01]: he'd

[01:12:02] [SPEAKER_01]: be

[01:12:02] [SPEAKER_01]: like

[01:12:03] [SPEAKER_01]: and

[01:12:03] [SPEAKER_01]: now

[01:12:03] [SPEAKER_01]: here's

[01:12:03] [SPEAKER_01]: a

[01:12:03] [SPEAKER_01]: movie

[01:12:04] [SPEAKER_01]: this

[01:12:04] [SPEAKER_01]: is

[01:12:04] [SPEAKER_01]: like

[01:12:04] [SPEAKER_01]: a

[01:12:04] [SPEAKER_01]: finished

[01:12:05] [SPEAKER_01]: work

[01:12:05] [SPEAKER_01]: I

[01:12:06] [SPEAKER_01]: do

[01:12:06] [SPEAKER_01]: a lot

[01:12:07] [SPEAKER_01]: of

[01:12:07] [SPEAKER_01]: stuff

[01:12:07] [SPEAKER_01]: on

[01:12:07] [SPEAKER_01]: a

[01:12:07] [SPEAKER_01]: daily

[01:12:08] [SPEAKER_01]: basis

[01:12:08] [SPEAKER_01]: but

[01:12:08] [SPEAKER_01]: these

[01:12:08] [SPEAKER_01]: are

[01:12:09] [SPEAKER_01]: the

[01:12:09] [SPEAKER_01]: works

[01:12:09] [SPEAKER_01]: that

[01:12:10] [SPEAKER_01]: are

[01:12:10] [SPEAKER_01]: real

[01:12:11] [SPEAKER_01]: concentrated

[01:12:11] [SPEAKER_01]: focused

[01:12:13] [SPEAKER_01]: resolved

[01:12:13] [SPEAKER_01]: in

[01:12:14] [SPEAKER_01]: some

[01:12:14] [SPEAKER_01]: way

[01:12:14] [SPEAKER_01]: even

[01:12:14] [SPEAKER_01]: if

[01:12:15] [SPEAKER_01]: they

[01:12:15] [SPEAKER_01]: feel

[01:12:23] [SPEAKER_02]: Laura

[01:12:24] [SPEAKER_02]: Dern

[01:12:24] [SPEAKER_02]: famously

[01:12:25] [SPEAKER_02]: told

[01:12:25] [SPEAKER_02]: the

[01:12:26] [SPEAKER_02]: BBC

[01:12:26] [SPEAKER_02]: before

[01:12:27] [SPEAKER_02]: it

[01:12:27] [SPEAKER_02]: premiered

[01:12:27] [SPEAKER_02]: the

[01:12:28] [SPEAKER_02]: Venice

[01:12:28] [SPEAKER_02]: Film

[01:12:28] [SPEAKER_02]: Festival

[01:12:29] [SPEAKER_02]: I

[01:12:29] [SPEAKER_02]: don't

[01:12:29] [SPEAKER_02]: know

[01:12:29] [SPEAKER_02]: who

[01:12:29] [SPEAKER_02]: I

[01:12:29] [SPEAKER_02]: was

[01:12:30] [SPEAKER_02]: playing

[01:12:30] [SPEAKER_02]: and

[01:12:30] [SPEAKER_02]: I

[01:12:30] [SPEAKER_02]: still

[01:12:30] [SPEAKER_02]: don't

[01:12:30] [SPEAKER_02]: know

[01:12:31] [SPEAKER_02]: I'm

[01:12:31] [SPEAKER_02]: looking

[01:12:31] [SPEAKER_02]: forward

[01:12:32] [SPEAKER_02]: to

[01:12:32] [SPEAKER_02]: seeing

[01:12:32] [SPEAKER_02]: the

[01:12:32] [SPEAKER_02]: film

[01:12:32] [SPEAKER_02]: tonight

[01:12:32] [SPEAKER_02]: to

[01:12:32] [SPEAKER_02]: learn

[01:12:33] [SPEAKER_02]: more

[01:12:34] [SPEAKER_02]: she

[01:12:35] [SPEAKER_02]: references

[01:12:35] [SPEAKER_02]: Catherine

[01:12:36] [SPEAKER_02]: Deneuve

[01:12:36] [SPEAKER_02]: in

[01:12:37] [SPEAKER_02]: repulsion

[01:12:37] [SPEAKER_02]: as like

[01:12:38] [SPEAKER_02]: a big

[01:12:38] [SPEAKER_02]: influence

[01:12:39] [SPEAKER_02]: in terms

[01:12:40] [SPEAKER_02]: of like

[01:12:40] [SPEAKER_02]: playing a

[01:12:41] [SPEAKER_02]: dismantled

[01:12:42] [SPEAKER_02]: person

[01:12:42] [SPEAKER_02]: is how

[01:12:43] [SPEAKER_02]: she puts

[01:12:43] [SPEAKER_02]: it

[01:12:43] [SPEAKER_02]: basically

[01:12:44] [SPEAKER_02]: like

[01:12:44] [SPEAKER_05]: I

[01:12:45] [SPEAKER_02]: think

[01:12:46] [SPEAKER_02]: David

[01:12:46] [SPEAKER_02]: was

[01:12:46] [SPEAKER_02]: giving

[01:12:46] [SPEAKER_02]: me

[01:12:46] [SPEAKER_02]: several

[01:12:47] [SPEAKER_02]: characters

[01:12:47] [SPEAKER_02]: there

[01:12:48] [SPEAKER_02]: may be

[01:12:48] [SPEAKER_02]: aspects

[01:12:49] [SPEAKER_02]: of

[01:12:49] [SPEAKER_02]: the same

[01:12:52] [SPEAKER_01]: repulsion

[01:12:53] [SPEAKER_01]: has that

[01:12:53] [SPEAKER_01]: same

[01:12:53] [SPEAKER_01]: kind

[01:12:54] [SPEAKER_01]: of

[01:12:54] [SPEAKER_01]: like

[01:12:54] [SPEAKER_01]: inscrutable

[01:12:55] [SPEAKER_01]: reality

[01:12:56] [SPEAKER_01]: vibe

[01:12:57] [SPEAKER_01]: you're in

[01:12:58] [SPEAKER_02]: someone's

[01:12:58] [SPEAKER_02]: troubled

[01:12:59] [SPEAKER_02]: mind

[01:12:59] [SPEAKER_02]: and

[01:13:00] [SPEAKER_02]: you

[01:13:00] [SPEAKER_02]: can't

[01:13:00] [SPEAKER_02]: tell

[01:13:00] [SPEAKER_02]: what's

[01:13:01] [SPEAKER_02]: real

[01:13:01] [SPEAKER_02]: or

[01:13:01] [SPEAKER_02]: not

[01:13:01] [SPEAKER_02]: Justin

[01:13:02] [SPEAKER_02]: Theroux

[01:13:02] [SPEAKER_02]: says

[01:13:03] [SPEAKER_02]: Inland Empire

[01:13:04] [SPEAKER_02]: is close

[01:13:04] [SPEAKER_02]: to a

[01:13:05] [SPEAKER_02]: spiritual

[01:13:05] [SPEAKER_02]: opus

[01:13:05] [SPEAKER_02]: as

[01:13:06] [SPEAKER_02]: you're

[01:13:06] [SPEAKER_02]: going

[01:13:06] [SPEAKER_02]: to

[01:13:06] [SPEAKER_02]: get

[01:13:06] [SPEAKER_02]: it's

[01:13:06] [SPEAKER_02]: powerful

[01:13:07] [SPEAKER_02]: it's

[01:13:07] [SPEAKER_02]: got

[01:13:07] [SPEAKER_02]: all

[01:13:07] [SPEAKER_02]: these

[01:13:07] [SPEAKER_02]: inexplicably

[01:13:08] [SPEAKER_02]: unforgettable

[01:13:08] [SPEAKER_02]: images

[01:13:09] [SPEAKER_02]: a character

[01:13:10] [SPEAKER_02]: standing behind

[01:13:11] [SPEAKER_02]: a tree

[01:13:11] [SPEAKER_02]: hiding a

[01:13:11] [SPEAKER_02]: Christmas

[01:13:12] [SPEAKER_02]: light

[01:13:12] [SPEAKER_02]: for instance

[01:13:12] [SPEAKER_02]: so strange

[01:13:13] [SPEAKER_02]: and yet

[01:13:13] [SPEAKER_02]: you remember

[01:13:14] [SPEAKER_02]: it

[01:13:19] [SPEAKER_00]: David

[01:13:21] [SPEAKER_01]: let's be

[01:13:21] [SPEAKER_01]: honest

[01:13:21] [SPEAKER_01]: please be

[01:13:22] [SPEAKER_01]: honest

[01:13:23] [SPEAKER_01]: go ahead

[01:13:23] [SPEAKER_01]: can we

[01:13:23] [SPEAKER_01]: stop lying

[01:13:24] [SPEAKER_01]: and talking

[01:13:25] [SPEAKER_01]: past each

[01:13:26] [SPEAKER_01]: other

[01:13:26] [SPEAKER_01]: can you

[01:13:27] [SPEAKER_01]: look me

[01:13:27] [SPEAKER_01]: in the

[01:13:27] [SPEAKER_01]: eyes

[01:13:27] [SPEAKER_01]: for a

[01:13:28] [SPEAKER_01]: second

[01:13:28] [SPEAKER_02]: no

[01:13:28] [SPEAKER_01]: yes

[01:13:29] [SPEAKER_01]: please

[01:13:29] [SPEAKER_01]: okay

[01:13:30] [SPEAKER_01]: what's

[01:13:30] [SPEAKER_01]: up

[01:13:30] [SPEAKER_01]: and really

[01:13:31] [SPEAKER_01]: be here

[01:13:32] [SPEAKER_01]: with me

[01:13:32] [SPEAKER_01]: be in

[01:13:33] [SPEAKER_01]: this

[01:13:33] [SPEAKER_01]: moment

[01:13:34] [SPEAKER_01]: David

[01:13:35] [SPEAKER_01]: listen

[01:13:35] [SPEAKER_01]: to

[01:13:36] [SPEAKER_01]: what I'm

[01:13:37] [SPEAKER_01]: saying

[01:13:37] [SPEAKER_01]: and the

[01:13:37] [SPEAKER_01]: way

[01:13:37] [SPEAKER_01]: I am

[01:13:38] [SPEAKER_01]: saying

[01:13:38] [SPEAKER_01]: it

[01:13:38] [SPEAKER_01]: what

[01:13:38] [SPEAKER_01]: are

[01:13:39] [SPEAKER_01]: you

[01:13:39] [SPEAKER_01]: saying

[01:13:39] [SPEAKER_01]: what

[01:13:39] [SPEAKER_01]: most

[01:13:40] [SPEAKER_01]: people

[01:13:40] [SPEAKER_01]: really

[01:13:41] [SPEAKER_01]: want

[01:13:42] [SPEAKER_01]: for the

[01:13:43] [SPEAKER_01]: holidays

[01:13:43] [SPEAKER_01]: is to

[01:13:44] [SPEAKER_01]: see

[01:13:44] [SPEAKER_01]: their

[01:13:44] [SPEAKER_01]: favorite

[01:13:45] [SPEAKER_01]: people

[01:13:46] [SPEAKER_01]: more

[01:13:47] [SPEAKER_01]: often

[01:13:48] [SPEAKER_01]: I won't

[01:13:48] [SPEAKER_01]: believe it

[01:13:49] [SPEAKER_01]: no you

[01:13:49] [SPEAKER_01]: keep telling

[01:13:50] [SPEAKER_01]: me that

[01:13:50] [SPEAKER_01]: people want

[01:13:51] [SPEAKER_01]: V-books

[01:13:52] [SPEAKER_01]: or that

[01:13:53] [SPEAKER_01]: they want

[01:13:53] [SPEAKER_01]: socks

[01:13:54] [SPEAKER_01]: you keep

[01:13:55] [SPEAKER_01]: listing

[01:13:55] [SPEAKER_01]: material

[01:13:56] [SPEAKER_01]: objects

[01:13:57] [SPEAKER_01]: and I'm

[01:13:57] [SPEAKER_01]: telling you

[01:13:58] [SPEAKER_01]: we need

[01:13:58] [SPEAKER_01]: to cut

[01:13:59] [SPEAKER_01]: past that

[01:13:59] [SPEAKER_01]: and be

[01:13:59] [SPEAKER_01]: honest

[01:14:00] [SPEAKER_01]: that this

[01:14:01] [SPEAKER_01]: year the

[01:14:01] [SPEAKER_01]: best gift

[01:14:02] [SPEAKER_01]: you can

[01:14:02] [SPEAKER_01]: give

[01:14:02] [SPEAKER_01]: besides plane

[01:14:03] [SPEAKER_01]: tickets

[01:14:03] [SPEAKER_01]: is an

[01:14:04] [SPEAKER_01]: Aura

[01:14:04] [SPEAKER_01]: digital

[01:14:05] [SPEAKER_01]: picture

[01:14:06] [SPEAKER_01]: frame

[01:14:06] [SPEAKER_01]: yes

[01:14:06] [SPEAKER_02]: it's the

[01:14:07] [SPEAKER_02]: number one

[01:14:07] [SPEAKER_02]: digital

[01:14:07] [SPEAKER_02]: photo frame

[01:14:08] [SPEAKER_02]: as named

[01:14:09] [SPEAKER_02]: by Wirecut

[01:14:10] [SPEAKER_02]: very smart

[01:14:11] [SPEAKER_02]: and easy

[01:14:11] [SPEAKER_02]: to use

[01:14:11] [SPEAKER_02]: you can

[01:14:12] [SPEAKER_02]: upload

[01:14:13] [SPEAKER_02]: unlimited

[01:14:13] [SPEAKER_02]: photos

[01:14:13] [SPEAKER_02]: and videos

[01:14:14] [SPEAKER_02]: right from

[01:14:14] [SPEAKER_02]: your phone

[01:14:14] [SPEAKER_02]: to the

[01:14:15] [SPEAKER_02]: frame

[01:14:15] [SPEAKER_02]: you can

[01:14:15] [SPEAKER_02]: order

[01:14:16] [SPEAKER_02]: online

[01:14:16] [SPEAKER_02]: and preload

[01:14:17] [SPEAKER_02]: it

[01:14:17] [SPEAKER_02]: so when

[01:14:18] [SPEAKER_02]: it gets

[01:14:19] [SPEAKER_02]: you know

[01:14:19] [SPEAKER_02]: if you give

[01:14:19] [SPEAKER_02]: it to someone

[01:14:20] [SPEAKER_02]: as a gift

[01:14:20] [SPEAKER_02]: right out of

[01:14:21] [SPEAKER_02]: the box

[01:14:21] [SPEAKER_02]: it's gonna

[01:14:22] [SPEAKER_02]: have whatever

[01:14:22] [SPEAKER_02]: photos you

[01:14:23] [SPEAKER_02]: want to put

[01:14:23] [SPEAKER_02]: on there

[01:14:23] [SPEAKER_02]: first day

[01:14:24] [SPEAKER_02]: of school

[01:14:24] [SPEAKER_02]: holidays

[01:14:25] [SPEAKER_02]: vacations

[01:14:26] [SPEAKER_02]: silly

[01:14:26] [SPEAKER_02]: photos

[01:14:27] [SPEAKER_02]: right

[01:14:27] [SPEAKER_02]: anything you

[01:14:28] [SPEAKER_02]: want to

[01:14:29] [SPEAKER_02]: do

[01:14:29] [SPEAKER_02]: old family

[01:14:29] [SPEAKER_02]: photos

[01:14:30] [SPEAKER_02]: you can

[01:14:30] [SPEAKER_02]: tailor it

[01:14:31] [SPEAKER_02]: to whoever

[01:14:31] [SPEAKER_02]: you're

[01:14:32] [SPEAKER_02]: giving

[01:14:32] [SPEAKER_02]: the gift

[01:14:32] [SPEAKER_02]: to

[01:14:32] [SPEAKER_02]: put kind

[01:14:33] [SPEAKER_02]: of cool

[01:14:33] [SPEAKER_02]: photos

[01:14:34] [SPEAKER_02]: onto it

[01:14:34] [SPEAKER_02]: comes out

[01:14:35] [SPEAKER_02]: of the

[01:14:35] [SPEAKER_02]: box

[01:14:36] [SPEAKER_02]: they can

[01:14:37] [SPEAKER_02]: as you

[01:14:38] [SPEAKER_02]: say

[01:14:38] [SPEAKER_02]: see

[01:14:38] [SPEAKER_02]: their

[01:14:38] [SPEAKER_02]: favorite

[01:14:39] [SPEAKER_02]: people

[01:14:39] [SPEAKER_01]: I know

[01:14:40] [SPEAKER_01]: from picture

[01:14:41] [SPEAKER_01]: frames

[01:14:41] [SPEAKER_01]: you give

[01:14:42] [SPEAKER_01]: your grandma

[01:14:42] [SPEAKER_01]: a photo

[01:14:42] [SPEAKER_01]: of you

[01:14:43] [SPEAKER_01]: she goes

[01:14:43] [SPEAKER_01]: oh this

[01:14:44] [SPEAKER_01]: is nice

[01:14:44] [SPEAKER_01]: day three

[01:14:44] [SPEAKER_01]: she's walking

[01:14:45] [SPEAKER_01]: by it

[01:14:46] [SPEAKER_01]: she's hitting

[01:14:46] [SPEAKER_01]: the side

[01:14:46] [SPEAKER_01]: she's like

[01:14:47] [SPEAKER_01]: this again

[01:14:49] [SPEAKER_01]: rerun

[01:14:49] [SPEAKER_01]: the same

[01:14:50] [SPEAKER_01]: old picture

[01:14:50] [SPEAKER_01]: aura frames

[01:14:51] [SPEAKER_01]: is kinetic

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[01:16:43] [SPEAKER_02]: so they shot a

[01:16:44] [SPEAKER_02]: lot in la a

[01:16:45] [SPEAKER_02]: little bit of

[01:16:46] [SPEAKER_02]: paris uh and

[01:16:47] [SPEAKER_02]: a lot in

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[01:16:49] [SPEAKER_02]: is how you say

[01:16:50] [SPEAKER_02]: it that's all

[01:16:50] [SPEAKER_05]: the polish

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[01:16:51] [SPEAKER_02]: um lynch fell

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[01:16:54] [SPEAKER_02]: it he went

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[01:16:58] [SPEAKER_02]: david lynch would

[01:16:58] [SPEAKER_02]: do uh and

[01:17:00] [SPEAKER_02]: really liked the

[01:17:01] [SPEAKER_02]: weather the

[01:17:03] [SPEAKER_02]: raininess these a

[01:17:05] [SPEAKER_02]: big electrical

[01:17:06] [SPEAKER_02]: plant it has a

[01:17:07] [SPEAKER_02]: pittsburgh vibe

[01:17:07] [SPEAKER_02]: right like it

[01:17:08] [SPEAKER_05]: has yeah it's

[01:17:09] [SPEAKER_05]: like an old

[01:17:10] [SPEAKER_05]: city industrial

[01:17:10] [SPEAKER_05]: stuff but then

[01:17:11] [SPEAKER_05]: it's got all this

[01:17:12] [SPEAKER_05]: industrial stuff

[01:17:13] [SPEAKER_05]: too um probably

[01:17:14] [SPEAKER_05]: has like electrical

[01:17:15] [SPEAKER_05]: homes in the

[01:17:16] [SPEAKER_05]: evening that he

[01:17:17] [SPEAKER_05]: loves electricity

[01:17:18] [SPEAKER_05]: i mean yeah

[01:17:18] [SPEAKER_05]: have you ever

[01:17:19] [SPEAKER_00]: been to poland

[01:17:20] [SPEAKER_05]: i have never been

[01:17:21] [SPEAKER_01]: to poland it is

[01:17:22] [SPEAKER_01]: unbearably sad

[01:17:24] [SPEAKER_04]: whoa cool really

[01:17:25] [SPEAKER_01]: yeah yeah in a

[01:17:27] [SPEAKER_01]: way that's like

[01:17:27] [SPEAKER_01]: kind of fascinating

[01:17:28] [SPEAKER_01]: and profound i

[01:17:29] [SPEAKER_01]: mean i i am

[01:17:30] [SPEAKER_01]: uh predominantly

[01:17:31] [SPEAKER_01]: polish in heritage

[01:17:32] [SPEAKER_01]: as am i but it

[01:17:33] [SPEAKER_01]: is not a thing

[01:17:34] [SPEAKER_01]: really yes well

[01:17:35] [SPEAKER_01]: i'm my mom's

[01:17:36] [SPEAKER_01]: side not my dad's

[01:17:37] [SPEAKER_01]: side i'm 50

[01:17:38] [SPEAKER_02]: percent polish

[01:17:39] [SPEAKER_02]: scots and french

[01:17:40] [SPEAKER_02]: or whatever my

[01:17:41] [SPEAKER_01]: family has like no

[01:17:42] [SPEAKER_01]: sense of like polish

[01:17:43] [SPEAKER_02]: pride no they

[01:17:45] [SPEAKER_02]: left right that's

[01:17:47] [SPEAKER_02]: the thing it was

[01:17:47] [SPEAKER_02]: like we moved on

[01:17:48] [SPEAKER_02]: right yeah right

[01:17:49] [SPEAKER_02]: it wasn't a country

[01:17:50] [SPEAKER_02]: well it might have

[01:17:51] [SPEAKER_02]: been a country yeah

[01:17:52] [SPEAKER_01]: wait what makes

[01:17:52] [SPEAKER_01]: it sad just i i

[01:17:54] [SPEAKER_01]: i don't know how

[01:17:55] [SPEAKER_01]: to verbalize and i

[01:17:56] [SPEAKER_01]: do think this comes

[01:17:57] [SPEAKER_01]: across in the movie

[01:17:58] [SPEAKER_01]: i was trying to

[01:17:59] [SPEAKER_01]: crack why poland

[01:18:00] [SPEAKER_01]: and maybe it is

[01:18:01] [SPEAKER_01]: just he went there

[01:18:02] [SPEAKER_01]: and started filming

[01:18:03] [SPEAKER_01]: there and then was

[01:18:03] [SPEAKER_01]: like well then i

[01:18:04] [SPEAKER_01]: guess i need to

[01:18:04] [SPEAKER_01]: polish characters

[01:18:05] [SPEAKER_01]: or whatever um

[01:18:07] [SPEAKER_01]: there there is this

[01:18:09] [SPEAKER_01]: sort of like cosmic

[01:18:10] [SPEAKER_01]: sadness i feel like

[01:18:12] [SPEAKER_01]: i had heard people

[01:18:12] [SPEAKER_01]: say shit about like

[01:18:14] [SPEAKER_01]: this city is still

[01:18:15] [SPEAKER_01]: haunted by its

[01:18:16] [SPEAKER_01]: past or whatever

[01:18:17] [SPEAKER_01]: and i'd always be

[01:18:18] [SPEAKER_01]: like you're being

[01:18:19] [SPEAKER_01]: metaphysical that's

[01:18:20] [SPEAKER_01]: not a fucking thing

[01:18:20] [SPEAKER_01]: it's a city people

[01:18:22] [SPEAKER_01]: are sad like 9-11

[01:18:23] [SPEAKER_01]: new york felt sad

[01:18:24] [SPEAKER_01]: after that because

[01:18:25] [SPEAKER_01]: the people were

[01:18:26] [SPEAKER_01]: sad i don't think

[01:18:27] [SPEAKER_01]: new york still feels

[01:18:28] [SPEAKER_01]: haunted in like the

[01:18:30] [SPEAKER_01]: ground in that same

[01:18:31] [SPEAKER_01]: kind of way and then

[01:18:32] [SPEAKER_01]: i went to poland when

[01:18:34] [SPEAKER_01]: i was like 20 or 21

[01:18:35] [SPEAKER_01]: to warsaw and i was

[01:18:37] [SPEAKER_01]: like this place has

[01:18:38] [SPEAKER_01]: like ghosts in it

[01:18:39] [SPEAKER_01]: like it just and

[01:18:41] [SPEAKER_01]: there's something about

[01:18:42] [SPEAKER_01]: you can feel in the

[01:18:44] [SPEAKER_01]: way it was like

[01:18:46] [SPEAKER_01]: destroyed and rebuilt

[01:18:47] [SPEAKER_01]: right what remains of

[01:18:50] [SPEAKER_01]: old poland and what

[01:18:51] [SPEAKER_01]: has been rebuilt both

[01:18:52] [SPEAKER_01]: feel reflective of

[01:18:54] [SPEAKER_01]: like this unspeakable

[01:18:56] [SPEAKER_01]: horror that happens

[01:18:56] [SPEAKER_01]: in the middle of

[01:18:57] [SPEAKER_01]: these two points and

[01:18:59] [SPEAKER_01]: it just feels like

[01:19:00] [SPEAKER_01]: there's a fucking

[01:19:00] [SPEAKER_01]: heaviness there which

[01:19:02] [SPEAKER_01]: i swear extends to

[01:19:03] [SPEAKER_01]: like the air let's

[01:19:05] [SPEAKER_01]: talk about inland

[01:19:05] [SPEAKER_02]: empire the only other

[01:19:06] [SPEAKER_02]: thing about the

[01:19:07] [SPEAKER_02]: production is obviously

[01:19:08] [SPEAKER_02]: just because of the

[01:19:09] [SPEAKER_02]: digital film he could

[01:19:10] [SPEAKER_02]: shoot incredibly long

[01:19:11] [SPEAKER_02]: takes it meant he had

[01:19:12] [SPEAKER_02]: a mountain of footage

[01:19:14] [SPEAKER_02]: that he himself edited

[01:19:16] [SPEAKER_02]: over the course of six

[01:19:17] [SPEAKER_02]: months in final cut

[01:19:17] [SPEAKER_02]: pro and the the

[01:19:19] [SPEAKER_02]: resulting uh thing is

[01:19:21] [SPEAKER_02]: the film inland

[01:19:22] [SPEAKER_02]: empire which was

[01:19:22] [SPEAKER_02]: released in theaters

[01:19:23] [SPEAKER_02]: in not like wide but

[01:19:26] [SPEAKER_02]: like was shown to

[01:19:27] [SPEAKER_02]: americans and took

[01:19:30] [SPEAKER_02]: some people by surprise

[01:19:31] [SPEAKER_02]: i would say this movie

[01:19:32] [SPEAKER_01]: has its own twin peaks

[01:19:34] [SPEAKER_01]: the missing pieces type

[01:19:35] [SPEAKER_01]: thing it's what also

[01:19:36] [SPEAKER_01]: happened it's more

[01:19:37] [SPEAKER_01]: things that happened

[01:19:39] [SPEAKER_02]: right that's it yeah

[01:19:40] [SPEAKER_01]: but there's an

[01:19:40] [SPEAKER_01]: additional 75 minutes

[01:19:42] [SPEAKER_01]: of stuff i've never

[01:19:43] [SPEAKER_01]: watched them me

[01:19:44] [SPEAKER_01]: neither yes it's on

[01:19:45] [SPEAKER_05]: the disc is the so

[01:19:47] [SPEAKER_05]: is the movie that i

[01:19:48] [SPEAKER_05]: saw in 2007 the same

[01:19:51] [SPEAKER_05]: version that i watched

[01:19:52] [SPEAKER_05]: last week on itunes or

[01:19:54] [SPEAKER_05]: however we watched it

[01:19:55] [SPEAKER_05]: he did he made some

[01:19:55] [SPEAKER_01]: minor changes okay he

[01:19:58] [SPEAKER_01]: did a fascinating

[01:19:59] [SPEAKER_01]: incredibly complicated

[01:20:00] [SPEAKER_01]: and bizarre restoration

[01:20:01] [SPEAKER_01]: process for this movie i

[01:20:03] [SPEAKER_05]: read about that because

[01:20:04] [SPEAKER_05]: make it look good and

[01:20:05] [SPEAKER_05]: then make it look like

[01:20:06] [SPEAKER_05]: shit again or something

[01:20:07] [SPEAKER_02]: they had to use like

[01:20:08] [SPEAKER_02]: ai tech to like clean

[01:20:10] [SPEAKER_02]: up and then read

[01:20:12] [SPEAKER_02]: filthy i can find this

[01:20:14] [SPEAKER_01]: or it was weird we will

[01:20:15] [SPEAKER_01]: we will post on social

[01:20:17] [SPEAKER_01]: media the actual

[01:20:17] [SPEAKER_01]: document and the

[01:20:18] [SPEAKER_01]: wording when this film

[01:20:20] [SPEAKER_01]: had its re-release in

[01:20:21] [SPEAKER_01]: theaters and the

[01:20:22] [SPEAKER_01]: criterion release that

[01:20:23] [SPEAKER_01]: explains it but

[01:20:24] [SPEAKER_01]: basically it was like

[01:20:25] [SPEAKER_01]: there was a certain

[01:20:26] [SPEAKER_01]: amount of upscaling

[01:20:26] [SPEAKER_01]: that happened at the

[01:20:27] [SPEAKER_01]: time relative to 2006

[01:20:29] [SPEAKER_01]: technology to give it

[01:20:30] [SPEAKER_01]: a little more detail so

[01:20:32] [SPEAKER_01]: it would look a little

[01:20:33] [SPEAKER_01]: less shitty projected on

[01:20:35] [SPEAKER_01]: a huge screen but that

[01:20:37] [SPEAKER_01]: was an artificial

[01:20:38] [SPEAKER_01]: sharpening and a more

[01:20:40] [SPEAKER_01]: limited sort of like i

[01:20:42] [SPEAKER_01]: don't know so i can say

[01:20:44] [SPEAKER_05]: the important thing is

[01:20:45] [SPEAKER_05]: can i say that i had the

[01:20:46] [SPEAKER_05]: authentic inland empire

[01:20:47] [SPEAKER_05]: experience because i saw

[01:20:49] [SPEAKER_05]: it on a big screen in

[01:20:49] [SPEAKER_05]: 2007 correct and half the

[01:20:51] [SPEAKER_05]: time i couldn't tell what

[01:20:52] [SPEAKER_05]: the fuck i was looking at

[01:20:53] [SPEAKER_01]: what he's done since then

[01:20:54] [SPEAKER_01]: is they like dumbed it

[01:20:55] [SPEAKER_01]: down and they went

[01:20:56] [SPEAKER_01]: through a process to take

[01:20:57] [SPEAKER_01]: away the sharpening from

[01:20:58] [SPEAKER_01]: the theatrical release

[01:21:00] [SPEAKER_01]: and they down scaled it to

[01:21:01] [SPEAKER_01]: sd to the blurriness of

[01:21:03] [SPEAKER_01]: the original footage and

[01:21:04] [SPEAKER_01]: then they used more

[01:21:05] [SPEAKER_01]: advanced a high

[01:21:05] [SPEAKER_01]: sharpening hey i was like

[01:21:08] [SPEAKER_01]: i've never been asked to

[01:21:09] [SPEAKER_01]: do something like this

[01:21:10] [SPEAKER_01]: before but he's

[01:21:11] [SPEAKER_01]: obviously not trying to

[01:21:11] [SPEAKER_01]: make it look like right

[01:21:12] [SPEAKER_01]: he was just like i need

[01:21:13] [SPEAKER_01]: to make it a little easier

[01:21:14] [SPEAKER_01]: to delineate between

[01:21:16] [SPEAKER_01]: shapes on screen so yeah

[01:21:19] [SPEAKER_01]: it was like seven passes

[01:21:20] [SPEAKER_02]: back and forth yeah i i

[01:21:22] [SPEAKER_02]: did see this restoration

[01:21:24] [SPEAKER_02]: uh at the ifc center

[01:21:25] [SPEAKER_02]: which to me is like where

[01:21:26] [SPEAKER_02]: you need to see a david

[01:21:27] [SPEAKER_02]: lynch movie because the

[01:21:28] [SPEAKER_02]: ifc center is such like a

[01:21:30] [SPEAKER_02]: a hallowed museum of

[01:21:32] [SPEAKER_02]: like early 2000s new

[01:21:33] [SPEAKER_02]: york film culture i still

[01:21:35] [SPEAKER_02]: like going there to see

[01:21:36] [SPEAKER_02]: anything it's a totally

[01:21:37] [SPEAKER_02]: nice place bob but you

[01:21:38] [SPEAKER_02]: know what i mean like

[01:21:39] [SPEAKER_02]: that reel they play in

[01:21:40] [SPEAKER_02]: front do you know what i'm

[01:21:41] [SPEAKER_02]: talking about at the ifc

[01:21:43] [SPEAKER_02]: center they play this reel

[01:21:44] [SPEAKER_02]: of like oh like directors

[01:21:45] [SPEAKER_02]: come here to talk about

[01:21:46] [SPEAKER_02]: their movies and it's so

[01:21:47] [SPEAKER_02]: much the same reel from

[01:21:48] [SPEAKER_02]: like 2006 of like you

[01:21:50] [SPEAKER_02]: know spike lee discussing

[01:21:52] [SPEAKER_02]: passing strange or it's

[01:21:53] [SPEAKER_02]: like they've never updated

[01:21:54] [SPEAKER_02]: it it's sort of adorable

[01:21:56] [SPEAKER_02]: i like places like that

[01:21:57] [SPEAKER_01]: yeah me too but i also feel

[01:21:58] [SPEAKER_01]: like original run this

[01:22:00] [SPEAKER_01]: movie played for like what

[01:22:02] [SPEAKER_01]: felt like a straight year at

[01:22:03] [SPEAKER_01]: ifc and even the

[01:22:04] [SPEAKER_01]: restoration release felt

[01:22:06] [SPEAKER_01]: like it played for a very

[01:22:08] [SPEAKER_01]: long time i think it's just

[01:22:09] [SPEAKER_01]: regularly playing there

[01:22:10] [SPEAKER_01]: honestly it kind of has

[01:22:11] [SPEAKER_01]: never been gone in a weird

[01:22:12] [SPEAKER_01]: way more than his other

[01:22:14] [SPEAKER_05]: films wait so when you saw

[01:22:15] [SPEAKER_05]: it the other day did you

[01:22:16] [SPEAKER_01]: see it on i saw it last

[01:22:17] [SPEAKER_01]: night i projected here on

[01:22:18] [SPEAKER_01]: the screen directly behind

[01:22:19] [SPEAKER_01]: you in the office okay all

[01:22:21] [SPEAKER_01]: right um what'd you think

[01:22:23] [SPEAKER_01]: i will admit it is a

[01:22:25] [SPEAKER_01]: slightly hard movie to talk

[01:22:27] [SPEAKER_01]: about having seen only once

[01:22:29] [SPEAKER_01]: i i felt like i i some of

[01:22:33] [SPEAKER_01]: it isn't scrutable i was

[01:22:35] [SPEAKER_01]: very engaged by parts of it

[01:22:36] [SPEAKER_01]: i was like i have no idea

[01:22:37] [SPEAKER_01]: to talk about this and then

[01:22:39] [SPEAKER_01]: truly in the last 30 seconds i

[01:22:40] [SPEAKER_01]: was like before the end

[01:22:42] [SPEAKER_01]: credits i was like oh i

[01:22:43] [SPEAKER_01]: think i have a handle on

[01:22:44] [SPEAKER_01]: this so what's your take i

[01:22:45] [SPEAKER_01]: don't know if my take is

[01:22:46] [SPEAKER_01]: super reductive and dumb but

[01:22:48] [SPEAKER_01]: i think it's truly his movie

[01:22:50] [SPEAKER_01]: and and it makes sense that

[01:22:52] [SPEAKER_01]: this is what he would get to

[01:22:54] [SPEAKER_01]: as the through line from the

[01:22:55] [SPEAKER_01]: process of how he made it

[01:22:56] [SPEAKER_01]: which just starts from i

[01:22:58] [SPEAKER_01]: should film lord during

[01:22:59] [SPEAKER_01]: doing stuff right i think

[01:23:02] [SPEAKER_01]: this is his movie of being

[01:23:03] [SPEAKER_01]: like what is acting you know

[01:23:07] [SPEAKER_01]: like certain directors will

[01:23:09] [SPEAKER_01]: talk about like i am mystified

[01:23:10] [SPEAKER_01]: by the process of watching

[01:23:12] [SPEAKER_01]: great actors work directors

[01:23:13] [SPEAKER_01]: who are up there close with

[01:23:14] [SPEAKER_01]: them holding their hands and

[01:23:16] [SPEAKER_01]: are still like there is some

[01:23:18] [SPEAKER_01]: weird supernatural conjuring

[01:23:20] [SPEAKER_01]: where they're able to pull

[01:23:21] [SPEAKER_01]: something from the depths of

[01:23:23] [SPEAKER_01]: whatever it is their

[01:23:23] [SPEAKER_01]: subconscious their memory

[01:23:25] [SPEAKER_01]: their research whatever it is

[01:23:27] [SPEAKER_01]: right and here's like david

[01:23:29] [SPEAKER_01]: lynch going through these

[01:23:29] [SPEAKER_01]: experiments of filming lure

[01:23:31] [SPEAKER_01]: during doing stuff and he's

[01:23:33] [SPEAKER_01]: able to give her shit

[01:23:34] [SPEAKER_01]: without context he's able to

[01:23:36] [SPEAKER_01]: pivot wildly give her no prep

[01:23:38] [SPEAKER_01]: time and somehow without

[01:23:40] [SPEAKER_01]: fail she constantly drops

[01:23:41] [SPEAKER_01]: into something that feels

[01:23:43] [SPEAKER_01]: incredibly rich specific honest

[01:23:46] [SPEAKER_01]: earned deep and i think as

[01:23:49] [SPEAKER_01]: the movie goes on he's

[01:23:50] [SPEAKER_01]: starting to like try to make

[01:23:52] [SPEAKER_01]: sense of like what is this i

[01:23:54] [SPEAKER_01]: understand my own creative

[01:23:54] [SPEAKER_01]: process and my conversation

[01:23:56] [SPEAKER_01]: with my subconscious my

[01:23:58] [SPEAKER_01]: unconscious you know and

[01:23:59] [SPEAKER_01]: trying to get to a flow state

[01:24:01] [SPEAKER_01]: and everything but the idea

[01:24:02] [SPEAKER_01]: of physically embodying that

[01:24:04] [SPEAKER_01]: and making it something that

[01:24:05] [SPEAKER_01]: feels real enough that it

[01:24:07] [SPEAKER_01]: passes people's bullshit test

[01:24:08] [SPEAKER_01]: in this fake medium right

[01:24:10] [SPEAKER_01]: which is sort of trying to

[01:24:12] [SPEAKER_01]: collapse the wall of the

[01:24:13] [SPEAKER_01]: medium in real time when you

[01:24:15] [SPEAKER_01]: get that final shot before the

[01:24:17] [SPEAKER_01]: end credits of her sitting

[01:24:18] [SPEAKER_01]: back on the couch it's like in

[01:24:20] [SPEAKER_01]: this mulholland driveway this

[01:24:22] [SPEAKER_01]: whole movie has almost been a

[01:24:23] [SPEAKER_01]: contemplation of how to figure

[01:24:24] [SPEAKER_01]: out this character and you

[01:24:26] [SPEAKER_01]: saying like she is the polish

[01:24:29] [SPEAKER_01]: sex worker right it's like well

[01:24:31] [SPEAKER_01]: part of it is okay she thinks

[01:24:33] [SPEAKER_01]: she's just having to engage

[01:24:34] [SPEAKER_01]: with this text and if it's

[01:24:35] [SPEAKER_01]: about a relationship then does

[01:24:37] [SPEAKER_01]: she actually need to sleep with

[01:24:38] [SPEAKER_01]: the guy and then she finds out

[01:24:39] [SPEAKER_01]: oh this is actually based on an

[01:24:41] [SPEAKER_01]: older film and there's a polish

[01:24:42] [SPEAKER_01]: curse connected to it so then

[01:24:43] [SPEAKER_01]: she's going back to the

[01:24:44] [SPEAKER_01]: original text but then she's

[01:24:46] [SPEAKER_01]: trying to like figure out like

[01:24:48] [SPEAKER_01]: polish history like it's the way

[01:24:50] [SPEAKER_01]: you'll hear certain actors and

[01:24:52] [SPEAKER_01]: sometimes it feels kind of foofy

[01:24:53] [SPEAKER_01]: and academic and you're like is

[01:24:55] [SPEAKER_01]: this actually necessary of like

[01:24:57] [SPEAKER_01]: well of course i had to read 10

[01:24:59] [SPEAKER_01]: books about poland right yeah

[01:25:00] [SPEAKER_01]: characters polish right even

[01:25:02] [SPEAKER_01]: though it's a present-day film or

[01:25:03] [SPEAKER_01]: whatever like the feeling of the

[01:25:05] [SPEAKER_01]: lines being blurred of like you

[01:25:07] [SPEAKER_01]: think you're watching an hour of

[01:25:09] [SPEAKER_01]: this woman's life decay and then

[01:25:11] [SPEAKER_01]: that at her absolute lowest point

[01:25:13] [SPEAKER_01]: is followed by jeremy irons being

[01:25:15] [SPEAKER_01]: like and that's a wrap-on we're

[01:25:17] [SPEAKER_01]: done with her scenes and now back

[01:25:18] [SPEAKER_01]: to her like the whole movie is

[01:25:20] [SPEAKER_01]: just like what is this weird

[01:25:22] [SPEAKER_01]: fucking thing that some people are

[01:25:24] [SPEAKER_01]: able to do

[01:25:27] [SPEAKER_05]: that is such an interesting take

[01:25:28] [SPEAKER_05]: it is i would have never thought

[01:25:31] [SPEAKER_05]: about any of that maybe because

[01:25:32] [SPEAKER_05]: i'm not an actor but i will

[01:25:34] [SPEAKER_01]: that's my fear is that i'm running

[01:25:35] [SPEAKER_01]: it through the prism of my own

[01:25:37] [SPEAKER_01]: experience whatever because i just

[01:25:39] [SPEAKER_01]: think of like the the opening of

[01:25:41] [SPEAKER_01]: the couch right before she gets the

[01:25:43] [SPEAKER_01]: monologue from grace obritsky this

[01:25:45] [SPEAKER_01]: thing that's also implanted in her

[01:25:46] [SPEAKER_01]: head that sort of then becomes like

[01:25:48] [SPEAKER_01]: part of the process and the way that

[01:25:50] [SPEAKER_01]: actors will talk about like you know

[01:25:52] [SPEAKER_01]: what this weird other thing happened

[01:25:53] [SPEAKER_01]: to me when i was filming and it

[01:25:55] [SPEAKER_01]: wouldn't seem like that had

[01:25:57] [SPEAKER_01]: anything to do with the project but

[01:25:58] [SPEAKER_01]: it kind of got worked into my

[01:26:00] [SPEAKER_01]: performance yeah right like that

[01:26:02] [SPEAKER_01]: story starts to become a thing the

[01:26:04] [SPEAKER_01]: whole thing is like i have this

[01:26:05] [SPEAKER_01]: exciting audition and she really

[01:26:08] [SPEAKER_05]: wants to get the role right this

[01:26:09] [SPEAKER_01]: woman just sitting kind of like

[01:26:11] [SPEAKER_01]: cross-legged on a couch just

[01:26:13] [SPEAKER_01]: thinking about like how do i get my

[01:26:15] [SPEAKER_01]: head around this character

[01:26:18] [SPEAKER_01]: um how did the movie make you feel

[01:26:20] [SPEAKER_01]: uncomfortable i would say

[01:26:23] [SPEAKER_01]: sure yeah confused and

[01:26:25] [SPEAKER_01]: uncomfortable i a lot of it is what

[01:26:29] [SPEAKER_01]: you said the sort of cosmic hollowing

[01:26:31] [SPEAKER_01]: out that i think he's able to capture

[01:26:34] [SPEAKER_01]: better than anyone in this feels like

[01:26:35] [SPEAKER_01]: a movie that is made up almost

[01:26:37] [SPEAKER_01]: entirely of those moments i think it

[01:26:39] [SPEAKER_01]: has like real hammer blow versions of

[01:26:43] [SPEAKER_01]: it but i also think that's kind of a

[01:26:45] [SPEAKER_01]: through line on this movie almost on a

[01:26:48] [SPEAKER_01]: scene-to-scene basis more than right

[01:26:49] [SPEAKER_01]: films yeah yeah what were you about to

[01:26:51] [SPEAKER_01]: say so i'm sorry i don't know can't

[01:26:53] [SPEAKER_01]: remember okay um ben had you seen it

[01:26:56] [SPEAKER_05]: before no no no yeah what'd you think

[01:26:58] [SPEAKER_05]: how did it make you feel he's fucked up

[01:27:01] [SPEAKER_06]: no it made me feel um confused but i

[01:27:07] [SPEAKER_06]: love throughout all of his work the

[01:27:10] [SPEAKER_06]: dreamlike nature of it and so once you

[01:27:13] [SPEAKER_06]: can just kind of let go and lock in i

[01:27:16] [SPEAKER_06]: found myself getting really lost in the

[01:27:19] [SPEAKER_06]: world but also kind of in my own just

[01:27:23] [SPEAKER_06]: internal interior worlds and thinking

[01:27:27] [SPEAKER_06]: about dreams i've had and and and

[01:27:30] [SPEAKER_06]: recurring motifs that keep coming up

[01:27:33] [SPEAKER_06]: throughout my life uh you know again

[01:27:36] [SPEAKER_06]: dreams and imagery and and and just it's

[01:27:39] [SPEAKER_06]: it's easy to space out and not feel like

[01:27:42] [SPEAKER_06]: you're losing out on too much but that's

[01:27:45] [SPEAKER_01]: also i think kind of a cornerstone of

[01:27:48] [SPEAKER_01]: certain avant-garde cinema and

[01:27:51] [SPEAKER_01]: especially avant-garde cinema that's

[01:27:52] [SPEAKER_01]: gone at feature length or even extreme

[01:27:55] [SPEAKER_01]: lengths i mean this is his longest

[01:27:57] [SPEAKER_01]: movie must be right has to be yeah i

[01:28:01] [SPEAKER_01]: would think so yeah um i i i've invoked

[01:28:04] [SPEAKER_01]: this before but i remember reading this

[01:28:06] [SPEAKER_01]: review of goodbye dragon in a fantastic

[01:28:09] [SPEAKER_01]: film but a film that famously ends with

[01:28:11] [SPEAKER_01]: like an eight minute unbroken shot of an

[01:28:14] [SPEAKER_02]: empty movie theater yes uh i i i apologize

[01:28:18] [SPEAKER_02]: if i'm having you have you ever seen

[01:28:20] [SPEAKER_02]: i never heard of him i'm sorry i got

[01:28:22] [SPEAKER_02]: that he's like a malaysian filmmaker but

[01:28:24] [SPEAKER_02]: he's mostly you know taiwan new wave guy

[01:28:27] [SPEAKER_02]: the hole have you ever seen the hole

[01:28:28] [SPEAKER_01]: no you would yeah you should dig in check

[01:28:32] [SPEAKER_01]: it out but it's a movie about a movie

[01:28:34] [SPEAKER_01]: theater on its last night of operation

[01:28:36] [SPEAKER_01]: playing an old martial art epic i gotta

[01:28:39] [SPEAKER_05]: say this like one of the things that david

[01:28:42] [SPEAKER_05]: lynch does so well is um well we'll talk

[01:28:45] [SPEAKER_05]: about this when i talk about the third

[01:28:46] [SPEAKER_05]: time i watched this movie but images of

[01:28:49] [SPEAKER_05]: movie theaters in movies yes it gives me

[01:28:53] [SPEAKER_01]: such a shimmering uncanny feeling well so

[01:28:56] [SPEAKER_01]: this goodbye dragon and made up almost

[01:28:59] [SPEAKER_01]: entirely of that right and it's like

[01:29:01] [SPEAKER_01]: sparsely attended and it's all these

[01:29:03] [SPEAKER_01]: employees it has maybe 20 lines of dialogue

[01:29:05] [SPEAKER_01]: oh i'm in a lot of it is watching the

[01:29:07] [SPEAKER_01]: movie in the movie that's a real movie

[01:29:09] [SPEAKER_01]: from the distance of an empty theater

[01:29:11] [SPEAKER_02]: it's so funny because right i'm like

[01:29:12] [SPEAKER_02]: like i was like this young film fan i

[01:29:15] [SPEAKER_02]: saw the whole thing i saw what time is

[01:29:16] [SPEAKER_02]: it there and i was like i'm so pumped for

[01:29:19] [SPEAKER_02]: this guy i'm now on board and then goodbye

[01:29:21] [SPEAKER_02]: dragon and really felt like him being like

[01:29:23] [SPEAKER_02]: oh i'm even a little bit considered now

[01:29:26] [SPEAKER_02]: you you are about you are in for it's his

[01:29:29] [SPEAKER_02]: kind of limiting distancing experience

[01:29:31] [SPEAKER_02]: right and i have come around to that but i

[01:29:33] [SPEAKER_02]: remember the time being like huh i don't

[01:29:35] [SPEAKER_02]: know what to make of that one that one

[01:29:37] [SPEAKER_02]: kind of went over my head i remember

[01:29:39] [SPEAKER_01]: reading this critical discourse around

[01:29:42] [SPEAKER_01]: this movie probably happening in fucking

[01:29:43] [SPEAKER_01]: time out new york and people fighting

[01:29:46] [SPEAKER_01]: over it right i think maybe two different

[01:29:48] [SPEAKER_01]: critics debating it and saying like i get

[01:29:52] [SPEAKER_01]: the impact of having such an extended long

[01:29:55] [SPEAKER_01]: final shot of this empty theater the

[01:29:57] [SPEAKER_01]: resonance of it now it's over but is

[01:30:00] [SPEAKER_01]: there anything that you get from the

[01:30:02] [SPEAKER_01]: shot being eight minutes that you don't

[01:30:04] [SPEAKER_01]: get from the shot being three minutes

[01:30:05] [SPEAKER_01]: was sort of their argument and this person

[01:30:08] [SPEAKER_01]: retorts like when something extends to

[01:30:11] [SPEAKER_01]: that length part of it isn't asking you to

[01:30:15] [SPEAKER_01]: engage and just give your full focus to

[01:30:17] [SPEAKER_01]: watching it for eight minutes it's what ben

[01:30:18] [SPEAKER_01]: said it's sort of it becomes about what

[01:30:22] [SPEAKER_01]: you think about while that's going on right

[01:30:24] [SPEAKER_01]: it's a very different way of watching and

[01:30:26] [SPEAKER_01]: engaging with a movie where you're used to

[01:30:28] [SPEAKER_01]: it's holding your hands and it's begging

[01:30:29] [SPEAKER_01]: for your attention and this is saying what

[01:30:32] [SPEAKER_01]: else does this make you think of

[01:30:33] [SPEAKER_02]: and it's the it's the classic i was

[01:30:36] [SPEAKER_02]: carostami quote about like i like films

[01:30:38] [SPEAKER_02]: that make you like to put their audience

[01:30:40] [SPEAKER_02]: to sleep in the theater like those are the

[01:30:42] [SPEAKER_02]: films i like like i don't i'm not trying

[01:30:44] [SPEAKER_02]: to keep you awake buddy i'm trying to

[01:30:45] [SPEAKER_02]: actually put you to sleep

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[01:34:15] [SPEAKER_02]: inland empire i saw it when it came out

[01:34:17] [SPEAKER_02]: uh and it had an impact on me and i was so

[01:34:21] [SPEAKER_02]: like into mulholland drive and like david

[01:34:23] [SPEAKER_02]: lynch that i liked it but i remember sort of

[01:34:27] [SPEAKER_02]: emerging with like laura dern though like

[01:34:29] [SPEAKER_02]: what an interesting emotional experience i

[01:34:31] [SPEAKER_02]: had with her right and then every time i

[01:34:33] [SPEAKER_02]: would revisit the film i would always be

[01:34:35] [SPEAKER_02]: like i really remember the sort of premise

[01:34:37] [SPEAKER_02]: of like she kind of gets lost in a movie

[01:34:38] [SPEAKER_02]: she's making that's cursed and i really

[01:34:40] [SPEAKER_02]: remember the ending and i always forgot

[01:34:43] [SPEAKER_02]: that there was like a lot of polish and a

[01:34:45] [SPEAKER_02]: lot of like yeah right you know wandering

[01:34:47] [SPEAKER_02]: around in like industrial spaces in the

[01:34:49] [SPEAKER_02]: middle and that's this is the first time

[01:34:51] [SPEAKER_02]: because when i saw the restoration i was

[01:34:53] [SPEAKER_02]: like a lot of poland right i always forget

[01:34:55] [SPEAKER_02]: about the poles this time i was like i am

[01:34:57] [SPEAKER_02]: prepared for all the polish stuff i am

[01:35:00] [SPEAKER_05]: prepared for the monologues i am you know

[01:35:02] [SPEAKER_05]: and the whole and the whole life with smithy

[01:35:05] [SPEAKER_05]: the domestic drama going on in the house

[01:35:07] [SPEAKER_05]: inside the soundstage yeah and i really

[01:35:10] [SPEAKER_02]: kind of engaged with it a little bit more

[01:35:12] [SPEAKER_02]: in a somewhat linear manner of like right

[01:35:15] [SPEAKER_02]: this is about some sort of curse or

[01:35:19] [SPEAKER_02]: recurring recursive like story that happens

[01:35:23] [SPEAKER_02]: to this woman who has an affair and maybe

[01:35:27] [SPEAKER_02]: gets murdered by the what the other woman

[01:35:29] [SPEAKER_02]: and you know maybe is sort of being tormented

[01:35:32] [SPEAKER_02]: by the other man and like the rabbits are

[01:35:35] [SPEAKER_02]: this the you know the polish people are

[01:35:37] [SPEAKER_02]: this the the lost girl who's watching tv right

[01:35:40] [SPEAKER_02]: crying is this like you know it's like we're

[01:35:43] [SPEAKER_02]: seeing just different versions and of course

[01:35:45] [SPEAKER_02]: the movie version of her is this but also

[01:35:46] [SPEAKER_02]: the real version of her seems to be this

[01:35:48] [SPEAKER_02]: like she's always married to this guy you

[01:35:51] [SPEAKER_02]: know who's this polish guy like you know

[01:35:55] [SPEAKER_01]: going back to the twin peaks it is

[01:35:57] [SPEAKER_01]: happening again right thing as such like a

[01:35:59] [SPEAKER_01]: key statement for lynch and especially his

[01:36:02] [SPEAKER_01]: like fixation on the violence that is done

[01:36:04] [SPEAKER_01]: to women and the cycles that like support it

[01:36:07] [SPEAKER_01]: in society and how they process it that it's

[01:36:09] [SPEAKER_01]: like all of this shit is a continuum

[01:36:12] [SPEAKER_02]: right yeah and i do get the sense in the

[01:36:15] [SPEAKER_02]: film that that something has happened at the

[01:36:17] [SPEAKER_02]: end to maybe break the cycle that it ends

[01:36:20] [SPEAKER_02]: with us she destroys some sort of monster

[01:36:25] [SPEAKER_02]: like that crazy thing we see at the end

[01:36:28] [SPEAKER_02]: that not just her face but then the sort

[01:36:29] [SPEAKER_02]: of other odd weeping sort of clown face

[01:36:33] [SPEAKER_02]: right yeah when she shoots it the phantom

[01:36:35] [SPEAKER_02]: the hypnotist yeah right and then and

[01:36:37] [SPEAKER_02]: then when we're seeing grace the brisky

[01:36:39] [SPEAKER_02]: again like it feels like yeah there has

[01:36:41] [SPEAKER_02]: been some shift or some oh i think it's

[01:36:43] [SPEAKER_02]: definitely a happy ending right this is

[01:36:45] [SPEAKER_02]: kind of a happy ending yeah and they all

[01:36:48] [SPEAKER_02]: dance then they all dance to a similar man

[01:36:50] [SPEAKER_02]: while someone saws the log indoors normal

[01:36:52] [SPEAKER_02]: which is what i do when i feel like i'm

[01:36:54] [SPEAKER_05]: i remember being i got so amped when the

[01:36:58] [SPEAKER_05]: guy sawing the log showed up it's like

[01:37:01] [SPEAKER_05]: it's all happening it's like that ron paul

[01:37:03] [SPEAKER_05]: meme it's all happening or whatever rand

[01:37:05] [SPEAKER_05]: paul or whoever it's it's ron ron is the

[01:37:07] [SPEAKER_02]: one yeah yeah it was all happening oh my

[01:37:09] [SPEAKER_02]: god got me so sick i was so excited because

[01:37:11] [SPEAKER_02]: the thing about ron paul is he does look

[01:37:13] [SPEAKER_02]: like a little elf from another dimension

[01:37:15] [SPEAKER_02]: rand paul you're just kind of like now i

[01:37:16] [SPEAKER_02]: don't want to see that yeah that's true

[01:37:18] [SPEAKER_02]: the red ron paul looks like a time

[01:37:20] [SPEAKER_05]: bandit right totally yeah um anyway the

[01:37:26] [SPEAKER_05]: quote i think about the quote i think

[01:37:27] [SPEAKER_05]: about when i think about this movie is i

[01:37:29] [SPEAKER_05]: can't remember who told me this quote but

[01:37:31] [SPEAKER_05]: somebody who had some experience in

[01:37:34] [SPEAKER_05]: psychiatry or psychology or something i

[01:37:36] [SPEAKER_05]: was explaining some dream i had had where

[01:37:37] [SPEAKER_05]: i was like i can't remember if we talked

[01:37:39] [SPEAKER_05]: about did we talk on 28 days later about

[01:37:40] [SPEAKER_05]: how i used to have these recurring

[01:37:41] [SPEAKER_05]: nightmares about being attacked by

[01:37:43] [SPEAKER_05]: zombies i think we did okay right so i

[01:37:46] [SPEAKER_05]: was talking about like oh i dreamt i was

[01:37:48] [SPEAKER_05]: back in my parents house and all these

[01:37:49] [SPEAKER_05]: zombies showed up and i knew if i opened

[01:37:51] [SPEAKER_05]: the door like they would tear me alive

[01:37:52] [SPEAKER_05]: tear me apart or whatever what do you

[01:37:54] [SPEAKER_05]: think those zombies represent and this

[01:37:56] [SPEAKER_05]: friend said the thing you need to know

[01:37:57] [SPEAKER_05]: about dreams is everyone in your dream

[01:37:59] [SPEAKER_05]: is you it's all you that for some reason

[01:38:04] [SPEAKER_05]: helps me make sense of inland empire when

[01:38:06] [SPEAKER_05]: i'm like well wait a minute now in this

[01:38:08] [SPEAKER_05]: scene she's referring to her husband by

[01:38:10] [SPEAKER_05]: the movie name but in this scene she's in

[01:38:13] [SPEAKER_05]: you know it's a woman in trouble it's

[01:38:16] [SPEAKER_06]: alarming though when you dream of being

[01:38:18] [SPEAKER_06]: someone else well i don't know if you

[01:38:20] [SPEAKER_05]: dream you meet wait hold on are you

[01:38:22] [SPEAKER_05]: saying that you can dream that you're

[01:38:24] [SPEAKER_05]: inside somebody else yeah what like who

[01:38:26] [SPEAKER_06]: i've had the funds here's a great

[01:38:29] [SPEAKER_06]: example of a recurrent you mean you're not

[01:38:31] [SPEAKER_01]: you in your dream i'm someone else who are

[01:38:34] [SPEAKER_01]: you i don't know example and then i want

[01:38:37] [SPEAKER_06]: to build on this uh so i i have this

[01:38:39] [SPEAKER_06]: recurring dream that's kind of set in

[01:38:42] [SPEAKER_06]: this world that's similar to where bruce

[01:38:44] [SPEAKER_06]: willis is uh before he goes back in time

[01:38:47] [SPEAKER_06]: and 12 monkeys i'm underground and it's

[01:38:51] [SPEAKER_06]: this kind of like dirt factory and i'm like

[01:38:54] [SPEAKER_06]: inhabit this worker who's controlling this

[01:38:58] [SPEAKER_06]: equipment like a crane like operator

[01:39:02] [SPEAKER_06]: and but my job is like harvesting potato

[01:39:06] [SPEAKER_05]: people that's the best sir i understand like

[01:39:08] [SPEAKER_05]: that's not your job in the real world but

[01:39:10] [SPEAKER_05]: how do you know you're not you in the dream

[01:39:12] [SPEAKER_06]: because i can see myself and see a reflection

[01:39:18] [SPEAKER_05]: of myself you can look in a mirror in a dream

[01:39:21] [SPEAKER_05]: and see not your face looking back at you

[01:39:23] [SPEAKER_05]: such cinematic dream but here's my question

[01:39:25] [SPEAKER_01]: because i'm the same way ben in that

[01:39:27] [SPEAKER_01]: moment don't you go oh interesting i'm this

[01:39:30] [SPEAKER_01]: guy in my dream like when i dream as other

[01:39:32] [SPEAKER_01]: people what's like being john malkovich style

[01:39:35] [SPEAKER_01]: yeah do you know what i'm saying i'm like are

[01:39:37] [SPEAKER_01]: y'all on about how can you not be yourself in

[01:39:40] [SPEAKER_01]: a dream it's just you but this is what i'm

[01:39:42] [SPEAKER_01]: saying it's being john malkovich where it's

[01:39:43] [SPEAKER_01]: like i'm inside this body it's like watching

[01:39:46] [SPEAKER_06]: the movie but also knowing that like i'm

[01:39:50] [SPEAKER_06]: in this so that's the weird wrinkle you guys

[01:39:52] [SPEAKER_05]: thought inland empire was weird this should

[01:39:54] [SPEAKER_05]: be your favorite fucking this should be

[01:39:55] [SPEAKER_05]: like watching like toy story to you guys

[01:39:57] [SPEAKER_05]: that's so much crazier than any dream i've

[01:39:59] [SPEAKER_01]: ever had me to a tree with that one but i no i i it's

[01:40:04] [SPEAKER_01]: the same thing where i'm like oh it's

[01:40:06] [SPEAKER_01]: interesting that i'm someone else in this

[01:40:08] [SPEAKER_01]: dream you don't have that right in your

[01:40:10] [SPEAKER_01]: normal know what they're talking about my

[01:40:11] [SPEAKER_01]: consciousness is in that other person i'm

[01:40:14] [SPEAKER_01]: perceiving being this other person with all

[01:40:16] [SPEAKER_01]: my thoughts and experiences and personality

[01:40:18] [SPEAKER_01]: so i'm never fully like of course i couldn't

[01:40:21] [SPEAKER_01]: be someone else entirely because it's going

[01:40:23] [SPEAKER_01]: to be me thinking it's a matter of embodiment

[01:40:25] [SPEAKER_01]: like i am in a different person's body right

[01:40:26] [SPEAKER_02]: i do not have that kind of lucidity but my

[01:40:28] [SPEAKER_02]: dream was as i remember them and i kind of

[01:40:31] [SPEAKER_01]: dream like the cobbler if that makes more

[01:40:33] [SPEAKER_01]: sense of it's an easier way to i don't

[01:40:34] [SPEAKER_01]: know what that is classic adam sandler

[01:40:36] [SPEAKER_01]: tom mccarthy movie in which a cobbler

[01:40:38] [SPEAKER_01]: literally uh unlocks the ability to walk

[01:40:41] [SPEAKER_01]: in another man's shoes by wearing the

[01:40:42] [SPEAKER_01]: shoes of his clients and he gets to be

[01:40:45] [SPEAKER_01]: are you serious yeah yeah he won the razzie

[01:40:47] [SPEAKER_01]: i think for worst picture is this a david

[01:40:49] [SPEAKER_02]: lynch joint uh no my dreams are always the

[01:40:52] [SPEAKER_02]: same it's always just i have to do

[01:40:54] [SPEAKER_02]: something i keep getting like way later

[01:40:56] [SPEAKER_02]: distracted weird shit you're trying to

[01:40:58] [SPEAKER_01]: get the inland empire episode down to 90

[01:41:01] [SPEAKER_01]: minutes and somehow it's stretching off

[01:41:02] [SPEAKER_01]: well we got oh well we just hit 90

[01:41:04] [SPEAKER_02]: and that's good for that shit uh good

[01:41:08] [SPEAKER_02]: job yeah um so the right the first chunk

[01:41:12] [SPEAKER_02]: of inland empire is about an actress named

[01:41:16] [SPEAKER_02]: nikki grace yes we have other things that

[01:41:18] [SPEAKER_02]: we're seeing such as with this hotel room

[01:41:22] [SPEAKER_02]: well i mean right you saying you know what a

[01:41:25] [SPEAKER_05]: whore is that's one of the early lines of

[01:41:27] [SPEAKER_02]: dialogue it is it's definitely like a it's

[01:41:29] [SPEAKER_02]: setting you up for like a chill time the

[01:41:31] [SPEAKER_01]: you're saying you always forget how much

[01:41:33] [SPEAKER_01]: polish there is in this movie it does kick

[01:41:35] [SPEAKER_01]: off with it i'm clocking about 10 minutes

[01:41:38] [SPEAKER_01]: until lord dirn appears yeah i think you're

[01:41:40] [SPEAKER_01]: right with the hallway conversation then you're

[01:41:43] [SPEAKER_02]: you start out with an honestly awesome and

[01:41:44] [SPEAKER_02]: haunting title screen with this crazy

[01:41:47] [SPEAKER_02]: noisy noise and you're kind of like rubbing

[01:41:50] [SPEAKER_02]: your hands together some classic lynch

[01:41:51] [SPEAKER_01]: clanking yeah yeah truly the sound design in

[01:41:54] [SPEAKER_01]: the opening is great but then you have like

[01:41:57] [SPEAKER_01]: the lost woman watching rabbits on the tv like

[01:42:00] [SPEAKER_01]: during all of that for 10 minutes before

[01:42:02] [SPEAKER_01]: ostensibly the main thread of the movie if

[01:42:05] [SPEAKER_02]: you actually want me actually have like a

[01:42:06] [SPEAKER_02]: synopsis that i can go through there's an

[01:42:08] [SPEAKER_02]: introduction to axon n the longest radio play

[01:42:12] [SPEAKER_02]: in history which we occasionally will return

[01:42:14] [SPEAKER_02]: to some kind of you know these are like i

[01:42:17] [SPEAKER_02]: said these are all sort of renderings of

[01:42:18] [SPEAKER_02]: the same sort of drama of some kind of like

[01:42:22] [SPEAKER_02]: betrayal and cuckoldry or whatever you have

[01:42:26] [SPEAKER_02]: uh you know right this black and white

[01:42:28] [SPEAKER_02]: footage of actors blurred out you know and

[01:42:31] [SPEAKER_02]: this horrible kind of sort of sex worker

[01:42:33] [SPEAKER_02]: situation you have the girl watching rabbits

[01:42:36] [SPEAKER_01]: on tv and the immediate sense that this is

[01:42:39] [SPEAKER_01]: her in the aftermath of something traumatic

[01:42:41] [SPEAKER_01]: that she is watching tv in an attempt to

[01:42:44] [SPEAKER_01]: process or at least take her mind off of her

[01:42:46] [SPEAKER_01]: right but then she's seeing rabbits but she's

[01:42:48] [SPEAKER_02]: also seeing inland empire she's seeing like

[01:42:51] [SPEAKER_02]: grace sabrisky on the screen a little bit

[01:42:53] [SPEAKER_02]: and then you have the rabbits taking two

[01:42:58] [SPEAKER_02]: polish guys to a strange sort of hotel room

[01:43:01] [SPEAKER_02]: lobby banquet area fancy room a grand room

[01:43:05] [SPEAKER_02]: yeah and they talk about an opening and if

[01:43:07] [SPEAKER_02]: they understand each other which is language

[01:43:09] [SPEAKER_02]: that the movie uses a lot like over and over

[01:43:11] [SPEAKER_02]: again these and uh something's going on there

[01:43:14] [SPEAKER_02]: and then we're with laura dern and i'm like

[01:43:16] [SPEAKER_02]: okay great we're like classic hollywood setup

[01:43:18] [SPEAKER_02]: movie actress she's got a new role in

[01:43:21] [SPEAKER_01]: abercrombie as a butler like you're like i

[01:43:23] [SPEAKER_02]: get this we're we're dealing in orchidite

[01:43:26] [SPEAKER_02]: she seems to live in some sort of like

[01:43:28] [SPEAKER_02]: incredibly like awful man the feng shui in

[01:43:31] [SPEAKER_05]: her house is so fucked up and like it's

[01:43:35] [SPEAKER_05]: really something you do kind of get the sense

[01:43:37] [SPEAKER_02]: it's her husband's vibe or aesthetic or like

[01:43:40] [SPEAKER_02]: she seems to have married some kind of

[01:43:42] [SPEAKER_02]: some weird old money guy yeah or like you

[01:43:45] [SPEAKER_02]: know guy who's a tycoon in of terrible things

[01:43:47] [SPEAKER_02]: right thing right like like he's a fucking

[01:43:50] [SPEAKER_01]: shipping magnate yeah it's like what's your

[01:43:52] [SPEAKER_02]: you know what's your job he's like uh import

[01:43:54] [SPEAKER_02]: export and you're like oh right okay and

[01:43:57] [SPEAKER_02]: it's awful in there and like the digital

[01:44:01] [SPEAKER_02]: photography kind of enhances it makes it look

[01:44:03] [SPEAKER_02]: kind of dark and depressive and like there's

[01:44:06] [SPEAKER_02]: curtains and then you see the light coming

[01:44:08] [SPEAKER_02]: through you know it really is air specific

[01:44:11] [SPEAKER_06]: too it is yeah it's so nails i mean like the

[01:44:14] [SPEAKER_06]: way people are dressed really like brought me

[01:44:17] [SPEAKER_06]: back to that time but the way that that

[01:44:19] [SPEAKER_06]: space in particular looks it just it looks

[01:44:21] [SPEAKER_06]: like what a fancy person thought was like it

[01:44:24] [SPEAKER_06]: must be a real cool and nice and classy

[01:44:26] [SPEAKER_01]: right this must be someone's house well it's

[01:44:28] [SPEAKER_01]: like queen of versaya too like i feel like

[01:44:30] [SPEAKER_01]: this is when they start filming that movie

[01:44:33] [SPEAKER_01]: that is documenting someone ruining their

[01:44:35] [SPEAKER_01]: life trying to make a version of a house

[01:44:38] [SPEAKER_01]: like this that's a hundred times bigger

[01:44:40] [SPEAKER_01]: this has to be a real place yeah yeah right

[01:44:42] [SPEAKER_01]: yeah they weren't building sets for this

[01:44:44] [SPEAKER_06]: fucking movie it looks like a trashy house

[01:44:47] [SPEAKER_06]: in california though for sure someone who

[01:44:49] [SPEAKER_02]: has money but has no taste yep um and then

[01:44:54] [SPEAKER_02]: luckily it's what you want in a david

[01:44:57] [SPEAKER_02]: lynch movie grace of brisky comes to kind

[01:44:59] [SPEAKER_02]: of like cool everyone off yeah just really

[01:45:02] [SPEAKER_02]: settle you and make you feel like normal

[01:45:04] [SPEAKER_02]: and not freaked out at all lesson of this

[01:45:07] [SPEAKER_05]: movie never talk to your neighbors never

[01:45:10] [SPEAKER_02]: invite them into your home i remember

[01:45:12] [SPEAKER_02]: watching all neighbors vampires on tv at

[01:45:14] [SPEAKER_02]: one point in my room in college with

[01:45:17] [SPEAKER_02]: headphones on and the whole thing where

[01:45:19] [SPEAKER_02]: when she's just talking about a folktale

[01:45:21] [SPEAKER_02]: and putting a polish accent and brutal

[01:45:23] [SPEAKER_02]: murder like having to turn the tv off like

[01:45:27] [SPEAKER_02]: like take a break you know that fish eye

[01:45:29] [SPEAKER_05]: lens he's shooting her in a fish eye and

[01:45:31] [SPEAKER_05]: then laura dern is in a regular lens and

[01:45:34] [SPEAKER_05]: then eventually he shoots dern in the fish

[01:45:37] [SPEAKER_05]: eye and then you're like oh she's getting

[01:45:38] [SPEAKER_05]: stuck in the story about the pop-up yeah so

[01:45:41] [SPEAKER_02]: great and she does a lynch trick i really

[01:45:43] [SPEAKER_02]: love which i feel like he's you know where

[01:45:45] [SPEAKER_02]: she points to the couch and then we're sort

[01:45:48] [SPEAKER_02]: of laura dern is on the couch with her

[01:45:49] [SPEAKER_02]: friends and we've moved forward in time yes

[01:45:52] [SPEAKER_02]: without any transition really yeah the couch

[01:45:54] [SPEAKER_05]: where she winds up at the end of the movie

[01:45:56] [SPEAKER_02]: indeed yep right uh all the scenes with her

[01:45:58] [SPEAKER_02]: and her friends are really funny to me

[01:46:00] [SPEAKER_02]: too because it's like you know they are

[01:46:02] [SPEAKER_02]: being normal yes right it's just they're

[01:46:05] [SPEAKER_02]: not right but then the aesthetic of it is

[01:46:08] [SPEAKER_02]: so impressive right that you're like what

[01:46:10] [SPEAKER_02]: is going why am i just seeing them chat

[01:46:12] [SPEAKER_02]: well that's so much of what i remember

[01:46:14] [SPEAKER_01]: the discourse being around this movie when

[01:46:16] [SPEAKER_01]: it came out was like you know some people

[01:46:19] [SPEAKER_01]: and looking back it was more positive than

[01:46:21] [SPEAKER_01]: i remembered people were just like if

[01:46:23] [SPEAKER_01]: you're in on lynch this is uncut lynch

[01:46:25] [SPEAKER_01]: this is the most unbridled lynch you're

[01:46:27] [SPEAKER_01]: ever gonna get we're fucking eaten right

[01:46:29] [SPEAKER_01]: and then the counterpoint was like i just

[01:46:32] [SPEAKER_01]: don't get why it looks so ugly and this

[01:46:34] [SPEAKER_01]: was a thing that was also circling around

[01:46:36] [SPEAKER_01]: michael man movies at the time likely

[01:46:37] [SPEAKER_01]: anyone who is trying this right why would

[01:46:40] [SPEAKER_01]: you choose to use something that looks

[01:46:42] [SPEAKER_01]: worse and it was part of like lynch doing

[01:46:45] [SPEAKER_01]: these interviews where he said my

[01:46:46] [SPEAKER_01]: beautiful ugly thing you know and

[01:46:48] [SPEAKER_01]: certainly like man talking the same way

[01:46:50] [SPEAKER_01]: where it's like it frees me up i used to

[01:46:53] [SPEAKER_01]: be someone who obsessed over having the

[01:46:55] [SPEAKER_01]: light in exactly the right place and

[01:46:56] [SPEAKER_01]: these immaculate frames but there's

[01:46:58] [SPEAKER_01]: something that it just becomes so organic

[01:47:01] [SPEAKER_01]: now and i also think weighs a pound rather

[01:47:04] [SPEAKER_01]: than like well there's the production

[01:47:06] [SPEAKER_05]: there's the production advantages

[01:47:07] [SPEAKER_05]: 10 but but i do think that the way this

[01:47:12] [SPEAKER_05]: movie looks it really does to me look like

[01:47:16] [SPEAKER_05]: a dream it looks like how my dreams look

[01:47:18] [SPEAKER_05]: which is a lot of like gray diffuse light

[01:47:21] [SPEAKER_01]: my dreams are also all kind of blurry

[01:47:23] [SPEAKER_05]: yeah yeah it's kind of off it looks like

[01:47:25] [SPEAKER_05]: it looks simultaneously like like like a

[01:47:29] [SPEAKER_05]: snuff film like like we said earlier like

[01:47:31] [SPEAKER_05]: something you should like truly elicit but

[01:47:33] [SPEAKER_05]: then also when you remember it when i

[01:47:36] [SPEAKER_05]: remember this movie and the palette it's

[01:47:39] [SPEAKER_05]: like remembering a dream because it kind of

[01:47:41] [SPEAKER_05]: the lighting reminds me of a dream and

[01:47:43] [SPEAKER_05]: the griminess the murkiness of it is the

[01:47:46] [SPEAKER_05]: murkiness of a remembered dream and like

[01:47:48] [SPEAKER_05]: i think it really works like even if he

[01:47:51] [SPEAKER_05]: could have shot on a handheld camera that

[01:47:52] [SPEAKER_05]: like shoots in 4k and looks terrific this

[01:47:54] [SPEAKER_05]: was the right choice i think there's no

[01:47:57] [SPEAKER_05]: other way to think about this and there's

[01:47:58] [SPEAKER_01]: like yeah weird artifacting and

[01:48:00] [SPEAKER_01]: abstraction that happens with like this

[01:48:02] [SPEAKER_01]: level of dv footage so my my limited

[01:48:06] [SPEAKER_01]: experience in film school before i uh

[01:48:08] [SPEAKER_01]: dropped out uh was that like you know

[01:48:11] [SPEAKER_01]: when they talk about film as a medium and

[01:48:14] [SPEAKER_01]: people are trying to teach you how to work

[01:48:16] [SPEAKER_01]: with it it's like here are all these magic

[01:48:18] [SPEAKER_01]: tricks where you can do this and suddenly

[01:48:21] [SPEAKER_01]: on film it looks like this thing that's

[01:48:22] [SPEAKER_01]: a hundred times greater right right and

[01:48:25] [SPEAKER_01]: video is the opposite where everyone's like

[01:48:27] [SPEAKER_01]: if you film like this it's gonna look like

[01:48:29] [SPEAKER_01]: shit no matter what you can't get around

[01:48:31] [SPEAKER_01]: this you can't be in any environment with

[01:48:33] [SPEAKER_01]: fluorescent lights you can't do this you

[01:48:35] [SPEAKER_01]: can't do that right like all these things

[01:48:37] [SPEAKER_01]: they try to warn you away from that he

[01:48:39] [SPEAKER_01]: is kind of barreling headfirst into because

[01:48:42] [SPEAKER_01]: how wrong it ends up looking is able to

[01:48:47] [SPEAKER_01]: um very cheaply conjure the kind of feeling

[01:48:51] [SPEAKER_01]: and imagery that he used to have to like

[01:48:53] [SPEAKER_05]: slave over yeah it's so evocative right

[01:48:56] [SPEAKER_05]: yeah and he cannot he mean he can

[01:48:58] [SPEAKER_05]: obviously make like a beautiful movie yeah

[01:49:00] [SPEAKER_02]: it has and i wonder if he made like if he

[01:49:03] [SPEAKER_02]: had made like six more films like this

[01:49:05] [SPEAKER_02]: with the magic of this film and the way it

[01:49:07] [SPEAKER_02]: looks be a little like you know hurt by

[01:49:09] [SPEAKER_01]: that it is what is fascinating because at

[01:49:11] [SPEAKER_01]: the time and the way he did it you're

[01:49:13] [SPEAKER_01]: just sort of like it's bizarre he didn't

[01:49:16] [SPEAKER_01]: go through a phase where he just was just

[01:49:17] [SPEAKER_02]: like yeah i'm just gonna keep right

[01:49:19] [SPEAKER_02]: improvising even if most of them didn't

[01:49:21] [SPEAKER_01]: end up being feature films of some of

[01:49:23] [SPEAKER_01]: them ended up being fucking web series or

[01:49:24] [SPEAKER_01]: whatever it is it's interesting that

[01:49:26] [SPEAKER_01]: then there's like kind of a shift and a

[01:49:28] [SPEAKER_01]: gap after this right that's why this is

[01:49:30] [SPEAKER_02]: not just like him being like well i filmed

[01:49:32] [SPEAKER_02]: for three years and cut it together it's

[01:49:34] [SPEAKER_02]: like no he had eventually a thrust you

[01:49:38] [SPEAKER_02]: know of storytelling with it what were

[01:49:39] [SPEAKER_02]: you gonna ask him did he make a thing

[01:49:41] [SPEAKER_05]: on netflix where like he's talking to

[01:49:43] [SPEAKER_05]: a monkey yeah he was like he and the

[01:49:45] [SPEAKER_05]: monkey like solving crimes or something

[01:49:46] [SPEAKER_02]: he's interrogating the monkey like he's

[01:49:49] [SPEAKER_02]: a cop and the monkey is is that a movie

[01:49:50] [SPEAKER_02]: it's a short time oh yeah netflix bought

[01:49:54] [SPEAKER_02]: it at a certain point it's like he made

[01:49:56] [SPEAKER_02]: it independent he self-financed it it was

[01:49:57] [SPEAKER_02]: a big project we talked about a lot what

[01:50:00] [SPEAKER_01]: did what did jack do yes or what jack

[01:50:04] [SPEAKER_02]: yeah uh we covered it on our page yeah

[01:50:06] [SPEAKER_02]: it's called what got it dude you know

[01:50:07] [SPEAKER_02]: he's done a lot of stuff like that over

[01:50:09] [SPEAKER_02]: the years for his own like what rabbits

[01:50:11] [SPEAKER_05]: was it sounds right right just like and

[01:50:13] [SPEAKER_02]: then some things got incorporated and

[01:50:15] [SPEAKER_02]: something's kind of just and then he

[01:50:16] [SPEAKER_02]: occasionally will do things like where

[01:50:18] [SPEAKER_02]: dior is like you do a commercial for

[01:50:19] [SPEAKER_02]: dior and he's like it's gonna be weird

[01:50:21] [SPEAKER_01]: and they're like great you know but as

[01:50:23] [SPEAKER_01]: you said this is the only time he did

[01:50:25] [SPEAKER_01]: this when it started to feel like is

[01:50:27] [SPEAKER_01]: this gonna be his model moving forward

[01:50:28] [SPEAKER_01]: he's just filming all the time and

[01:50:30] [SPEAKER_01]: whenever he feels like oh this might

[01:50:32] [SPEAKER_01]: actually be a movie he'll start

[01:50:34] [SPEAKER_01]: shooting more intentionally and cut it

[01:50:35] [SPEAKER_01]: together and instead this is like an

[01:50:37] [SPEAKER_01]: absolute weird one-off experiment and

[01:50:39] [SPEAKER_01]: already weird experimental career and

[01:50:43] [SPEAKER_02]: then we have uh the sort of film section

[01:50:46] [SPEAKER_02]: of the the early production section of

[01:50:48] [SPEAKER_02]: the movie she's on stage you know at

[01:50:50] [SPEAKER_02]: paramount on the paramount lot near we

[01:50:53] [SPEAKER_05]: you know is that where is that where

[01:50:55] [SPEAKER_05]: that was the filming location yes

[01:50:56] [SPEAKER_02]: because david lynch loves i think the

[01:50:59] [SPEAKER_02]: scenes i think it's in sunset boulevard

[01:51:01] [SPEAKER_02]: which are set of the paramount lot and

[01:51:03] [SPEAKER_02]: like has great like admiration for the

[01:51:05] [SPEAKER_02]: paramount lot is this like sort of

[01:51:06] [SPEAKER_02]: howled it's a beautiful classical right

[01:51:09] [SPEAKER_02]: yes it feels really preserved um and so

[01:51:13] [SPEAKER_02]: we meet kingsley stewart jeremy irons in

[01:51:16] [SPEAKER_02]: like you know irons mode as like the

[01:51:19] [SPEAKER_02]: pretentious director and then justin

[01:51:21] [SPEAKER_02]: throw is the kind of as devon the you

[01:51:24] [SPEAKER_02]: know sultry star i don't know if i had

[01:51:26] [SPEAKER_01]: knew he was in this oh really and just

[01:51:29] [SPEAKER_01]: because you know we've we've been trying

[01:51:31] [SPEAKER_01]: to record chronologically we did i

[01:51:32] [SPEAKER_01]: think mulholland drive was actually the

[01:51:34] [SPEAKER_01]: most recent lynch episode we had done

[01:51:36] [SPEAKER_01]: before this when they revealed justin

[01:51:39] [SPEAKER_01]: throw sitting in an audition i i think

[01:51:42] [SPEAKER_01]: part of my struggle for the first let's

[01:51:44] [SPEAKER_01]: say hour to hour and a half of this

[01:51:46] [SPEAKER_01]: movie was like lynch i'm waiting for

[01:51:49] [SPEAKER_01]: you to make the case for why this isn't

[01:51:51] [SPEAKER_01]: you just still exploring the same

[01:51:52] [SPEAKER_01]: things as mulholland drive right because

[01:51:54] [SPEAKER_02]: it's hollywood again it's a you know

[01:51:56] [SPEAKER_02]: right weird dream tale again and the

[01:51:59] [SPEAKER_01]: rose here again like there's a lot of

[01:52:02] [SPEAKER_01]: the dynamics feel very similar but um it

[01:52:06] [SPEAKER_01]: becomes its own thing yeah you sort of

[01:52:08] [SPEAKER_02]: get this sense like there's this thing

[01:52:09] [SPEAKER_02]: where they appear on a talk show that's

[01:52:10] [SPEAKER_02]: hosted by diane ladd and announced by

[01:52:13] [SPEAKER_02]: william h macy this sense that like maybe

[01:52:16] [SPEAKER_02]: laura jern's character nikki has some sort

[01:52:18] [SPEAKER_02]: of scandal in her past that uh justin

[01:52:21] [SPEAKER_02]: the rose character is right someone who

[01:52:23] [SPEAKER_02]: always hooks up with his co-stars if there's

[01:52:26] [SPEAKER_02]: like a sauciness right and then kind of my

[01:52:31] [SPEAKER_02]: favorite scene in the movie is when

[01:52:32] [SPEAKER_02]: they're shooting the film and of harry

[01:52:34] [SPEAKER_02]: dean santon there obviously is there

[01:52:36] [SPEAKER_02]: looking for money yes and uh wearing a

[01:52:39] [SPEAKER_02]: suit and smoking right sees something and

[01:52:43] [SPEAKER_05]: yeah this is one of the things i remember

[01:52:45] [SPEAKER_02]: from 2007 yes like it's in the dark you

[01:52:48] [SPEAKER_02]: know back there and they go and look and i

[01:52:51] [SPEAKER_02]: remember in the theater as someone who

[01:52:53] [SPEAKER_02]: had seen mulholland drive being like am i

[01:52:55] [SPEAKER_02]: about to be like scared out of my fucking

[01:52:57] [SPEAKER_02]: skeleton right is something crazy going to

[01:53:00] [SPEAKER_02]: happen yeah and it's not it's more just

[01:53:02] [SPEAKER_02]: this unnerving dreamy please talk about it

[01:53:05] [SPEAKER_02]: you're you're raising this yellowed nope well

[01:53:07] [SPEAKER_05]: i just wanted to i mean actually we should

[01:53:09] [SPEAKER_05]: remember fear semen 47 the number that

[01:53:12] [SPEAKER_05]: comes up a lot so this is the four of 47 but

[01:53:16] [SPEAKER_05]: during this initial meeting kingsley says

[01:53:20] [SPEAKER_05]: something um after after justin theroux is

[01:53:25] [SPEAKER_05]: like run off to try to find whatever harry

[01:53:28] [SPEAKER_05]: dean stanton pointed at and was like

[01:53:29] [SPEAKER_03]: there's something there right yeah this line

[01:53:32] [SPEAKER_05]: is so scary to me when kingsley's like all

[01:53:35] [SPEAKER_05]: right i'm gonna tell you guys the truth we're

[01:53:38] [SPEAKER_05]: actually remaking a movie and then he says

[01:53:40] [SPEAKER_05]: it's this movie uh german film yeah yes they

[01:53:44] [SPEAKER_05]: discovered something inside the story and

[01:53:47] [SPEAKER_05]: the leads were murdered one of my real heebie

[01:53:52] [SPEAKER_05]: jeebie things really gives me the heebie well

[01:53:55] [SPEAKER_05]: murder of course is murder just doesn't

[01:53:59] [SPEAKER_02]: haunted i don't like it haunted

[01:54:02] [SPEAKER_05]: productions sure oh sure like the king in

[01:54:06] [SPEAKER_05]: yellow on it yes you know the the weird tale

[01:54:08] [SPEAKER_05]: where it's like there's this haunted play and

[01:54:10] [SPEAKER_05]: when they start to perform it they all go

[01:54:12] [SPEAKER_05]: insane that kind of stuff the idea of i was

[01:54:16] [SPEAKER_05]: thinking about last night really what freaks

[01:54:19] [SPEAKER_05]: me out is humans there's something so uncanny

[01:54:24] [SPEAKER_05]: about this ancient tradition and art that we

[01:54:28] [SPEAKER_05]: all recognize and love humans putting on

[01:54:31] [SPEAKER_05]: special clothes and pretending they are other

[01:54:34] [SPEAKER_05]: humans and acting out a story for people who are

[01:54:37] [SPEAKER_05]: watching them in the dark that is so fucked up

[01:54:40] [SPEAKER_05]: and disturbing when you think about it like if

[01:54:42] [SPEAKER_05]: you take if you take it out of like just the

[01:54:44] [SPEAKER_05]: fact like we've always done that like what are

[01:54:46] [SPEAKER_05]: you talking about it's totally normal and so

[01:54:48] [SPEAKER_05]: the idea of movie productions or tv productions or

[01:54:53] [SPEAKER_05]: theater productions being cursed where you're in

[01:54:56] [SPEAKER_05]: the middle of the production you uncover something or

[01:54:59] [SPEAKER_05]: something is revealed and then it ends in despair

[01:55:02] [SPEAKER_05]: madness death that's so freaky to me have you seen in the

[01:55:07] [SPEAKER_01]: mouth madness the carpenter movie that's basically about a

[01:55:12] [SPEAKER_01]: book that makes people mad and that kind of way i need a

[01:55:14] [SPEAKER_05]: list of like i want to i want to have a little film festival

[01:55:17] [SPEAKER_02]: or just watch that like the classic thing of like am i now is

[01:55:21] [SPEAKER_02]: this actually about me am i in it like getting yeah this is my

[01:55:25] [SPEAKER_01]: fucking read on the movie that it's this thing of like what is

[01:55:28] [SPEAKER_01]: acting is it convincing yourself you are that person is it

[01:55:31] [SPEAKER_01]: thinking a lot about that is it researching the things around it you

[01:55:36] [SPEAKER_01]: know like that that's part of what is being conjured here how are you

[01:55:40] [SPEAKER_01]: able to bring emotions out of nothing right are you taking from actual

[01:55:45] [SPEAKER_01]: emotions somewhere else in your life are you just empathizing and relating

[01:55:48] [SPEAKER_01]: to the thing what i find interesting about that scene is it ends up

[01:55:54] [SPEAKER_01]: getting to this curse right there is a severity to which the tone in which

[01:56:00] [SPEAKER_01]: jeremy irons who is an actor who is capable of great severity who can

[01:56:04] [SPEAKER_01]: deliver anything with like a sense of grave importance that makes you sit up

[01:56:09] [SPEAKER_01]: right in discomfort if that's what's being asked of him um where he reveals

[01:56:15] [SPEAKER_01]: like this is actually based on an older polish film and lurdurn's response to

[01:56:21] [SPEAKER_01]: that is as if he's already revealed that there was a curse and a murder right

[01:56:26] [SPEAKER_01]: like she's like you told us this was an original tax right it's like the real

[01:56:30] [SPEAKER_05]: hollywood ip reaction you told us this wasn't based on anything right yeah where

[01:56:34] [SPEAKER_01]: i like sat forward in my seat and went like wait what just happened in this

[01:56:38] [SPEAKER_01]: scene why is her response so extreme and it's like she can already sense that

[01:56:43] [SPEAKER_01]: this is going to a bad place in a weird way before you even get to the curse and the

[01:56:48] [SPEAKER_05]: tragedy and all of that this is one of the big like story scenes it's like one of

[01:56:53] [SPEAKER_05]: the only scenes where it's really like here comes the story like i'm and you're

[01:56:57] [SPEAKER_05]: like i'm really gonna hang on to this as we go out to someone explain something

[01:57:01] [SPEAKER_02]: right yeah everything else maybe you can sort of piece it together or go back

[01:57:06] [SPEAKER_01]: later and sort of look at stuff no one's actually saying but it makes sense that

[01:57:10] [SPEAKER_01]: that was their attitude in terms of like bringing irons on and when irons was

[01:57:13] [SPEAKER_01]: on set was like these scenes are more structured his dialogue that he clearly like

[01:57:18] [SPEAKER_01]: had time to memorize is able to sort of just like roll off and these scenes like

[01:57:24] [SPEAKER_01]: are communicating clear things right yeah yeah so there's right there's this

[01:57:29] [SPEAKER_02]: sense of there may be playing with kind of some kind of darkness here by engaging

[01:57:36] [SPEAKER_02]: with this story again even though the story they seem to be doing is just a

[01:57:39] [SPEAKER_02]: melodrama it's just like a romantic melodrama about an affair on high and blue

[01:57:42] [SPEAKER_02]: tomorrow very different um should we keep moving but yeah you've got this notebook

[01:57:48] [SPEAKER_02]: is this exhibit c yeah i'm like when i do this every time it's just the notes

[01:57:53] [SPEAKER_05]: that i took when i was watching it for the second time i mean it's talk about

[01:57:57] [SPEAKER_05]: your there's no there's no insights it's just me recording what happens so i

[01:58:00] [SPEAKER_05]: later i can go back especially with this movie and be like uh what happened

[01:58:04] [SPEAKER_01]: exactly is now a good time to introduce the experiences of the second and third

[01:58:08] [SPEAKER_01]: viewings i don't want to force your hand on this oh i know yeah

[01:58:12] [SPEAKER_01]: because i talked about the first viewing a bit yeah when we talked sure yeah so

[01:58:16] [SPEAKER_05]: i watched it in 2007 i remembered it as a great night at the movies but it wasn't

[01:58:21] [SPEAKER_05]: a movie that i felt like like i gotta see that all the time yeah right so then i was

[01:58:26] [SPEAKER_05]: talking to my friends that i play music with playing a band together and i was

[01:58:30] [SPEAKER_05]: like yeah i'm gonna talk about inland empire and they were like oh inland

[01:58:33] [SPEAKER_05]: empire like never seen that one of them robert had seen it he was like

[01:58:37] [SPEAKER_05]: let's have a right come over to my house and i have a projector and we can

[01:58:41] [SPEAKER_05]: watch inland empire and i was like great because i don't have it i just have a

[01:58:44] [SPEAKER_05]: laptop i was like i don't want to watch this fucking thing on my laptop because

[01:58:46] [SPEAKER_05]: i remember it as this big total like overwhelming night at the movies you

[01:58:52] [SPEAKER_05]: know it's like when david you know if you guys talked about the david lynch

[01:58:54] [SPEAKER_05]: iphone thing where he's like now when you see a movie on your phone that whole

[01:58:59] [SPEAKER_01]: thing yes yeah such a sadness so it's that and the clip where they ask him about

[01:59:04] [SPEAKER_01]: product placement and he says bullshit yeah yeah yeah fucking bullshit right get

[01:59:10] [SPEAKER_05]: real yeah anyway so we went over to robert's house so we and we watched it and

[01:59:15] [SPEAKER_05]: that was like my time to you know take all my notes and all that stuff i was

[01:59:20] [SPEAKER_02]: like yeah it holds up like it's pretty good right you had a good experience here

[01:59:23] [SPEAKER_02]: but not nothing like like a bolt from the blue right but you felt like okay no i i

[01:59:28] [SPEAKER_01]: feel secure in the fact that i picked this as the episode i want to do yeah there's a

[01:59:32] [SPEAKER_05]: lot going on in this movie obviously there's stuff most of the stuff i had

[01:59:36] [SPEAKER_05]: forgotten i i thought a lot of the movie was her burning holes in camisoles and

[01:59:42] [SPEAKER_05]: trying to save prostitutes and that's i thought it was like mission impossible

[01:59:46] [SPEAKER_05]: you know like i gotta burn another hole so i can jump through a wormhole and go save

[01:59:50] [SPEAKER_05]: more prostitutes but it wasn't that at all it's like so much more like i think in

[01:59:53] [SPEAKER_05]: retrospect i tried to put a story on it right with easiest way to engage with right

[01:59:58] [SPEAKER_05]: just like you do with dreams right you try to find a narrative or make sense of it

[02:00:01] [SPEAKER_05]: then what happened was we were like you know what we should do because after we watched

[02:00:08] [SPEAKER_05]: it we were they were like really into it it's like we should score it we should we should

[02:00:15] [SPEAKER_05]: go to our practice space and set up a projector and screen the movie and mute it and respond

[02:00:23] [SPEAKER_05]: to it with sound and music like we'll do a live improv score of inland empire fellas this

[02:00:31] [SPEAKER_05]: was one of the great creative experiences of my adult life it was it was just three of us it

[02:00:38] [SPEAKER_05]: wasn't the the full group because people were traveling and stuff but katherine and brian and i

[02:00:42] [SPEAKER_05]: went to the practice space i was like this is like katherine didn't know brian wills yeah exactly

[02:00:47] [SPEAKER_05]: yeah and um we had we had a drum kit we had like rotor toms we had bass and guitar at you know

[02:00:54] [SPEAKER_05]: it's like we set everything up like okay we're gonna set everything up so that we can just move

[02:00:58] [SPEAKER_05]: from sound source to sound source so like i had like a one of those korg bass synthesizers because

[02:01:05] [SPEAKER_05]: i know like lynch is great at those like low tones with like text so we had to volca bass i bought a

[02:01:11] [SPEAKER_05]: cello bow so that we could bow the symbols for that iconic horror you know when you hold you like

[02:01:17] [SPEAKER_05]: stabilize the bell of the symbol and then you drag the bow on it's like it makes all these crazy

[02:01:22] [SPEAKER_01]: overtones this is like fucking john brian at largo just everything we're about to geek out the muse

[02:01:27] [SPEAKER_05]: can take over us exactly yeah over to any i brought a tape recorder and all these cassette tape loops

[02:01:32] [SPEAKER_05]: i had made you know where you get the texture of the tape and the the repeating click of the tape

[02:01:37] [SPEAKER_05]: loop where you've spliced the tape and all that stuff you know and uh just had just i had all this

[02:01:43] [SPEAKER_05]: stuff set up and it's like all right let's uh turn out all the lights and um we'll start watching the

[02:01:49] [SPEAKER_05]: movie on the projector and we'll just we we will engage with the movie you know we'll try to

[02:01:59] [SPEAKER_05]: reflect the movie back to itself with sound right and we had just watched the movie two nights earlier

[02:02:07] [SPEAKER_05]: so we kind of knew in a way what the dynamics were right let's not like you had things you could

[02:02:13] [SPEAKER_05]: anticipate yeah exactly and it was so fun and exciting and we took like two breaks like we took

[02:02:21] [SPEAKER_05]: a break like at an hour and then a second break like within the last 45 minutes of the movie um so

[02:02:27] [SPEAKER_05]: it wasn't non-stop for three hours but it was so great like i've never like i've like played guitar

[02:02:33] [SPEAKER_05]: noodled on guitar while i'm watching a movie at home where it's like hey just play along to the soundtrack

[02:02:38] [SPEAKER_05]: or something but i never like replaced the movie's audio and tried to really express what i was feeling

[02:02:46] [SPEAKER_05]: about the movie or what the characters were feeling like through through making music or noise or just

[02:02:51] [SPEAKER_05]: sounds right like a lot of it is just like sounds right because that's what he does i'm curious did

[02:02:56] [SPEAKER_01]: you have the film muted or at a low no muted muted captions on no caps no captions you know just work

[02:03:02] [SPEAKER_01]: off of images and the fact that you'd all as a group watched it fairly yeah yeah exactly very

[02:03:07] [SPEAKER_01]: recently yeah two days earlier i think it was i feel like we must have talked about this in the

[02:03:11] [SPEAKER_01]: buster keaton series but it is fascinating how in in a in a pre-sound era a lot of those classic

[02:03:20] [SPEAKER_01]: silent films either original score lost or original score was never recorded obviously yeah right you

[02:03:27] [SPEAKER_01]: just have no idea what it was like to see that movie or even the ones and wherever you were seeing it

[02:03:32] [SPEAKER_01]: screened if it was live accompaniment it there was subject to reinterpretation but also even the ones

[02:03:38] [SPEAKER_01]: that do have a quote-unquote definitive score there are so many people today who like write new scores

[02:03:44] [SPEAKER_01]: for them right and depending on like what release of a buster keaton film you get from which like disc

[02:03:50] [SPEAKER_01]: manufacturer label it'll have like two or three different scores and you're like this fundamentally

[02:03:55] [SPEAKER_01]: alters the movie it's fucked up when you all think about right you're like well sherlock

[02:04:00] [SPEAKER_01]: jr is a definitive film we all can talk about that and have the same experience and it's like no

[02:04:05] [SPEAKER_01]: are you watching the fucking like uh the cohen media group disc are you watching the kino lorber

[02:04:12] [SPEAKER_01]: disc are you seeing it projected with live accompaniment and we think about like film being such a finite

[02:04:16] [SPEAKER_01]: fixed thing and like the director's intent you're seeing everything as they wanted it when for the first

[02:04:23] [SPEAKER_01]: couple decades it was just like no this is there's this whole big component that is one of the most

[02:04:28] [SPEAKER_01]: emotional components totally yeah yeah yeah that is very like individual experience based one of the

[02:04:37] [SPEAKER_05]: reasons i think it worked so well and was so exciting was because this movie does as a movie have a lot

[02:04:43] [SPEAKER_05]: of obvious like it was it was improvised right and it's so fluid and so open i mean he would write

[02:04:50] [SPEAKER_02]: things and give them to people on the day but a lot of it is right right just him capturing behavior so

[02:04:55] [SPEAKER_05]: improvising back to it felt really appropriate i love it yeah felt like um did you record this

[02:05:02] [SPEAKER_05]: just gonna ask we recorded it but stupidly i'd like i didn't set the levels on the zoom recorder

[02:05:07] [SPEAKER_05]: before we recorded it was like really loud so it's like all blown out and compressed it doesn't sound

[02:05:11] [SPEAKER_05]: i mean it's kind of perfect actually for the movie it's like sound like the right well we got one

[02:05:15] [SPEAKER_05]: through right it sounds like shit yeah just like hill and empire

[02:05:21] [SPEAKER_05]: i don't know you should just do something you should though and the way it ended was well we'll

[02:05:27] [SPEAKER_05]: talk about that when we talk about the okay because we ended it in a way where i had a like

[02:05:31] [SPEAKER_05]: almost like a genuinely new experience it was awesome anyway fun having david on the show it's always a

[02:05:37] [SPEAKER_02]: treat um so i mean myself by the way i'm talking about having me on the show

[02:05:41] [SPEAKER_02]: um so after all of the things we were just talking about we have this sort of interlude with julia

[02:05:48] [SPEAKER_02]: ormond is a character called doris yeah who's talking to a police person and she has a screwdriver

[02:05:54] [SPEAKER_01]: there is it is destabilizing anytime a quote-unquote like a known actor yes actor shows up in this film

[02:06:03] [SPEAKER_05]: and you're like she looks familiar she was great actor is a great actor but is sadly kind of like

[02:06:09] [SPEAKER_01]: largely known as this incredible example of like the star making machine where she was in legends of

[02:06:16] [SPEAKER_01]: the fall right that was her big early hollywood movie and then it was like everyone in hollywood

[02:06:21] [SPEAKER_01]: decided she was the one and they cast her and the audrey hepburn role in the remake of sabrina

[02:06:26] [SPEAKER_01]: and there's this new york times article about the making of a star that's like julia ormond's been

[02:06:32] [SPEAKER_01]: going through the conveyor belt for the last year and a half everyone has anointed her there

[02:06:37] [SPEAKER_01]: everyone's now weighing in on what her haircut should be in her dress and this is the moment

[02:06:41] [SPEAKER_01]: that she's going to become an a-lister and then that movie does not connect is despised i would say

[02:06:46] [SPEAKER_01]: yeah and kind of a classic like what do you think you're doing remaking sabrina in the first place

[02:06:50] [SPEAKER_01]: and stop hamming her down our throat yes everyone was just like enough of this and now she's become

[02:06:55] [SPEAKER_01]: someone who will pop up every couple of years and like she is the daughter in benjamin button is

[02:07:00] [SPEAKER_02]: very good you know what though you love mad men right oh yes mad men do you like mad men i like it

[02:07:05] [SPEAKER_02]: i don't know if i've seen all of it megan's mother in mad men if you remember megan the french

[02:07:10] [SPEAKER_02]: canadian uh girl that don marries second wife oh yes okay uh she she has this imperious french

[02:07:17] [SPEAKER_02]: canadian mother uh miss calvey who then ends up with spoiler alert uh roger sterling this is the

[02:07:22] [SPEAKER_01]: thing she's just become kind of a really interesting character actress who will pop up and you'll be

[02:07:27] [SPEAKER_01]: like julia ormond she's still good got it she never stopped working but it there are these two phases

[02:07:34] [SPEAKER_01]: of all this energy around her for her throttling and and then on the other side of her throttling

[02:07:38] [SPEAKER_01]: way down and being like i'll just show up and play with david lynch do you know who i thought she was

[02:07:42] [SPEAKER_05]: i thought she was the actress who did that thing where she dressed up as bugs and had sex isabel

[02:07:48] [SPEAKER_05]: rossily yeah i thought it was a classic lynch collab right yeah okay yeah right okay um and makes sense

[02:07:55] [SPEAKER_02]: another sort of raven haired you know uh euro tinged uh actor who kind of looked like a huge golden age

[02:08:04] [SPEAKER_01]: movie starlets they have that kind of classical beauty yeah like right julia ormond never got to be

[02:08:10] [SPEAKER_02]: the maybe even the level of star that isabel rossilini was but that was her right the thing

[02:08:14] [SPEAKER_02]: was it's like wow this woman she's a throwback she's this right the camera loves her and she's

[02:08:19] [SPEAKER_02]: gorgeous um she's elegant she is grace she also played guinevere in first night in that like

[02:08:24] [SPEAKER_02]: two-year explosion before she then gets the smiless sense of snow and becomes a bit of a punchline

[02:08:29] [SPEAKER_02]: but yeah she's sort of one refraction of this story right this the when she appears

[02:08:36] [SPEAKER_01]: well the ripple effect i mean you're dealing with this kind of like broken chronology of the movie

[02:08:41] [SPEAKER_01]: of like what happened to this woman and then two hours later we get the scene of her finding out

[02:08:47] [SPEAKER_01]: that this affair has happened you're not really centered within it but you're almost seeing kind of

[02:08:53] [SPEAKER_01]: like these projections of the ripples of damage yeah it's like all actions it's a network of

[02:09:01] [SPEAKER_02]: associations and characters right then we have we have various things that are sort of like

[02:09:06] [SPEAKER_02]: flitting between them making on high and blue tomorrow sort of flirting on set off you know off

[02:09:14] [SPEAKER_02]: camera yeah uh justin throw has a strange conversation with uh nikki's mother husband

[02:09:21] [SPEAKER_02]: right who's this kind of like bland grumpy polish man yeah uh who says talks about like the bonds of

[02:09:29] [SPEAKER_01]: marriage and enforcing them and all that but you do have he's playing the trick a lot of you're deeply

[02:09:34] [SPEAKER_01]: in a scene and then it's like cut oh that wasn't reality it starts to create this pattern of

[02:09:41] [SPEAKER_01]: destabilization where you can be so far into a scene and still not really know what reality you're

[02:09:47] [SPEAKER_02]: dealing with and the most brilliant part of that is right when it's when they're having sex

[02:09:51] [SPEAKER_02]: it's all blue and then she says this sounds like dialogue from our script yeah and kingsley's like

[02:09:58] [SPEAKER_02]: what's going on because they are shooting yes like she's gone the other way that's a really uncanny

[02:10:02] [SPEAKER_02]: yes that line and it's really really scary and that that is really when things are uh we we sort of

[02:10:09] [SPEAKER_02]: start to exit the loose frame plot framework that we're in which which is easier to grapple with of

[02:10:15] [SPEAKER_01]: like okay they're on a movie and like reality is blurring i get it she kind of goes to advanced

[02:10:20] [SPEAKER_01]: study and it's like what about the history of commodification of women uh as an industry

[02:10:26] [SPEAKER_02]: that's when she is basically just like completely immersed and you know ends up basically going into

[02:10:34] [SPEAKER_02]: the movie i don't know how else to describe it going kind of going through a portal how would you

[02:10:39] [SPEAKER_05]: describe it david like this is when with the grocery bag when she sees axon and she walks in and now

[02:10:44] [SPEAKER_05]: she is the person that harry dean stanton saw and you have a table justin throw like pressing his head

[02:10:49] [SPEAKER_05]: up against the window right and he can't see her and now she is in what we thought was a prop house

[02:10:55] [SPEAKER_05]: and is now a new reality she's in an actual house and the reverse is like when she looks out the

[02:11:00] [SPEAKER_05]: window like there's a yard out there yeah and then it's like yeah and now through the looking glass

[02:11:05] [SPEAKER_02]: right i guess the closest way to understand it is she is inside the film in some sort of way

[02:11:09] [SPEAKER_02]: right yes because now we're kind of in this world where there's this sort of chorus

[02:11:15] [SPEAKER_02]: of uh they're called the valley girls of these sort of women are they you know are they like

[02:11:22] [SPEAKER_02]: representations of her feelings are they kind of like an external force that's trying to help her

[02:11:28] [SPEAKER_02]: or one of them is jordan ladd right i think so i can tell you the cousin sure oh yeah jordan ladd uh

[02:11:36] [SPEAKER_02]: taryn westbrook uh kristin care there's a bunch of them and i think they change sometimes like it's

[02:11:43] [SPEAKER_02]: not the same like group every time like classic david lynch trick uh they like to do things like

[02:11:49] [SPEAKER_02]: dance to the locomotion yeah you know although when they do that they seemingly multiply it it becomes

[02:11:56] [SPEAKER_02]: like 10 of them right they like to check out each other's boobs they like to talk about

[02:12:00] [SPEAKER_05]: there are some great drama of laura dern leaned up against the wall looking at them like what the

[02:12:06] [SPEAKER_02]: fuck it's so funny yeah it's the thing that i feel like has uh populated the internet the most

[02:12:13] [SPEAKER_02]: is just shots of laura dern head against the wall smoking a cigarette with this kind of vacant like i

[02:12:18] [SPEAKER_01]: don't know what i'm doing right can we like take this moment to kind of dig into laura dern more

[02:12:24] [SPEAKER_01]: sure because there's there's the stickiness of the cow campaign right and part of that is

[02:12:30] [SPEAKER_01]: at this point laura dern had gotten an oscar nomination very young yeah for um ramblin rose

[02:12:38] [SPEAKER_01]: but she's what 20 or 21 in that movie is she that young let's see she's born in 67 she would have

[02:12:44] [SPEAKER_02]: been like 23 okay you know but like obviously she's hollywood royalty she's the daughter bruce

[02:12:49] [SPEAKER_01]: stern dian lad um she's very young when she's in jurassic she kind of has this like crazy oh my

[02:12:55] [SPEAKER_02]: god she was in jurassic park yes but like that's the thing she was in like the highest grossing movie

[02:12:59] [SPEAKER_02]: as the female lead before rambling rose she has quite a long hum up like it's fabulous stains

[02:13:06] [SPEAKER_02]: yeah fabulous stains uh teachers yeah um which she's one of the students in at mask obviously

[02:13:11] [SPEAKER_02]: she's like fairly significant part in that i think she's the best performance i would my degree she's

[02:13:16] [SPEAKER_02]: good in that and then smooth talk which was like that's her breakthrough right this breakthrough which

[02:13:20] [SPEAKER_02]: is this early sundance 80s breakout film which is good what reg recommends people sing and then of

[02:13:25] [SPEAKER_02]: course blue velvet is you know oh right girlfriend first experience lynch and then talks about wild

[02:13:31] [SPEAKER_01]: at heart and both her parents uh very famous established actors right and she's one of these

[02:13:38] [SPEAKER_01]: sort of like children of the industry industry babies if you will nepo babies who uh was sort of

[02:13:44] [SPEAKER_01]: like i didn't have the intent to be an actor i sort of started getting thrown into stuff in this way

[02:13:50] [SPEAKER_01]: that i think makes people angry and envious of people who have this kind of access to the industry

[02:13:54] [SPEAKER_01]: because it sounds disingenuous well i think she is genuine about it but it was sort of like i didn't

[02:13:59] [SPEAKER_01]: want to be an actor my parents didn't want me to be an actor i'm around suddenly they can't cast a

[02:14:04] [SPEAKER_01]: role i'm doing two lines in something then it becomes a larger supporting role i didn't really

[02:14:09] [SPEAKER_01]: think of myself as an actor until i was already five or six credits in until i saw the cow right

[02:14:14] [SPEAKER_01]: and then as you're saying there was this arc and then it's sort of like oh smooth talk now she's

[02:14:19] [SPEAKER_01]: kind of like fully realized owning this as sort of like a profession right and as a craft and whatever

[02:14:24] [SPEAKER_01]: and then yeah works with really interesting directors has these interesting parts but by

[02:14:30] [SPEAKER_01]: the time she gets to jurassic she's like a veteran she's been doing it for like 10 years and she's also

[02:14:35] [SPEAKER_02]: 25 uh yeah yeah she is quite young in jurassic park but she projects i feel like she projects sort

[02:14:43] [SPEAKER_02]: of experience partly because she's been in movies for 10 years at that point partly because she's

[02:14:47] [SPEAKER_02]: there's an in khakis and you know yeah she's like a super scientist right right right and then

[02:14:52] [SPEAKER_02]: she kind of you know she kind of has a good she's great in a perfect world obviously citizen ruth

[02:14:58] [SPEAKER_02]: yes is a great performance that gets her a lot of indie further is incredible on that yeah but i do

[02:15:05] [SPEAKER_02]: feel like it's kind of like the kate winslet thing after titanic slightly less intense version of it

[02:15:10] [SPEAKER_02]: where kate winslet really just does not make a studio film for years yes she does weird indie stuff she

[02:15:15] [SPEAKER_02]: you know works with cool directors if she wants to she's like she lord doesn't really make she makes

[02:15:22] [SPEAKER_01]: october sky and this is the point i want to make i feel like when you hit 2000 laura dern starts to

[02:15:28] [SPEAKER_01]: enter weirdly a space similar to julia ormond obviously minus the backlash right but of like

[02:15:34] [SPEAKER_01]: every two years she shows up and people are like oh right laura dern laura dern's really good and then

[02:15:41] [SPEAKER_01]: she kind of disappears from people's minds again like one of her only studio movies in that era in the

[02:15:47] [SPEAKER_01]: 2000s is uh fucking jurassic park 3 where she has this bizarre role where like that movie's marketing

[02:15:54] [SPEAKER_01]: is fucking sam neill is back alan grant is back she's not in the marketing at all i remember going

[02:16:01] [SPEAKER_01]: to the theater and being like she's in this too and then her role is she's now a stay-at-home mom with

[02:16:05] [SPEAKER_02]: two kids someone calls her on the phone and is like hey can you get a plane over there i don't really

[02:16:09] [SPEAKER_01]: do that jurassic thing anymore and she's in like four scenes but all within a kitchen huh and and yeah

[02:16:15] [SPEAKER_01]: then she'll like pop up in things and be good when we don't live here anymore comes out a movie that

[02:16:20] [SPEAKER_01]: had a lot of sundance buzz and people were like this performance is incredible david denby writes this

[02:16:25] [SPEAKER_01]: very horny review that says she's maybe the best american actress and then it's like she kind of

[02:16:30] [SPEAKER_01]: dissipates again this movie felt like this sort of monument built to like take laura dern seriously

[02:16:37] [SPEAKER_01]: we need to stop taking her for granted and it works in some ways and then she continues on this

[02:16:44] [SPEAKER_01]: other path and then i feel like it took another five or six years before it's five years i think

[02:16:50] [SPEAKER_02]: it's it's starting with wild really no i know i think it starts with enlightened it's like oh you're

[02:16:55] [SPEAKER_02]: right it's like she does this and then yeah she continues on the path i think that she largely

[02:17:00] [SPEAKER_02]: chooses for herself if she does stuff if she wants to you know and it's often odd little indie movies

[02:17:05] [SPEAKER_02]: or whatever and then she does the hbo show enlightened which is not a hit i mean in the middle

[02:17:09] [SPEAKER_02]: she did play katherine harrison recount which is kind of the other kind of laura dern thing

[02:17:14] [SPEAKER_02]: like laura dern can give you really big sassy acting if you want it right she can do other stuff too but

[02:17:20] [SPEAKER_01]: she can play like a a big sort of goofy part she's in mike white's you're the dog where she goes pretty

[02:17:25] [SPEAKER_01]: big but she's incredible in that and i remember that being experienced for me of being like where's

[02:17:30] [SPEAKER_01]: laura dern been why isn't everyone using her all the time he writes enlightened for her off of

[02:17:35] [SPEAKER_05]: see enlightened i think you'd love it i did that's where she working in an office and she

[02:17:40] [SPEAKER_05]: wants to organize or get political and every she's just like annoying the shit out of everybody and

[02:17:45] [SPEAKER_01]: it was two seasons of people being like why aren't people watching enlightened why isn't this winning

[02:17:50] [SPEAKER_02]: emmys and it never kind of invented the half hour dramedy but yeah right that's exactly yeah yeah i

[02:17:56] [SPEAKER_02]: think you're right people are like i don't get it it's not that long but it made me feel sad too

[02:18:00] [SPEAKER_02]: right and but it is kind of funny but also like i'm really moved what's going on here right

[02:18:05] [SPEAKER_01]: then off of that wild is one of those famously short amount of screen time versus nomination

[02:18:10] [SPEAKER_01]: performances where she's just kind of undeniable in three flashback scenes and it feels like everyone

[02:18:16] [SPEAKER_01]: going like right we should celebrate every single time what is wild um it's an adaptation of the

[02:18:21] [SPEAKER_02]: cheryl strait memoir oh sorry reese witherspoon not really it's a she's like the appalachian trailers

[02:18:28] [SPEAKER_02]: yeah it's a movie i think is magnificent and it's it's people put it in the sort of chick movie

[02:18:38] [SPEAKER_02]: basket or the like yeah good not great to get an oscar nomination showcase i've seen it several

[02:18:44] [SPEAKER_02]: times i think it is an incredible movie which is shocking to me given that i largely despise

[02:18:50] [SPEAKER_02]: uh the work of the man who made it i he seemed like a nice guy and he died which is very sad john

[02:18:55] [SPEAKER_01]: mark bellet but uh who then does big little lies right she's also in the best show this web of

[02:19:04] [SPEAKER_01]: collaborators right who are going like i need to build more shit for laura dern right yeah yeah

[02:19:09] [SPEAKER_01]: wild she's reese witherspoon's dead mother and i think she truly has like seven minutes of screen

[02:19:14] [SPEAKER_02]: time very brief she's this luminous her mother is gone at this point but it's she's this luminous

[02:19:19] [SPEAKER_02]: presence in her memory it's like three and it's perfect laura dern just like she's like a fucking

[02:19:24] [SPEAKER_01]: planet she's undeniable but that's the everyone leaned in and we're like we have to nominate this

[02:19:29] [SPEAKER_01]: right i know it feels insane because she's not in it very much it was seen as a slightly surprising

[02:19:35] [SPEAKER_05]: nomination it was like the guy in uh into the wild yes what's his name hal holber he has one scene

[02:19:41] [SPEAKER_01]: but didn't he get nominated more but yeah he did get nominated yeah he's so incredible amazing in

[02:19:46] [SPEAKER_02]: that movie um but he says he wants to be his grandpa that shit that movie that's another movie

[02:19:51] [SPEAKER_01]: i love that movie yeah 2010s feels like laura dern finally like fucking achieving icon status right

[02:19:58] [SPEAKER_02]: and it's like right she wins an oscar she's in star wars she's you know what did she win an oscar for

[02:20:03] [SPEAKER_02]: she won an oscar for marriage story where i feel like she's sort of oh she's the crazy lawyer divorce

[02:20:08] [SPEAKER_02]: lawyer it's kind of like the big little lies thing it's like right she can give you this like big

[02:20:12] [SPEAKER_02]: comic right you know annoying personality or funny personality you know like she's been doing that

[02:20:17] [SPEAKER_01]: her whole life this in like a cynical way but it almost feels like a calculated you know what if

[02:20:22] [SPEAKER_01]: someone gave laura dern this kind of monologue she would win an oscar like bomb back was just like

[02:20:27] [SPEAKER_01]: it's just waiting there for someone to take advantage of it if you just have her do this for 15 minutes

[02:20:33] [SPEAKER_01]: in this kind of structure people are going to flip out i feel like she's kind of at her most workaholic

[02:20:39] [SPEAKER_02]: now it might just also be because you know actors get older they're less occupied by you know their

[02:20:44] [SPEAKER_01]: kids or you know they go into the other side of that beloved i i feel like everyone just values her

[02:20:51] [SPEAKER_01]: so much now as they should and even like that show palm royal the kristin wig uh oh yeah the

[02:20:58] [SPEAKER_01]: show yeah lure dern acquired it and developed it and then was like i'm too busy to star in it i'll ask

[02:21:04] [SPEAKER_01]: kristin wig to do it i have other shoots to do like she's kind of just fucking been on top of the

[02:21:09] [SPEAKER_01]: world for a number of years now i would argue so let me ask you a question about her in inland empire

[02:21:14] [SPEAKER_05]: yeah so obviously we're saying like david lynch obviously isn't loves laura dern right is an

[02:21:22] [SPEAKER_01]: incredible on-camera presence and even shot on the worst camera in the world is just radiant as we're

[02:21:28] [SPEAKER_05]: but given the fact that she never really knew what was going on i think this is it still acting

[02:21:34] [SPEAKER_01]: like is it still good acting well i this is my whole take on why this movie is about acting and

[02:21:39] [SPEAKER_01]: why that's what he ends up finding as the spine across it as he's watching her react to this method

[02:21:45] [SPEAKER_01]: of shooting is like this is in a weird way the purest form of acting but also how many people on

[02:21:53] [SPEAKER_01]: earth can do this like so fucking few it's like maybe double digits for like who can hold the camera

[02:22:01] [SPEAKER_01]: understand how a shoot works understand the mechanics of acting but also on camera acting

[02:22:06] [SPEAKER_01]: which is a very different thing and be this quick of a process of material be able to like identify

[02:22:12] [SPEAKER_01]: the truth in a scene without any real time to study it or crack it which is how lived experiences now

[02:22:18] [SPEAKER_05]: that i think about it like when we act like in quotes live our lives yeah express ourselves

[02:22:25] [SPEAKER_05]: we don't have like you can have a sense of what the arc of your life is like or what this weekend

[02:22:30] [SPEAKER_05]: is going to be like but we don't have a screenplay so i guess in a way it does make sense this was shot

[02:22:35] [SPEAKER_05]: like day by day the way life is lived right day by day and she just had to react in any given moment

[02:22:40] [SPEAKER_01]: i guess to how she was feeling and that also means you kind of got to be perfect in every take

[02:22:44] [SPEAKER_01]: right yeah right because it's like that's interesting there's no sense of intentionality

[02:22:48] [SPEAKER_01]: or like strategy she can apply to how she constructs this performance it's like in the

[02:22:54] [SPEAKER_01]: way people saying that like acting is reacting and just being present responding to your scene partner

[02:22:58] [SPEAKER_01]: it's like that's what she's doing with david lynch right he's her scene partner right she's reacting

[02:23:05] [SPEAKER_01]: to what he's giving her and i think he's just going every day it's why he fucking rented a cow

[02:23:11] [SPEAKER_01]: where he's like i've watched the mechanics of this woman working i give her nothing and suddenly

[02:23:16] [SPEAKER_01]: she gives you something that like most actresses would spend four months studying to crack that

[02:23:22] [SPEAKER_01]: monologue like how is she capable of this and also as one of these people who is not by all accounts

[02:23:28] [SPEAKER_01]: precious about her process is not a method actor quote unquote any way we think of right it's just like

[02:23:35] [SPEAKER_01]: i don't know i just sort of feel it and i get there so you like this performance i think it's

[02:23:39] [SPEAKER_01]: incredible i think it's stunning i think she's one of the best actors alive um and i think she can be

[02:23:45] [SPEAKER_01]: so entertaining which now she gets a lot of credit for that sometimes the like actual grit of the depth

[02:23:53] [SPEAKER_01]: she can go to if she wants to she doesn't often do this sort of torrid tortured shit right is taken a

[02:24:02] [SPEAKER_01]: little for granted i think i know i keep saying this over and over again um but i think this film is

[02:24:08] [SPEAKER_01]: so fascinating in her arc and much like mulholland drive there is this feeling in both cases of these

[02:24:15] [SPEAKER_01]: narratives of these women who are just like i am waiting for the opportunity to show everyone what

[02:24:20] [SPEAKER_01]: i have in me which is most struggling actors is this feeling of like i've got all this shit bottled

[02:24:27] [SPEAKER_01]: in me i got these feelings i need to get out of my system and someone just needs to give me this space

[02:24:32] [SPEAKER_05]: for catharsis you're talking about the characters in the movies or the actual working actors who are

[02:24:38] [SPEAKER_05]: collaborating with david the characters in the movie i think like when naomi watts has that

[02:24:42] [SPEAKER_01]: incredible audition naomi watts is interesting because it's a complete overlap of she the actress

[02:24:47] [SPEAKER_01]: is feeling the exact same thing the character is feeling this is her chance lord durn i don't think

[02:24:52] [SPEAKER_01]: is feeling that lord durn is like this is a fun experience of working with my buddy david yeah we're

[02:24:56] [SPEAKER_01]: working on a little project together right but what she's playing is someone who it does feel like

[02:25:01] [SPEAKER_01]: in the immediate pressure of i got this big audition it's like is this a chance for something different

[02:25:07] [SPEAKER_01]: for me maybe it's not the naomi watts i'm unknown and this is going to make me immediately a star but

[02:25:13] [SPEAKER_01]: it's like is there a thing inside of me i haven't gotten out yet and and you know he's like these two

[02:25:21] [SPEAKER_01]: movies back to back with some years in between both of them have very bizarre processes to getting to the

[02:25:27] [SPEAKER_01]: finish line are both sort of about this like this sense of desperation of like if you really have

[02:25:34] [SPEAKER_01]: something you want to say in an industry that is kind of like inherently ugly evil feeds on that

[02:25:42] [SPEAKER_01]: desperation yeah feels lecherous and predatory even just every cut to like harry dean stanton's face

[02:25:48] [SPEAKER_01]: is like is this guy a problem they're constantly just being some guy in a suit watching you and

[02:25:54] [SPEAKER_01]: nodding approvingly or like frowning like the sphinx and then hitting you up for money right and

[02:26:00] [SPEAKER_02]: then she's like spiraling into despair but i also feel like there's this sense of like this is a

[02:26:05] [SPEAKER_02]: different take but it's like you have this melodrama they're making it's like what if we keep tunneling

[02:26:11] [SPEAKER_02]: down into a story does it always come back to some sort of folktale that is like once there was a

[02:26:18] [SPEAKER_02]: child and he went into the world and then there was evil he saw his reflection isn't that what it

[02:26:23] [SPEAKER_05]: is he saw his reflection and evil followed him into the world and you're like right right right

[02:26:26] [SPEAKER_02]: if we just sort of like keep dissembling and iterating right over and over on some like oh i've

[02:26:32] [SPEAKER_02]: written this melodrama and it's you know indicative of this and it's a reference to that and it's like

[02:26:37] [SPEAKER_02]: right but at the end of it all of the big tunnel it's like we've been telling the longest story

[02:26:43] [SPEAKER_02]: forever and the story is just like there's evil in the world or a person transgressed against something

[02:26:50] [SPEAKER_01]: the twin peak stuff yeah which is also interesting when so much of lynch's work is i'm starting with

[02:26:55] [SPEAKER_01]: like a well-worn proven american genre staple and going into those cliches and then starting to pull

[02:27:04] [SPEAKER_01]: them apart reconstruct them but i'm starting with a very basic noir setup or whatever it is a woman in

[02:27:11] [SPEAKER_02]: trouble right he's like the film's about a woman in trouble and you're like yes sure it is laura

[02:27:17] [SPEAKER_02]: dern is in trouble right but then also the film starts with a person a woman we don't know the name

[02:27:23] [SPEAKER_02]: of or really anything about in a hotel room who's clearly in trouble right and then we're seeing

[02:27:29] [SPEAKER_02]: this snowy polish street suddenly or whatever and like you know we're seeing the valley i don't know

[02:27:37] [SPEAKER_02]: like there's just lots of versions of the same thing happening in different reflections and uh

[02:27:44] [SPEAKER_06]: that's that's what the movie's about to me who's the wide-eyed actor i think he's a polish actor

[02:27:51] [SPEAKER_06]: who plays i think her husband sure yeah okay yeah uh like when she is sort of inhabiting the working class

[02:28:02] [SPEAKER_05]: version of when they're in the little house and they're having their domestic thing yeah right

[02:28:06] [SPEAKER_02]: um but he's it's this right that's the same guy who's the fancy polish guy it's the same actor who

[02:28:13] [SPEAKER_01]: is her husband in real life he's just opening her his uh eyes much wider yeah right he is really um

[02:28:20] [SPEAKER_05]: striking but scary he's a scary presence yeah there's some intense intense presences in this

[02:28:27] [SPEAKER_05]: movie there are some mugs yeah there's some mugs there's some mugs up in this one yeah for sure

[02:28:33] [SPEAKER_06]: because the thing is i'm also looking up and you know we've been at it yeah are we gonna get through

[02:28:38] [SPEAKER_02]: it we are because it at this point there's less now it's mostly vibes like you don't have to worry

[02:28:45] [SPEAKER_05]: about like oh we forgot the car chase where they realized that the diamond was actually in the right

[02:28:49] [SPEAKER_01]: i'll tell you the shot that blew my mind it's when he does the slow camera pan away from laura

[02:28:55] [SPEAKER_01]: that within the shot transitions to poland in the early 1900s that's dope and also the match fade

[02:29:03] [SPEAKER_05]: between the guys in poland at the table who reposition themselves so that they're synced up

[02:29:08] [SPEAKER_01]: with the rabbits when that scene is awesome but i also i feel like that time travel shot

[02:29:13] [SPEAKER_01]: basically the movie entering a portal right right is the kind of thing i have seen so many like

[02:29:20] [SPEAKER_01]: i don't know the fucking the walk or gangs in new york does a version of at the end where it's like

[02:29:24] [SPEAKER_01]: we're staying in this location but traveling through time and now i'm used to so many versions

[02:29:29] [SPEAKER_01]: of this shot that are like big showcase of cgi skyscrapers get built right or falling down or

[02:29:34] [SPEAKER_01]: whatever it is yeah and this is just truly he's on her face the camera is clearly on a tripod

[02:29:39] [SPEAKER_01]: it swivels and as it swivels the color pulls out of the image it goes to sepia and then you see like

[02:29:46] [SPEAKER_01]: a horse-drawn carriage yeah and then on the other side of the camera when it lands here are women

[02:29:52] [SPEAKER_01]: dressed in period clothing and you're like oh i guess we travel through time it's so simple

[02:29:57] [SPEAKER_02]: you're no you're it's a good call you're making me want to rewatch it it is very cool and i do think

[02:30:02] [SPEAKER_02]: like you said he does get so much out of it it's so freaky being there yeah the landscape is so cool

[02:30:09] [SPEAKER_01]: um and can i throw out my quick yes so i i was uh talking to someone a native of warsaw when i was

[02:30:18] [SPEAKER_01]: there and i was like in the downtown area and i was like i find it so relaxing here i'm used to cities

[02:30:25] [SPEAKER_01]: like living new york where it's this tightly compressed grid and everyone's crammed in and

[02:30:30] [SPEAKER_01]: everyone's rushing and here like the streets are so wide the sidewalks are so wide everything feels

[02:30:37] [SPEAKER_01]: so open why aren't all cities built like this and she was like well they built it like this for the

[02:30:42] [SPEAKER_01]: rallies and i was like that's why this place is sad like there's right yeah like that where anything

[02:30:49] [SPEAKER_01]: you can point at where you're like there's an interesting vibe to know cities laid out like this

[02:30:53] [SPEAKER_01]: and you're like that's the thing they destroyed we built it this way because of this that's the

[02:30:57] [SPEAKER_01]: last vestige it's the only building that didn't get burned down right and there is i just think

[02:31:02] [SPEAKER_01]: there's something he's tapping into of that cultural identity i just feel like in my experience

[02:31:08] [SPEAKER_01]: the people of poland just carry that shit with them it just feels deep in there and the fact that

[02:31:14] [SPEAKER_01]: he's using so many polish actors he's not just hiring actors to put on polish i think right first thing he

[02:31:21] [SPEAKER_02]: shot in poland when he's there you know taking pictures of factories and shit and he's like i

[02:31:25] [SPEAKER_02]: kind of want to write something and film it is the scene where it's the three old men at the table

[02:31:30] [SPEAKER_02]: and that was just right that was like a fragment that he came up with and he's like i'm gonna go from

[02:31:35] [SPEAKER_02]: here but like that's that's the beginning of whatever this genesis is she burns you know she

[02:31:41] [SPEAKER_02]: the valley girls tell her to maybe burn a hole in a you know in in in some tights or whatever and look

[02:31:46] [SPEAKER_02]: through the silk and we start to see right things like the rabbits again the lost girl again the husband

[02:31:54] [SPEAKER_02]: attacking his wife or mistress things like uh her talking you know the lord during monologuing to mr k

[02:32:03] [SPEAKER_02]: right all of that stuff starts to pop that's the stuff at the table when she has the accent and

[02:32:07] [SPEAKER_02]: she's bruised up she's saying fuck her a lot yeah sure is yeah uh the locomotion is happening then

[02:32:14] [SPEAKER_02]: uh also they dance to at last i think they had a james song you know what else have we got there's a

[02:32:21] [SPEAKER_02]: back song at one point right one of the wildest when we land on the black hollywood boulevard yeah

[02:32:26] [SPEAKER_02]: that's later yeah that's uh you have the backyard party where some of the valley girls are there

[02:32:32] [SPEAKER_02]: where smithy her husband in this reality has ketchup all over his shirt and he's they're all talking

[02:32:39] [SPEAKER_02]: absurdly and like very surreally like have the hot dog that shit is definitely i think if you are

[02:32:46] [SPEAKER_02]: just like i'm gonna go see a movie tonight at the ifc center when you're like should i i'm not and i

[02:32:52] [SPEAKER_02]: have no disdain for this like should i leave like right have i just completely like i just feel like

[02:32:57] [SPEAKER_01]: i have spaghetti in front of me i've read the temperature wrong this is not the night i wanted

[02:33:00] [SPEAKER_05]: right right like yeah because sometimes with david like especially in the return when it's like 20

[02:33:05] [SPEAKER_05]: minutes of a guy sweeping a floor it's like are you fucking with me like what's going on really like

[02:33:09] [SPEAKER_05]: come on level with me bro like what are we doing here yeah but that's the scene the backyard

[02:33:13] [SPEAKER_05]: scene is important isn't it because that's when smithy's like yeah i'm gonna go take care of these

[02:33:17] [SPEAKER_05]: animals with the with this group of people which is something that beat up laura dern describes to

[02:33:23] [SPEAKER_05]: the guy at the desk in uh when she's talking when she's talking about the monologues right we're

[02:33:29] [SPEAKER_06]: sort of seeing versions of that we should also say that she introduces the idea of the phantom

[02:33:33] [SPEAKER_06]: yeah it's just an important character and the climax that's who she shoots right yeah totally

[02:33:40] [SPEAKER_05]: the phantom is sort of another hot mug intense mug that guy right sure is sort of the villain of the

[02:33:48] [SPEAKER_02]: film if you want to be it's kind of the thanos yeah bob yeah he seems to i guess be you know the

[02:33:57] [SPEAKER_02]: husband of the other woman maybe right or something you know of the lost girl the girl we see in the in

[02:34:04] [SPEAKER_02]: the hotel room but i also at one point we see a guy with a red light bulb in his mouth

[02:34:10] [SPEAKER_02]: being weird that's the phantom but i also is axon m or whatever i guess so but also i think the

[02:34:18] [SPEAKER_02]: crazy iconic image of laura dern's face blown up on her head with the on his head yeah on his you

[02:34:24] [SPEAKER_02]: know right that's him right right yeah that's the boy who saw his reflection and evil followed him

[02:34:29] [SPEAKER_05]: into the world it's like one of the great david lynch doppelganger moments where it's like oh right

[02:34:34] [SPEAKER_02]: everyone in your dream is you right um yes right yes that's that's a good way of thinking

[02:34:40] [SPEAKER_02]: about it uh at some point someone mentions inland empire which is really funny because

[02:34:44] [SPEAKER_02]: it almost feels like late in the movie they're like has anyone actually said inland empire in this

[02:34:49] [SPEAKER_02]: movie david lynch is like there's one thing we forgot to shoot someone has to say the name of the

[02:34:54] [SPEAKER_02]: movie even though from my limited understanding of uh la this is not really set in the inland

[02:34:59] [SPEAKER_02]: empire it's mostly no it's set in la yeah it's right in hollywood on the soundstage but i think

[02:35:03] [SPEAKER_02]: someone said to david lynch like i grew up in the inland empire and he was like inland empire i mean

[02:35:09] [SPEAKER_05]: it's a perfect it's a perfect name for a david lynch movie because inland empire sounds like a poetic

[02:35:16] [SPEAKER_02]: way of saying like your dream space right yeah what is it's just this giant fucking boring it's what

[02:35:23] [SPEAKER_05]: you drive through to to uh to get to palm springs oh but it's huge i mean it's a huge metropolitan area

[02:35:31] [SPEAKER_02]: uh it's flat it's east east of la you know huh and it's a lot of desert and then just like huge

[02:35:38] [SPEAKER_05]: warehouses kind of right areas and right you know but the movie is not set in i mean no it's not not

[02:35:44] [SPEAKER_05]: geographically psychologically i think it's supposed to be like an inland inland empire right right uh if

[02:35:50] [SPEAKER_02]: you think david was pointing at his noggin yeah the the real inland yeah it's as in as you can get

[02:35:58] [SPEAKER_02]: i can't get through all of this but you know what we're eventually getting to is sort of the

[02:36:02] [SPEAKER_02]: the quote-unquote end of on high and blue tomorrows where suddenly laura dern sue whoever

[02:36:10] [SPEAKER_02]: uh is with the valley girl she's back in her house and she sort of gets transported to the streets of

[02:36:14] [SPEAKER_02]: la she's being attacked by the valley girls or yelled at she's they review each other's

[02:36:20] [SPEAKER_05]: i'm a whore no no that's i'm saying like i'm saying like the sort of end i'm a whore i'm afraid

[02:36:25] [SPEAKER_02]: and she starts laughing uh yeah you know she ends up being sort of beaten the mr k monologues kind of

[02:36:34] [SPEAKER_02]: end and she gets like stabbed and dies on the street uh with terry cruise there yeah i'm glad he made it

[02:36:45] [SPEAKER_01]: yes you know like just because uh david lynch you know the work output slows down the last 20 years

[02:36:54] [SPEAKER_01]: right there are a lot of modern actors who never got to work with him which is why you get so many

[02:36:57] [SPEAKER_01]: people jumping in on the return just like i'm glad terry cruise made the cut i'm glad he's famous at this

[02:37:03] [SPEAKER_01]: point he's a former football player but he had done like white chicks and friday after next

[02:37:08] [SPEAKER_05]: isn't he an idiocracy when was idiocracy that's sure he probably done idiocracy did i think

[02:37:14] [SPEAKER_01]: narrowly escape into four theaters this same year 2006 yeah right but he's basically everybody

[02:37:19] [SPEAKER_01]: hates chris started the year before he's a growing kind of comedy character actor i mean i

[02:37:26] [SPEAKER_02]: remember when i saw him in everybody hates chris because i think i didn't see idiocracy till a

[02:37:30] [SPEAKER_02]: couple years later on like video or whatever i was like where did they find this guy this guy is

[02:37:34] [SPEAKER_01]: fucking hilarious that was my feeling in white chicks a film i mostly find dire and then you're

[02:37:38] [SPEAKER_01]: like be kind of brilliant that's the thing if we rewatch it now are we gonna have a jack and jill

[02:37:42] [SPEAKER_01]: style reappraisal yeah um anyway he's incredible in that yeah basically playing the uh nobody's

[02:37:49] [SPEAKER_01]: perfect role anyway yeah terry cruise is in there yeah there are these three street people is what

[02:37:54] [SPEAKER_02]: they're called in the in the credits uh one of them played by the actress maybe sort of singer

[02:38:01] [SPEAKER_02]: and called nay who is later in twin peaks the return gives this incredibly long monologue about

[02:38:06] [SPEAKER_02]: a friend of hers that is very compelling but completely inscrutable at least about nico

[02:38:12] [SPEAKER_05]: her friend who you assume is like a sex worker or something and then something very bracing

[02:38:17] [SPEAKER_05]: and it's really really awful physical description when she says yeah she has a hole in her vagina

[02:38:25] [SPEAKER_05]: that goes into her intestine and it's like this really grounding horrifying moment where you realize

[02:38:30] [SPEAKER_05]: like for all of david lynch's love of his of his female care his female characters and all the

[02:38:37] [SPEAKER_05]: violence that happens to them throughout all so many of his movies and just how how awful men can be to

[02:38:43] [SPEAKER_05]: women and then but it but it also so often feels allegorical in a way as graphic as the visuals can be

[02:38:50] [SPEAKER_05]: but something about this line of dialogue is just like oh right this is what violence does right and

[02:38:57] [SPEAKER_05]: does that make sense very very striking embracing and sobering i mean i keep going back to this but

[02:39:03] [SPEAKER_01]: like the discourse after blue velvet of people arguing over whether the film was exploitative

[02:39:11] [SPEAKER_01]: right i think in every film after that when he wants to deal with violence against women as a subject

[02:39:20] [SPEAKER_01]: he really feels a responsibility to be like i'm not dealing with this as a plot point right i actually

[02:39:26] [SPEAKER_01]: need to engage with the effects of this right you know like i and part of it is i think him genuinely

[02:39:32] [SPEAKER_01]: trying to and this is so much what twin peaks is about wrap his head around like how can this level

[02:39:38] [SPEAKER_01]: of evil exist how can people perpetuate this level of harm you know and and how do people survive that

[02:39:46] [SPEAKER_01]: i think that's the other side of it yeah yeah right how do people go on from this sort of thing and

[02:39:51] [SPEAKER_01]: that whole monologue is being delivered to lord durn who is then off camera you're not sort of

[02:39:56] [SPEAKER_01]: cutting back to her reaction shots the actor there's almost like five consecutive minutes where

[02:40:00] [SPEAKER_01]: you're holding on her and almost forgetting lord durn is there and she's been stabbed at this point

[02:40:05] [SPEAKER_01]: yeah she's bleeding is bleeding out on the street right and this like the film reaches like such

[02:40:10] [SPEAKER_01]: a pinnacle of discomfort and what you're saying that's sort of like absolutely barren hollow despair

[02:40:16] [SPEAKER_01]: and then you see the fucking seat of a camera crane and jeremy irons calling cut and doing the fucking

[02:40:22] [SPEAKER_01]: picture wrap applause right it is so destabilizing to have the rug pulled out from under you and be

[02:40:29] [SPEAKER_01]: like yep movies right acting right which is of course what you're fucking watching and you would think for

[02:40:36] [SPEAKER_05]: a lot of directors they'd be like they would end there and be like good enough it was all a movie

[02:40:40] [SPEAKER_02]: instead the film continues for a while laura durn does not speak again in the film she's like in

[02:40:46] [SPEAKER_02]: a strange fugue state for the rest of the movie uh it's clear that like what me saying it's clear

[02:40:54] [SPEAKER_02]: right now it's patently obvious that what actually happens is it feels like whatever recursive kind of

[02:41:02] [SPEAKER_02]: like dream she was locked in she has exited to some extent you read it as okay we are back

[02:41:09] [SPEAKER_02]: a little back and like she she went into this loop and like was sort of moving through worlds or

[02:41:14] [SPEAKER_01]: moving through stories which is also very fucking mulholland drive of like right we've landed and

[02:41:20] [SPEAKER_02]: yeah now she she seems to be sort of empowered or in you know filled with some sort of knowledge

[02:41:27] [SPEAKER_02]: because she then goes to find the phantom and destroys it right essentially yeah like we're

[02:41:36] [SPEAKER_02]: watching her she goes into this movie theater right and then she this whole sequence is so awesome

[02:41:40] [SPEAKER_02]: on the screen it's incredibly awesome this is right the point at which if you did make it through

[02:41:46] [SPEAKER_02]: the middle chunk of the movie you're kind of like pain i don't know what's going on but i am right

[02:41:51] [SPEAKER_01]: so transfixed you also in this section get am i wrong the lost woman back in the hotel room

[02:41:57] [SPEAKER_01]: now instead of watching rabbits watching the movie we've been watching yeah and then laura dern

[02:42:01] [SPEAKER_05]: comes in and kisses her and that sends the lost girl or lost woman back into the house which is for

[02:42:08] [SPEAKER_01]: me and reunites with her husband and the son a key part of my reading which is like why why do

[02:42:14] [SPEAKER_01]: this why pursue this why almost like what you were saying about like this weird tradition of dressing

[02:42:19] [SPEAKER_01]: up and entertaining strangers in the dark like why make a fucking movie why try to act is like in

[02:42:25] [SPEAKER_01]: that instant oh instant a woman sitting on a bed in a hotel room after a bad experience flipping

[02:42:32] [SPEAKER_01]: through channels lands on something that for 45 seconds helps her process her shit which isn't to

[02:42:38] [SPEAKER_01]: say that art is therapy for others but that it's about finding things that you can actually connect

[02:42:43] [SPEAKER_01]: with in some way you know that helps sort of reveal things to you or make you make sense of your own

[02:42:48] [SPEAKER_01]: life that aren't just reflecting back the things you know you like but are challenging in a way that

[02:42:55] [SPEAKER_01]: pulls something new out of you that sometimes can be productive absolutely yeah and i mean i don't know

[02:43:01] [SPEAKER_02]: how to describe exactly what it is but she moves through these sort of industrial spaces and doors

[02:43:07] [SPEAKER_02]: lynchian and confronts the phantom who is first the phantom man right and then is this odd projection of her

[02:43:16] [SPEAKER_05]: face and she which is another thing i remember from seeing it in 2007 on the big screen the face first

[02:43:24] [SPEAKER_05]: we see her face as she runs towards the camera along that pathway and then we see that same face kind of

[02:43:29] [SPEAKER_05]: crappily uh put over the phantom's face i gotta say no one does shitty fx better than david lynch he's

[02:43:38] [SPEAKER_05]: the he adds in in the return when she opens her face like he has such he knows exactly how crappy

[02:43:45] [SPEAKER_05]: special effects can be where it actually somehow like adds to the uncanniness or the drama of it that

[02:43:53] [SPEAKER_05]: it kind of just looks like like even the title that what i don't know what he what font this is

[02:43:59] [SPEAKER_05]: inland empire it's like helvetica but like he compressed it and it's like so janky but it's

[02:44:04] [SPEAKER_01]: like so great i was gonna say the poster is very graphic design is my passion absolutely it's so

[02:44:10] [SPEAKER_02]: works in a bulky weird emotion yeah yeah actually i don't know his process but he does kind of feel

[02:44:16] [SPEAKER_02]: like a guy who just played around with like ipoto right in the early 2000s on a mac like messing with

[02:44:22] [SPEAKER_01]: pixels that's his whole david lynch.com era is just like what can i do with this new fancy computer

[02:44:27] [SPEAKER_02]: machine when i talked to jane schoenbren about um i saw the tv glow like great film right they told me

[02:44:34] [SPEAKER_02]: that so much of the vfx conversations were that they were too good because it's kind of impossible for

[02:44:41] [SPEAKER_02]: them to not be pretty good even on a lower budget these days right exactly how do we degrade this

[02:44:46] [SPEAKER_02]: without it feeling too insane you know like to what it's you know no show me that earlier rendering you

[02:44:50] [SPEAKER_02]: had that looked fucked up why did you you know not why did you clean it up but like can we get it back

[02:44:54] [SPEAKER_01]: to that you know it's what i find so interesting about what feels like a truly like new wave of

[02:45:01] [SPEAKER_01]: for 20 or 30 years we've had people who are influenced by david lynch but it often feels like they're trying

[02:45:07] [SPEAKER_01]: to copy lynchian stuff rather than finding their own version of what lynch was able to express and

[02:45:13] [SPEAKER_01]: rather than trying to copy his visuals or language they're starting to figure out their own language

[02:45:18] [SPEAKER_01]: but tapping into a similar creative process or finding things that have some weird uncanniness or

[02:45:25] [SPEAKER_01]: some inexplicable right power like that movie is a great example of that for me where i'm just like

[02:45:31] [SPEAKER_01]: have you seen that film i saw tv glow you'd like it i think i think it's really depressing isn't it

[02:45:36] [SPEAKER_02]: it's about two kids bonding over i don't think you would really find it super depressing oh it's got

[02:45:41] [SPEAKER_02]: some of the absolute hollowed out shit it is a melancholy to upsetting to disintegrating i can't

[02:45:48] [SPEAKER_02]: get hollowed out too often but the next time i'm due for a hollowing when you're in an elk

[02:45:51] [SPEAKER_02]: check it out yeah yeah and so after destroying the phantom we're you know we wind towards the end

[02:45:58] [SPEAKER_02]: seems like the lost girl is freed like it feels like the rabbit nikki goes to the rabbit's house

[02:46:04] [SPEAKER_02]: four seven and she goes through the door and is in their place and uh she's like you say ends up

[02:46:11] [SPEAKER_02]: back on the couch smiling wearing a gown and then we have a lovely dancing scene laura herring is

[02:46:16] [SPEAKER_02]: there natasha kinski is there yeah my man song the log twin peak shout out um yeah you know a lot of uh

[02:46:25] [SPEAKER_02]: a lot of uh anyway it's really good and people exit being like uh that was great and i loved it

[02:46:31] [SPEAKER_02]: i don't know so let me open to 24 million dollars number one at the box let me tell you what happened

[02:46:37] [SPEAKER_05]: my experience of the end of the movie watching it for the third time when we were playing along to it

[02:46:42] [SPEAKER_05]: something really interesting happened so at this point we've been we've been engaging with the

[02:46:47] [SPEAKER_05]: movie for like what is like two hours and 45 minutes and now we reach this final sequence which

[02:46:54] [SPEAKER_05]: is now it is so explicitly david lynch dealing with his some of his favorite themes which is

[02:47:02] [SPEAKER_05]: people watching other people through the radiator through the closet door on screens on tv screens

[02:47:09] [SPEAKER_05]: and now laura dern is like watching herself she first she sees a snippet of the movie she was in

[02:47:15] [SPEAKER_05]: then she sees herself and she goes up the stairs all this crazy stuff is happening right so we're

[02:47:21] [SPEAKER_05]: playing like making noises and sounds all this stuff playing music i remember that the music in

[02:47:27] [SPEAKER_05]: the actual film is like a ballad it's like a really melodramatic beautiful traditional song right

[02:47:34] [SPEAKER_05]: that he probably co-wrote with somebody so i was i had this little tape loop of like some old

[02:47:39] [SPEAKER_05]: snippet of like a symphony or something it's like orchestral strings but it's just a little loop it's

[02:47:44] [SPEAKER_05]: like two seconds or something so it's just looping and looping with like a echo pedal like making it

[02:47:49] [SPEAKER_05]: get bigger and bigger and more abstract and it's like we're reaching this climax and drummer's going

[02:47:54] [SPEAKER_05]: crazy on the cymbals and everything as we're watching laura dern watching herself and it's like we know

[02:47:59] [SPEAKER_05]: everything is wrapping up because we watched the movie like we know where it's headed it's headed to this

[02:48:03] [SPEAKER_05]: resolution something really a really great accident happened which is that we stopped playing

[02:48:12] [SPEAKER_05]: too soon we stopped playing before the end of the movie so that that final shot of laura dern

[02:48:18] [SPEAKER_05]: in her blue dress sitting on the sofa looking at us you're hearing like this echo fade away and the

[02:48:26] [SPEAKER_05]: cymbals fade away and then we just kind of like because we're facing the screen we've been facing the

[02:48:31] [SPEAKER_05]: whole time we kind of just sat in silence and looked at laura dern looking at us and i like i got goosebumps

[02:48:40] [SPEAKER_05]: it was a really great moment because it was like so like you know and also just thinking about like

[02:48:45] [SPEAKER_05]: i've known i've been like i've fucking like watched a racer head like 34 years ago like david lynch has

[02:48:50] [SPEAKER_05]: been such i'm not a completist sure i'm not a super fan but it's like this guy has been a part of my

[02:48:56] [SPEAKER_05]: adult life and a certain part of my sensibility like my whole life and now we've just like engaged with

[02:49:03] [SPEAKER_05]: this movie in a way that i've never engaged with the movie before this movie is the last move could be

[02:49:09] [SPEAKER_05]: the last movie made by a guy who is so into the the porousness between dreams and realities and self

[02:49:16] [SPEAKER_05]: and doppelganger and all these things and screens and watching and being watched and now it's like

[02:49:22] [SPEAKER_05]: this thing has ended and we're just looking at laura dern and she's looking at us as if we had just

[02:49:26] [SPEAKER_05]: as if it had been like an honest collaboration the spirit of this movie the fact that he's so freaking

[02:49:33] [SPEAKER_05]: creative like there are a lot of great auteurs and great directors like paul thomas anderson isn't

[02:49:39] [SPEAKER_05]: pointing a stick at a painting with a ball attached trying to figure out if the painting is done you

[02:49:44] [SPEAKER_05]: know like yeah this is a true artist yes this guy is a true artist he has tunneled into another dimension

[02:49:50] [SPEAKER_01]: in a way and it was so and it has had a monastic almost commitment to the idea of what it means to

[02:49:56] [SPEAKER_01]: be an artist as a way of life not just i make art but like this is my primary identity yeah totally

[02:50:02] [SPEAKER_05]: and there was something so cool and uncanny but like in a happy way to be facing laura dern as if

[02:50:10] [SPEAKER_05]: we had all just finished like we did it we're back laura dern is back on her sofa a woman in trouble

[02:50:15] [SPEAKER_05]: can relax for a fucking minute we've all finished a hot yoga class our ears are ringing like we're

[02:50:21] [SPEAKER_05]: yeah exactly yeah it's like that kind of feeling and just sitting in silence because we had muted the

[02:50:26] [SPEAKER_05]: movie and just looking at laura dern and it was almost like because so much of david lynch is about

[02:50:32] [SPEAKER_05]: these right portals openings passages keys i had this crazy feeling that the world of the movie like

[02:50:39] [SPEAKER_05]: when you're watching a movie you know that the world of the movie is this two-dimensional plane

[02:50:45] [SPEAKER_05]: that the light is being projected on and you kind of enter into it but in this moment i had this crazy

[02:50:50] [SPEAKER_05]: feeling that the world of the movie is moving towards me in a third dimension like i'm in it now

[02:50:56] [SPEAKER_05]: i don't like you know what i mean like it was just i don't know how to explain it really but it was like

[02:50:59] [SPEAKER_05]: holy fuck like we're kind of in this movie because this is a movie about moving between planes and

[02:51:06] [SPEAKER_05]: realities and like we kind of did that like when it was over i said you know what i think i love this

[02:51:12] [SPEAKER_05]: movie like i love inland empire it gave me such a special experience of engagement and creativity

[02:51:22] [SPEAKER_05]: creativity and and being in being in active conversation with the movie that is really

[02:51:29] [SPEAKER_05]: difficult if not impossible to quote understand yeah but by using a non-verbal technique of noise

[02:51:35] [SPEAKER_05]: making and music making like to really like try to get a handle on it it was so awesome and i'm so

[02:51:42] [SPEAKER_05]: grateful to david lynch for being a somewhat commercially viable director who can make something

[02:51:51] [SPEAKER_05]: that can kind of like change the way i engage with movies like this dude is the greatest living

[02:51:57] [SPEAKER_05]: american director like there is no one like him there's no one like him no one can do what he did

[02:52:04] [SPEAKER_05]: you're right in part because of historical accident in part because like he was an eagle scout who got

[02:52:09] [SPEAKER_05]: into transcendentalment like all these particulars like he's just the greatest i mean he's the fucking

[02:52:14] [SPEAKER_05]: greatest i mean you're just like ramping up you just like keep finding another year when i think

[02:52:18] [SPEAKER_05]: about it it's just like so terrific like what a fucking nut job this guy is and yet he has so

[02:52:23] [SPEAKER_02]: much love for humanity yeah it's so inspiring you're right that's that's the thing is did dark

[02:52:28] [SPEAKER_02]: and despairing and hollowed out as it can get it's not cynical and it's not like punishing no it's not

[02:52:34] [SPEAKER_04]: like simplistic way you know like fucking neil abute's always like look at this play about how

[02:52:38] [SPEAKER_04]: shitty people are oh what you can't handle what ass it's like fucking easy yeah dog shit and go

[02:52:43] [SPEAKER_01]: that's dog shit right exactly want to smell it shitty people are bad yeah who fucking cares can i

[02:52:52] [SPEAKER_01]: we you know jj put so much into all these dossiers or researcher uh who is fired of course uh and uh

[02:53:00] [SPEAKER_01]: much more than we can ever say on mic and in our elephant man episode which was uh 15 years ago i

[02:53:06] [SPEAKER_01]: think approximately there was a quote that has really stuck with me that i forgot to bring up in

[02:53:10] [SPEAKER_01]: the episode and i've been like when is there going to be a relevant time for me to bring this back

[02:53:14] [SPEAKER_01]: here's the what's the quote but it's stuck in my cry i haven't pulled it up here and it feels

[02:53:17] [SPEAKER_01]: your your manifesto you just went on feels like the perfect on ramp to this okay and then i have a quote

[02:53:23] [SPEAKER_01]: you even you're talking about him being a semi-commercial artist right right the man who largely like

[02:53:30] [SPEAKER_01]: helps him transition that state is mel brooks yes a guy who also such a great story then takes his

[02:53:37] [SPEAKER_01]: name off of the movie because he's like i don't want people to get the wrong expectation right yeah

[02:53:41] [SPEAKER_01]: but his famous tale of like stuart korenfeld showing him a racer head as like you want to see the

[02:53:45] [SPEAKER_01]: weirdest shit i've ever seen in my life and then mel brooks is like this is a real filmmaker this isn't

[02:53:50] [SPEAKER_01]: some guy making some weird gonzo thing there's like a real filmmaker here he could make a studio movie

[02:53:55] [SPEAKER_01]: right and and then the whole arc we've gone on obviously it's not done next four weeks will be

[02:54:00] [SPEAKER_01]: twin peaks the return but this is his final feature film as of recording mel brooks has this quote uh

[02:54:10] [SPEAKER_01]: he's from 2001 many many years after elephant man looking back on it and he says i felt i was dealing

[02:54:17] [SPEAKER_01]: with a true artist with david lynch i felt that he was as close to the phenomenon of life and why we're

[02:54:24] [SPEAKER_01]: here and why we have to die as any artist i've ever met perfect yeah it's perfect it is such a simple

[02:54:30] [SPEAKER_01]: direct statement for a guy who is often seen as so hard to parse and we're all going to spend decades

[02:54:36] [SPEAKER_01]: trying to untangle the webs but i just think like fucking brooks hit the bullseye there and that's

[02:54:41] [SPEAKER_01]: what he identified in watching his first film and working with him on his second film and two very

[02:54:47] [SPEAKER_01]: different movies in a lot of ways and similar in other ways but like in a way that's kind of what all

[02:54:53] [SPEAKER_01]: of his fucking movies are about it is why you cannot totally crack them because he's making

[02:54:59] [SPEAKER_01]: movies about these unanswerable questions that fundamentally kind of don't make up to sense

[02:55:05] [SPEAKER_01]: that kind of fundamentally are absurd yeah and i think his keys i don't know why you guys well

[02:55:10] [SPEAKER_05]: that's what it's about you just have to it's just like with life you just have to sit with it

[02:55:13] [SPEAKER_05]: and react to it and try your best you know it's like the eagle scout way you know it's like

[02:55:18] [SPEAKER_01]: brooks this other great line was he's like jimmy stewart from mars yeah

[02:55:23] [SPEAKER_02]: yeah i love that i that that's right jimmy stewart from mars so when we were done watching

[02:55:27] [SPEAKER_05]: the movie and and packing up our gear and everything and just like marveling at it like

[02:55:32] [SPEAKER_05]: that was so fun like we got to do this like we should come up with a list of other movies that we

[02:55:36] [SPEAKER_05]: can like do this type of engagement with this this live scoring big mama's house big mama's house and

[02:55:42] [SPEAKER_05]: and the clumps or the crumps or whatever it's called um crumbs would be good we were thinking like um

[02:55:47] [SPEAKER_05]: who are the other like who who are the other dave lynchers like who else can do this and it's like

[02:55:52] [SPEAKER_05]: well obviously no one is like david lynch right he's one of a kind walt becker but i was thinking

[02:55:58] [SPEAKER_05]: about like other artists who just have this fully realized vision and the person i thought of was um

[02:56:04] [SPEAKER_05]: the french american artist louise bourgeois you guys know her she's famous for these huge metal

[02:56:11] [SPEAKER_05]: sculptures of spiders she loves a big old spider they have the movie enemy uses them the imagery like

[02:56:17] [SPEAKER_05]: that yeah she died in her late 90s and i was i had was really struck with the comparison so

[02:56:23] [SPEAKER_05]: i never really liked her stuff it's it's like um she was an iconic 20th century feminist artist she

[02:56:29] [SPEAKER_05]: made a lot of sculptures that are like about being embodied and they have like protuberances and all

[02:56:35] [SPEAKER_05]: kinds of growths and stuff and she uses like sometimes untraditional sculptural materials

[02:56:41] [SPEAKER_05]: and it it's like feels really intimate and really kind of like icky a lot of it but she worked in all

[02:56:47] [SPEAKER_05]: different types of media so once i was in dc and the corcoran gallery was having a lifetime retrospective

[02:56:54] [SPEAKER_05]: of louise bourgeois it was like i don't know seven decades of her artwork it was like a true lifetime

[02:57:01] [SPEAKER_05]: because she was in her 90s at that point my friend and i like all right let's go check it out see what it

[02:57:05] [SPEAKER_05]: is room after room of these artifacts of someone expressing all this inchoate deep deep stuff through

[02:57:19] [SPEAKER_05]: art through drawing through prints through sculptures through things that look like it like they could

[02:57:25] [SPEAKER_05]: have been sets or props in a david lynch movie you know the same type of interest in bodies or like a

[02:57:32] [SPEAKER_05]: who who made video drama that guy kranberg yeah that kind of stuff like a lot of unsettling

[02:57:38] [SPEAKER_05]: beautiful objects and and as i was going as i was going through the exhibit i was like holy fuck

[02:57:44] [SPEAKER_05]: this is this is a real artist this is someone who lived their life and and truly expressed it i mean you're

[02:57:53] [SPEAKER_01]: asking who else fits into that bucket the very few american artists we could describe that way and i got one

[02:57:59] [SPEAKER_01]: top of my head who's that ben hosley is pointing at that you got that louise bourgeois stuff i feel

[02:58:06] [SPEAKER_01]: that ben is as close to the phenomenon of life and why we're here and why we have to die as any artist

[02:58:10] [SPEAKER_01]: i've ever met wow that's a huge compliment so at the so you have a similar commitment to you said who

[02:58:16] [SPEAKER_01]: else would point a stick with a ball at a painting ben would do that i would do that you bury a pair of

[02:58:21] [SPEAKER_06]: pants in the dirt for 20 years wasn't that your business yeah yeah yeah i'm actually that's one of the

[02:58:26] [SPEAKER_05]: things i'm doing in la burying pants or digging them up burying them the amount of projects that ben

[02:58:32] [SPEAKER_01]: has done that have might never be released that he kind of does for himself that's the way to do it man

[02:58:38] [SPEAKER_05]: secret projects so let me finish this story so we we go through this whole exhibit it's it's truly

[02:58:45] [SPEAKER_05]: like a an artist life work someone that i had never really engaged with because it made me uncomfortable

[02:58:50] [SPEAKER_05]: and by the end of it i'm like this is terrific like what what she did is like heroic and then at the end

[02:58:55] [SPEAKER_05]: the thing that really put it over the edge and i think this quote is almost like could be like a capstone

[02:59:01] [SPEAKER_05]: to david lynch's career she had a little piece of embroidery it was like a vintage handkerchief like a

[02:59:10] [SPEAKER_05]: cotton handkerchief with like a blue border or like a light blue pattern it was very old and she had

[02:59:16] [SPEAKER_05]: embroidered text on it in light blue and all capital letters remember i'm seeing this after i've just walked

[02:59:21] [SPEAKER_05]: through a life's work of like really wrenching stuff right someone really seeking to express themselves

[02:59:29] [SPEAKER_05]: explain the world to themselves all this kind of stuff on this on this little handkerchief she'd

[02:59:34] [SPEAKER_05]: embroidered i've been to hell and back and let me tell you it was wonderful tears flowing from my eyes

[02:59:44] [SPEAKER_05]: like holy shit what an artist what an artist and i really do feel like david lynch has has yeah a lot

[02:59:53] [SPEAKER_05]: of that energy especially in this movie right yeah it's just like so awesome it's so inspiring process

[03:00:00] [SPEAKER_05]: film yeah yeah yeah yeah it's just great yeah i agree it's just great thank you for being here thanks

[03:00:06] [SPEAKER_01]: for having me back it was great to see you guys i i just like i the fact that you'd only seen this movie

[03:00:11] [SPEAKER_01]: once and throwing you the lynch list and you saying yeah why not inland empire

[03:00:17] [SPEAKER_01]: gave you the opportunity to have this experience no i thank you guys no i mean yeah i should thank

[03:00:21] [SPEAKER_05]: you for that it just feels no it's true it was nice it was nice to it was nice to uh because of all the

[03:00:27] [SPEAKER_05]: movies that i've come on to talk about this is the one where i hadn't seen it in a long time and i

[03:00:32] [SPEAKER_05]: wasn't sure i loved it like those other movies that we've talked about like i really love all those

[03:00:35] [SPEAKER_05]: movies they're terrific you know and this one i just remembered the memory of like that was a total

[03:00:40] [SPEAKER_05]: cinematic experience the first time i saw it and so i'm really happy that i got to come back and

[03:00:45] [SPEAKER_05]: then have this other total cinematic experience i think is honestly going to like kind of change the

[03:00:50] [SPEAKER_05]: way i engage with movies going forward so thank you to you guys can you remind me the date you saw

[03:00:54] [SPEAKER_05]: this film march 10th 2007 oh on my on exhibit b was march 10th i saw it on march 10th 2007

[03:01:07] [SPEAKER_05]: three days later i saw the lives of others good movie yeah 310 to you we didn't even talk about

[03:01:13] [SPEAKER_02]: the remake of 310 to yuma another absolute banger yeah yep yep uh ratatouille best secretly a western

[03:01:21] [SPEAKER_01]: though we are so excited to say that this week's box office game is brought to you by our friends at

[03:01:28] [SPEAKER_01]: regal with the regal unlimited program it's an all-you-can-watch movie subscription pass that

[03:01:33] [SPEAKER_01]: pays for itself in just two visits see any standard 2d movie anytime with no blackout dates or restrictions

[03:01:38] [SPEAKER_01]: here's what you should do follow the link in the show notes or go to the regal app click the

[03:01:43] [SPEAKER_01]: unlimited banner and then follow the instructions to sign up and enter promo code blank check

[03:01:47] [SPEAKER_01]: when prompted receive your 10 discount on your first three months so i we've done the box office

[03:01:54] [SPEAKER_02]: game for inland empire before it's the weekend the holiday came out oh wild well it's been a while i

[03:01:59] [SPEAKER_02]: would remember this but we could also do that weekend oh march 10th well i won't play because

[03:02:06] [SPEAKER_02]: i'm looking at all of the movies right here but i would do either i genuinely don't think all right

[03:02:11] [SPEAKER_02]: well here's the opening weekend of course inland empire opens on like you know a couple screens

[03:02:16] [SPEAKER_02]: so it's not in the top it opens on three screens yes in fact um but number one at the box office

[03:02:21] [SPEAKER_02]: is not the holiday but it is a new film it is a kind of amazing action uh historical epic directed by

[03:02:29] [SPEAKER_02]: a guy who's good at that kind of thing but also has a couple of uh you know behavioral it's a ridley

[03:02:35] [SPEAKER_02]: scott no no no he's got behavioral he's done a couple bad things in his life i don't know why i'm

[03:02:40] [SPEAKER_02]: doing this voice to describe the actions of a sort of an awful guy he's done a couple bad things in his

[03:02:45] [SPEAKER_02]: life huh had some bad opinions and also just sort of you know been a bad person yeah it's 2006

[03:02:53] [SPEAKER_01]: yeah christmas time it's december it's christmas time it's historical epic you said yep oh it is

[03:03:02] [SPEAKER_01]: the very good film called apocalypto yes mel gibson's apocalypto wow look at that uh you know uh

[03:03:10] [SPEAKER_05]: sort of adventure was that you doing mel gibson was that what that voice was i was just like that

[03:03:14] [SPEAKER_01]: thing where it's like how am i supposed to talk about he's doing the this is the voice we affect

[03:03:18] [SPEAKER_01]: when we talk about that guy voice yeah um also that we all like this movie yeah the movie's in my

[03:03:26] [SPEAKER_02]: opinion kind of excellent uh ben you you're a fan of apocalypto right i remember you've talked about

[03:03:31] [SPEAKER_06]: in the past uh i wouldn't say a fan but i like that film number two at the box office is a car

[03:03:38] [SPEAKER_01]: want more no it's an animated film we've covered uh it's an animated film we've covered is it it's not

[03:03:43] [SPEAKER_01]: it's a mechis nope uh and it's not uh musker clements nope and it's not a selic nope uh it's

[03:03:52] [SPEAKER_02]: not a bird nope it's a guy who makes live action and animated films sure oh is it the motion picture

[03:03:59] [SPEAKER_02]: happy feet it's happy feet it's happy george miller's happy feet tap a tap a penguin dancing

[03:04:03] [SPEAKER_02]: penguin movie i've never seen that is that good it's it's good yeah i kind of prefer happy feet i was

[03:04:10] [SPEAKER_01]: say your shit would be happy feet too is that the you're a happy feet too man if i've ever met one

[03:04:14] [SPEAKER_01]: is there is that a real sequel yeah people didn't like it and bomb that rules is that the last movie

[03:04:20] [SPEAKER_01]: he made before he made mad max fury road happy feet two was happy feet one was such a success

[03:04:25] [SPEAKER_01]: that they were like we will let you make your mad max film if you make us a happy feet seriously

[03:04:30] [SPEAKER_01]: that's what it was and then happy feet two bombs it's one of the wildest drop-offs

[03:04:33] [SPEAKER_01]: in box office from one movie to another and happy feet won one best animated film he gets an oscar

[03:04:38] [SPEAKER_01]: and everyone's like oh god we're stuck making this mad max movie with him and then he delivers the

[03:04:43] [SPEAKER_02]: best movie ever made wow uh holiday is number three uh number four the box office is a film featuring

[03:04:49] [SPEAKER_02]: the character james bond uh that could be anything it's a lot of options it is casino rail yes and

[03:04:55] [SPEAKER_02]: number five new this week and underperforming although it will have a major decent legs okay not

[03:05:01] [SPEAKER_02]: major legs uh but we'll get oscar like stand down got a bunch of oscar noms including two acting

[03:05:07] [SPEAKER_02]: noms it's a big adventure drama action very serious it's about issues it's underperforming

[03:05:18] [SPEAKER_02]: uh it's a huge movie star it's a huge movie star is it a cruise no no is it blood diamond blood

[03:05:24] [SPEAKER_02]: diamond yeah there we go di caprio and blood diamond uh then you've also got uh the wonderful

[03:05:31] [SPEAKER_02]: incredible deja vu at number six you ever seen deja vu i don't think so i think you'd love it a sim's

[03:05:37] [SPEAKER_02]: favorite what is it about it's a tony scott film about a uh denzel washington plays a guy who's

[03:05:43] [SPEAKER_02]: investigating a terrorist attack uh and then like uh is exposed to strange surveillance technology that

[03:05:50] [SPEAKER_02]: he eventually realizes is time travel technology it's completely insane it's like source code with

[03:05:54] [SPEAKER_05]: jake gyllenhaal you ever see that one that was good yeah he's on a train he keeps like looping back

[03:05:59] [SPEAKER_06]: to try to find the terrorists weird it almost feels like i've seen that movie

[03:06:02] [SPEAKER_02]: nice uh you've also got unaccompanied minors the paul feig kids uh film based on uh this american

[03:06:11] [SPEAKER_02]: life story yes yep uh you've also got uh the nativity story the um katherine hardwick

[03:06:17] [SPEAKER_02]: manger movie yep uh deck the halls that's the jamie lee curtis is nope that's christmas

[03:06:24] [SPEAKER_01]: at the cranks this one is danie devito and matthew broderick fighting over who has more lights on

[03:06:28] [SPEAKER_02]: their house and you have the absolutely reprehensible the santa claus three the escape

[03:06:34] [SPEAKER_01]: one of the most evil films ever a kind of lynchian glimpse into the portals of madness now when uh and

[03:06:40] [SPEAKER_02]: we really should just be done but when david saw the film number one at the box office was a surprise

[03:06:45] [SPEAKER_02]: smash hit uh r-rated action movie uh it would be called 300 300 right did you see 300 no i was

[03:06:53] [SPEAKER_05]: too um i heard it was fascist and so i withheld my money i did not want to promote that ideology

[03:07:00] [SPEAKER_01]: snyder's response was like yeah it was it's about the fascism of our war in iraq wasn't he

[03:07:06] [SPEAKER_05]: kind of saying some shit like that it's not my uh favorite of his my favorite thing is to refuse

[03:07:11] [SPEAKER_05]: to see a movie because i've decided it's fascist yeah that's like my that's like my hobby it's good

[03:07:16] [SPEAKER_05]: and then to announce it proudly to everybody well we actually i never saw happy feet too actually i

[03:07:21] [SPEAKER_02]: heard it was kind of fascist there's a lot of fascist movies in this top uh number two at the

[03:07:25] [SPEAKER_02]: box office big family comedy starring tim allen and others well it's wild hogs one of the most

[03:07:30] [SPEAKER_02]: fascist films of the 21st deeply fascist movie about uh the lure of motorcycle gangs uh number three is

[03:07:36] [SPEAKER_02]: a adaptation of a young adult classic it's a bridge to terabithia yeah hugely fascist movie of course

[03:07:44] [SPEAKER_02]: number four the bridge is too fascist right i've never seen it that's uh i read the book um number

[03:07:50] [SPEAKER_02]: four is uh a comic book adaptation hmm is it ghost rider nick cage and ghost rider kind of a

[03:07:57] [SPEAKER_01]: how do you do this man every single time this is the matrix inside my head what this is why it takes

[03:08:03] [SPEAKER_01]: so long for me to respond when you ask me a simple question is because i have to shut down the box office

[03:08:07] [SPEAKER_05]: page it's just like running like a crawl when people ask me what time it is i'm like i have to x out of

[03:08:12] [SPEAKER_01]: like 17 tabs wow um number yeah ghost rider movie in which peter fonda plays the devil it's kind of a

[03:08:18] [SPEAKER_01]: fascist movie a genuine thing i texted david last night is you know what i think about a lot that

[03:08:22] [SPEAKER_01]: angel eyes and shrek came out on the same weekend it's true it's a thing i think about way too often

[03:08:28] [SPEAKER_02]: number five of the box office gives a shit one of the great films of 2007 david already invoked it many

[03:08:33] [SPEAKER_02]: times uh it's a holder from 2007 no no no oh one of the early films it's zodiac zodiac yeah um and

[03:08:41] [SPEAKER_02]: then you've also got norbit fascist number 23 fascist music and lyrics not fascist breach not

[03:08:47] [SPEAKER_02]: fascist amazing grace it'd be rude for me to call the movie about the anti-slavery movement fascist

[03:08:52] [SPEAKER_02]: so not fast okay funny um yes so that's what was that so actually yeah not a lot of the movie but

[03:08:57] [SPEAKER_02]: zodiac uh you did see in the theater i loved it i think that's probably the only thing you probably

[03:09:05] [SPEAKER_02]: saw well the lives of others is here as you mentioned uh pan's labyrinth you probably saw that

[03:09:09] [SPEAKER_02]: a lot of those anti-fascist very anti-fascist yeah it would be really rude to call that

[03:09:14] [SPEAKER_01]: fascist that would be nakedly anti-fascist you held a press conference to announce you were going to

[03:09:19] [SPEAKER_05]: see that movie only high school movie critic david reese would dare to say that you'd be like i see

[03:09:26] [SPEAKER_02]: through the right exactly yeah we are done we have podcasted for a long time as we are want to do on

[03:09:31] [SPEAKER_01]: our david lynch miniseries uh people should watch going deep with david reese now seemingly on youtube

[03:09:37] [SPEAKER_05]: dicktown on hulu and election profit makers can i plug something of course you should

[03:09:42] [SPEAKER_05]: well this is coming out before or after the election what's y'all scheduling after this is coming out

[03:09:47] [SPEAKER_05]: around depending on how the election goes my podcast might still be going no come on you got

[03:09:51] [SPEAKER_02]: to keep it going we'll see we'll see uh election profit makers is a great is a salve for me every

[03:09:57] [SPEAKER_02]: week sim talks about it all the time you and the great john kimball talking about you know

[03:10:01] [SPEAKER_02]: skylines and that's right uh foot pedals and uh i don't know occasionally politics every so often

[03:10:09] [SPEAKER_02]: um it's great and uh you know i was getting worried for you guys things just felt a little despairing

[03:10:17] [SPEAKER_05]: in the democratic party that hollowed out feeling yeah it was getting a little linchy yeah in the

[03:10:23] [SPEAKER_02]: presidential joe but things have changed recently and feel a little more energetic so that's good

[03:10:28] [SPEAKER_01]: here's another thing i texted you last night our biggest takeaway from 2024 should be that

[03:10:33] [SPEAKER_01]: presidential campaigns it should be illegal for them to be longer than six months yeah it should

[03:10:38] [SPEAKER_05]: be like parliamentary elections yes the brits have it right six weeks and out let's just you know

[03:10:42] [SPEAKER_06]: race to the finish uh you can find all the links to david's work in the episode description great

[03:10:49] [SPEAKER_05]: thank you for being here thanks for having me it was really fun it's great to see all you guys i'm glad

[03:10:53] [SPEAKER_01]: we made it happen in person it was it was uh it was touching go we'll talk about it one day

[03:10:57] [SPEAKER_01]: we'll talk about it one day take us out thank you all for listening please remember to rate review

[03:11:03] [SPEAKER_01]: and subscribe thank you to marie bardi for helping to produce the show marie's gonna be posting a bunch

[03:11:08] [SPEAKER_06]: of images on our social that have been discussed in this episode great and you know what hey why not

[03:11:13] [SPEAKER_06]: just get ahead of it and say we're gonna have a newsletter it might not even exist at this point

[03:11:18] [SPEAKER_01]: let's fucking state that intent on mic let's make it happen let's babe ruth it be the newsletter

[03:11:24] [SPEAKER_01]: we want to see in the world uh thank you to aj mckeyan for editing the show he's also our production

[03:11:29] [SPEAKER_01]: coordinator thank you to jj birch for our research thank you to joe bone pat rounds for our artwork

[03:11:36] [SPEAKER_01]: layman garmie and the great american novel for our theme song you could go to blank check pod.com

[03:11:41] [SPEAKER_01]: for links to some real nerdy shit including possibly our newsletter by this point in time

[03:11:46] [SPEAKER_01]: tune in next week for the first chunk of twin peaks the return is that right yes that's

[03:11:51] [SPEAKER_02]: finishing out the rest of the year no i know i just couldn't remember if there was any other

[03:11:54] [SPEAKER_02]: i double checked unless some crazy no here got moved up in fact i know i'm just saying

[03:11:59] [SPEAKER_01]: maybe unless costner wants to sneak it in there yeah right that's that could happen we'll see what

[03:12:04] [SPEAKER_01]: happens but uh presumably next week twin peaks the return barreling straight into that to finish out

[03:12:09] [SPEAKER_01]: lynch at the end of 2024 bye-bye oh and as always yes and as always bye-bye